Jonathan Swift

"Engravings by Rex Whistler for Jonathan Swift's Gulliver's Travels"

1971

The Jockeys' Association of Great Britain 1973 First Edition 12" x 8 3/4" Introduction by Major-General Sir Randle Feilden. The Jockeys' Association of Great Britain. London. 1...

BEATON, Cecil [67] pp. Duckworth 1930 11 1/8" x 9" Exceedingly rare with the jacket Illustrated with a coloured frontispiece from the author's drawing of Queen Alexandra, 27 collotype reproductions of his photographs, and 100 line drawings in the text. I have tried to make my book an analysis of modern beauty, a collection of the loveliest ladies I have ever seen, and, in time, it may become a sentimental document for our granchildren, to marvel at all the types of beauty to-day; the latest varieties of Venus as well as the counterparts of former belles. The Book of Beauty is Cecil Beaton's first book. It is an unashamed paean to the beauty of the women who inhabit his world. The book is inspired by books of beauty published in the Victorian period and by his childhood fascination with the theatricality and glamour of the opposite sex. Photographs of women are accompanied by flowery descriptions. Sitters include Baba and Nancy Beaton, Edith Sitwell, Tallulah Bankhead, Tilly Losch...

Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics. The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists. Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.” Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell. Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...

Very rare. From part of a limited edition bound catalog produced by Galleria Flaviana on the occasion of Lucio Fontana's exhibition in 1966, during the artist's lifetime. There are t...