Damien Hirst

Damien Hirst, Blue Butterfly, Etching, 2008

2008

'Raw Earth' Iris with Silver Leaf is a silkscreen print on paper created in 2023 by Marc Quinn. This signed print is an exclusive edition of only 50 in existence. The custom framed d...

Damien Hirst’s ‘Suiko’ is laminated giclée print on aluminum composite panel with glitter, and is one in a series of five mesmerizing prints in ‘The Empresses’ series. ‘Suiko’ is tit...

The luxury pop-art 'I Love You' millennial pink and gold foil block butterfly was created in 2015, as one of fourteen in the limited edition release of iconic silkscreen prints in ho...

Kynance Cove which is part of the ’Coast Paintings’ series. Created in 2019, ’Coast Paintings’ are colourful action paintings which convey the energy, excitement and change experienc...

This piece titled "Space Oddity" is a limited edition piece by Kate VanVliet and is made from hand-colored intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece ...

Etching in colours with letterpress relief and a 266-page book Signed on the front and numbered on the back by the artist Print: 31.9 × 22.4 cm (12.5 x 8.8 in) Book: 32 × 23 cm (12.5...

Etching in colours with letterpress relief and a 266-page book Signed on the front and numbered on the back by the artist Print: 31.9 × 22.4 cm (12.5 x 8.8 in) Book: 32 × 23 cm (12.5...

“INTERIORS IV : HOTEL PARADISE” Contemporary artist Peter Milton created this etching and engraving in 1987. The printed Image size is 24 x 35.50 inches and the paper size is 30.75 x 41.75 inches. This impression is signed, dated, and titled in pencil, and inscribed “84/175” – the 84th impression of an edition of 175 pieces. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul.” – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...