Laurent Durieux

“The Graduate” Fine Art Print by Laurent Durieux Lithograph Pop Art Contemporary

Size: 36,5 x 30 cm / 14,37 x 11,81 inches Limited Edition of 206/300 Signed and numbered by Laurent Durieux

Lithograph on thick art paper 23 × 15 in 58.4 × 38.1 cm Solo Show December 5th-19th Medium Print Condition Print is in good condition and has been stored flat since 2013. 8/10 Si...

Stamped on the Verso of the print and in Mint Condition. From the David Kordansky Gallery show in 2017. Very rare poster that has been stored flat since purchase. One of his most ...

Everything Everywhere All At Once (A24 Variant) Poster by James Jean Edition size of 1000 Poster size of 24" x 34.75" Lithograph sign...

'Sunflower' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand...

'Gloxinia' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...

Artist: Alexander Calder Medium: Lithograph Title: Untitled from Derriere le Miroir #173 Portfolio: Derriere le Miroir #173 Year: 1968 Edition: Unnumbered Signed: Unsigned Sheet Size...

HOMAGE TO DE CHIRICO is an original, hand drawn, stone lithograph by the Italian artist Antonio Recalcati (1938-2022) printed in Paris France c. 1973 using hand lithography techniques on archival printmaking paper, 100% acid free. HOMAGE TO DE CHIRICO presents a pop art style, surreal landscape depicting an ancient Roman monument and empty town square with a lone shadowy figure visible in the upper window; a mysterious still life arrangement is set in the foreground featuring a sandwich on a roll and drinking goblet positioned in the center. HOMAGE TO DE CHIRICO is very intriguing and somewhat amusing composition that keeps us guessing. Print size - 20.25 x 28.75 in., unframed, very good condition, vivid colors, pencil signed by Antonio Recalcati, Printer's Proof dedicated "Pour Joseph" In 1973, Paris Recalcati painted a series of pictures titled “The Boheme de Chirico”. It is an unconventional and ironic reading of the great Giorgio de Chirico. The metaphysical monuments in the squares are transformed into physical objects such as a sandwich, macaroni dish, Parma ham, etc. The exhibition at the “Galérie Mathias Fels” in Paris received great success from the critics. The text in the exhibition catalogue is by Alain Jouffroy. President Georges Pompidou, had sent a jeep from Élysée Palace to have some paintings to view. Recalcati took up the theme of "ham" several times, for example in a painting from 1973, "La bohème de Chirico, place d'Italie" or in the work "Jambon de Paris" from 1972. Recalcati often exhibited in the 1970's in Italy, Paris, Caracas, and New York. During this time the 'Ham series' was created. About the artist - Antonio Recalcati (2 May 1938 – 4 December 2022) was an Italian painter and sculptor, born in a working-class family in Bresso, a suburb of Milan. Born in 1938 in Bresso, near Milan, who died on 4 December 2022, Antonio Recalcati was a major artist of the second half of the 20th century. Known first as a painter of the New Figuration in Paris, he was later more closely related to the movement of the Narrative Figuration. Without an artistic background, he was noted in the first half of the 1960s by his "Imprections" (Impronte), paintings made by applying directly to the canvas and in oil his own body or empty clothes (shirts, underpants, body jerseys). This process is then of total originality. It carries an unprecedented expressionist charge, and it becomes enigmatic when combined with abstract shapes or narrative devices (space of the canvas separated into several boxes, such as a page of comics). Exhibited both in Italy; in Paris in the salons and galleries (Gallery Mathias Fels, gallery Claude Levin, Galerie André Schoeller); in Brussels (Fragmy Gallery, Lanzberg Gallery); in New York (Odissey gallery); he participates in historical exhibitions such as: (Paris, 1964); and , During these same years, he befriended poets (Jacques Prévert) and novelists (Dino Buzatti), and he participated – with other artists such as Gilles Aillaud, Eduardo Arroyo, and Jean-Jacques Lebel – in several collective works that had become emblematic of the commitment of a new generation of painters: Grand Tableau...