Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Jason (Jessie) Herron
Winged Male Figure - Apollo

c. 1930s

About the Item

Winged Male Figure - Apollo, c. 1930s, polychrome bas-relief of cast aggregate, 12 x 26 inches; the mold from which this cast was taken by the artist is illustrated in St. Gaudens, Maurine, Emerging from the Shadows: A Survey of Women Artists Working in California, 1860-1960, Schiffer Publishing, Inc. (2015), p. 487; provenance includes Estate of Spencer Jon Helfen; presented in a newer wood frame Winged Male Figure is an extraordinarily rare Art Deco bas-relief created around the time Jason Herron served as the Federal Art Project (FAP) sculpture supervisor for Los Angeles. Although Herron produced other bas-reliefs, such as Woman with Red Ball (Collection of Mitchell Wolfson, Jr., courtesy of the Wolfsonian - Florida International University), there are no other known examples of this work. In her encyclopedic Emerging from the Shadows: A Survey of Women Artists Working in California, 1860-1960, Maurine St. Gaudens describes the mold for this work, "Winged Male Figure - Apollo was originally executed as a mold from which a bas-relief would have been cast. This is the negative master form with the rebar supports evident verso. It is unknown whether a completed bas-relief was ever cast from the mold, but at some point, the artist treated the mold as an independent work adding polychrome to the surface." Like the original mold described by St. Gaudens, Herron painted the bas-relief to create a beautiful surface effect with subtle shadows and shimmering highlights. The underlying form is a sleek and stylized art deco image that fits elegantly with the prevailing 1930s Machine Age aesthetics of the type which adorned buildings across the country. Jason Herron was one of the most prominent female sculptors living and working in California during the first half of the 20th century. Born in Denver, Colorado, her given name was Jessie Emerson Herron, but she assumed the name “Jason” early in her professional career. As an infant, Herron moved with her family to Los Angeles. She earned a bachelor’s degree from Stanford University and studied art at L’Academie Colarrossi in Paris, the Los Angeles Art Institute, the Otis Art Institute, and the University of Southern California. Herron was active in the Federal Art Project, a New Deal program which provided work to artists across the country. Herron served as Supervisor and Assistant Supervisor of Sculpture for the Federal Art Project in Los Angeles. Together with Henry Lion and Sherry Peticolas, Herron sculpted a work entitled The Power of Water in Lafayette Park in Los Angeles. She also sculpted two large works, Erda and Modern Youth, both of which were placed in Los Angeles Country Schools by the Project. Herron was well respected not only as an artist, but also as a savvy arts administrator. In 1941, she served as the Southern California Chairperson for National Art Week, an ambitious program with the dual purposes of promoting the sale of paintings, sculpture, drawings and prints for the benefit of artists who were still struggling under the weight of the Great Depression and providing the opportunity for average Americans to purchase artwork at a fraction of the customary prices by avoiding the traditional gallery system. Herron served on the board of governors of the Los Angeles County Art Institute and the Otis Art Institute. She was a member of the Los Angeles Art Association, California Art Club, Western Women Art Association, and the Southern California Artists. Herron exhibited nationally during the 1930s and 1940s, including at the Legion of Honor (San Francisco), the National Academy of Design (New York), the Los Angeles County Museum of Art and the Corcoran Gallery of Art (Washington DC). She won prizes at the Los Angeles County Fair (1934), the Pomona Fair (1934), the Ebell Club (Los Angeles 1935 and 1939), and the California Art Club (1946). She is listed in Who Was Who in American Art and other standard references.
  • Creator:
    Jason (Jessie) Herron (1900 - 1984, American)
  • Creation Year:
    c. 1930s
  • Dimensions:
    Height: 12 in (30.48 cm)Width: 26 in (66.04 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Los Angeles, CA
  • Reference Number:
    1stDibs: LU1859216267542

More From This Seller

View All
Plate with Ram (Untitled)
By Henry Varnum Poor
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Glazed and...
Category

1920s American Modern More Art

Materials

Ceramic

Tennessee WPA Textile - Musical Abstraction (Untitled)
Located in Los Angeles, CA
Musical Abstraction (Untitled), c. 1935 - 1942, handwoven and embroidered textile on linen, 23 1/2 x 19 1/2 inches, label verso reads "Tenn. WPA Project handwoven / Related Art Dep. ...
Category

1930s American Modern More Art

Materials

Textile

Milwaukee Handicraft Project WPA
Located in Los Angeles, CA
Milwaukee Handicraft Project, Applied Design Blockprinted Textiles Volume VI Supplement, c. 1935 - 1942, twelve block printed designs on linen, images are various sizes, each is moun...
Category

1930s American Modern More Art

Materials

Textile, Linen, Linocut, Woodcut

Three Chimneys
Located in Los Angeles, CA
Three Chimneys, 1956, oil on Masonite, signed and dated lower left, 18 x 36 inches, titled verso, presented in its original frame Three Chimneys is a prime example of Ethel Margolies’ Precisionist-influenced industrial scenes. Throughout the 1950s and 1960s, Margolies made a name for herself by painting the Northeast’s factories, foundries, and manufacturing plants. Although this subject matter is often associated with male artists, Margolies is part of an important lineage of female modernists who depicted symbols of America’s industrial might. Starting with artists like New Jersey’s Elsie Driggs and Chicago’s Yvonne Deluc Pryor, Margolies is part of a through line of women Precisionist painters that also included the West Coast’s Vanessa Helder. Whereas these artists tended towards a stark and pristine realism, Margolies seems to have been influenced by the 1920s and early 1930s work of Charles Demuth’s and Charles Sheeler’s highly designed paintings from the same period, as both adopted a cubo-futurist oriented brand of Precisionism. Ethel Polacheck Margolies was a Connecticut painter...
Category

1950s American Modern Landscape Paintings

Materials

Masonite, Oil

Cylinder and Pear
By Walter Tandy Murch
Located in Los Angeles, CA
Cylinder and Pear, c. 1959, oil on board, 18 x 24 inches, literature: W. Meyers, Walter Tandy Murch: Paintings and Drawings 1925-1967, New York, 2021, p. 176, pl. 41, illustrated; pr...
Category

1950s American Modern Still-life Paintings

Materials

Oil, Board

Cityscape (Untitled)
Located in Los Angeles, CA
Cityscape (Untitled), c. 1950s, mixed media on board, signed lower left, 13 1/2 x 18 inches, presented in its original frame Jean (Yanko) Varda was a Greek-born multi-media artist ...
Category

1950s American Modern Mixed Media

Materials

Paper, Oil, Photographic Paper, Board, Magazine Paper

You May Also Like

Yann Barrere - Bipède - Original Sculpture
By Yann Barrerre
Located in Collonge Bellerive, Geneve, CH
Yann Barrere - Bipède - Original Sculpture Dimensions: 80 x 85 x 48 cm Materials: Black Concrete "For me, the pleasure of sculpture is already that of pruning. It is a matter of phy...
Category

2010s Modern Abstract Sculptures

Materials

Concrete

PAX (BETWEEN TIMES) - Geometric Sculpture Vintage Salvaged Building Materials
Located in Signal Mountain, TN
Brian Russell Jobe (American, b. 1981) is an artist and non-profit director based in Knoxville, Tennessee. Jobe's studio practice is focused on sculptur...
Category

2010s Contemporary Figurative Sculptures

Materials

Concrete, Marble

Charred Sentry 2
By Gina Phillips
Located in New Orleans, LA
JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...
Category

21st Century and Contemporary Contemporary More Art

Materials

Concrete, Metal

Charred Sentry 3
By Gina Phillips
Located in New Orleans, LA
JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...
Category

21st Century and Contemporary Contemporary More Art

Materials

Concrete, Metal

Charred Sentry 1
By Gina Phillips
Located in New Orleans, LA
JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...
Category

21st Century and Contemporary Contemporary More Art

Materials

Concrete, Metal

Elegant and Neutral Contrast Decoration For Modern Spaces
By Arozarena De La Fuente
Located in Mexico City, MX
This beautful piece was handmade in the heart of Mexico City. The two colors chosen are perfect for decorating modern yet elegant spaces. It is a piece you will never get tierd of lo...
Category

2010s Abstract Abstract Sculptures

Materials

Cast Stone, Concrete

Recently Viewed

View All