Candice EisenfeldAt the Center of the Forest, Original Painting2019
2019
About the Item
Artist Comments
A sophisticated, dreamlike view of divergent paths one can take. The middle path appearing as a painting within a painting, framed by a deep red expressionist color block. Candice says of her inspiration for this piece, "One of the most beautiful places to visit is northern Georgia, amidst a rainy forest. Just before sunrise a deep fog mist silhouettes the trees. No one is around- just silence and the forest and a trail offering discovery."
About the Artist
Words that describe this painting: forest, Georgia, trees, woods, hudson river school, forest, morning, dawn, spiritual, path, road, trail, alone, traveling, discovering, adventure, expressionism, landscape, representational, acrylic painting, red
At the Center of the Forest
Candice Eisenfeld
Acrylic painting on wood
Natural wood edges
Varnished and Ready to hang
One-of-a-kind
Signed on front and back
2019
24 in. h x 52 in. w x 3 in. d
19 lbs. 0 oz.
- Creator:
- Creation Year:2019
- Dimensions:Height: 24 in (60.96 cm)Width: 52 in (132.08 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:At the Center of the Forest. Candice Eisenfeld. Acrylic painting on wood. Natural wood edges. Varnished and Ready to hang. One-of-a-kind. Signed on front and back.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 657511stDibs: LU92215153232
- ShippingRetrieving quote...Shipping from: San Francisco, CA
- Return Policy
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View AllArtist Comments
Artist Candice Eisenfeld draws inspiration from the silhouetted trees of the rainforests of Northern Georgia. "One early morning as the fog was clearing, a hawk guided me through the mountains," shares Candice. "The hawk led me through ethereal, meditative places with overwhelming beauty." She took photographs of her journey and painted her experiences of the adventure. "The bottom image depicts the rough, beginning of the journey and the scene portrays the ending. The rough, orange texture denotes the bark of the trees."
About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...
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Artist Candice Eisenfeld presents a painting within a painting emanating warmth and light from the middle. "These paintings are meant to explore levels of meaning as they connect our personal experiences to a world severely distanced from ourselves," states Candice. Her interest lies in understanding what is at the core of human nature—desire, curiosity, love, and hope. "It is narrating a personal archeology of the id while simultaneously relating to other people what is timelessly universal."
About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest Airlines...
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