Ink More Art

Alfredo Casella Autograph Letter is an original manuscript by Alfredo Casella (25 July 1883 – 5 March 1947) an Italian composer, pianist and conductor...

Letter from Ottone Rosai addressed to Mino Maccari. Dated : 30 December 1940, Firenze. Dimensions: 23x14 cm. Good conditions, except a little missing parts lower left and in the mid...

Nesting, a facade. With its envelope. Greeting letter in which the writer communicates the countess the forthcoming publication of a new novel.

Mario Giannini Hand-written Note on paper realized in 20th century Good conditions, with slight foxing. Mario Giannini was born on1920 in Rome, Lazio, Italy. He was an actor, known...

The artist loves to capture the shape of trees during the winter days. The river Windrush flows through many of the North Cotswold villages. the drawing is made in black ink with the...

F. N. Souza - Untitled Marker on Paper, 11 x 8.5 inches Marker on Tracing Paper Pasted on Board, 12.5 x 9 inches ( Set of 2 works ) (Unframed Delivered) Francis Newton Souza was born in 1924 in Saligao, Goa. After losing his father at a very young age and being afflicted by a serious bout of small pox, he vowed to go about life his own way. Souza was expelled for participating in the Quit India Movement while studying at the Sir J J School of Art in Mumbai. In 1947, he founded the Progressive Artists' Group along with S H Raza...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.5 X 19.5 Dated August 13, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

This is a unique Correspondence Signed by Dino Grandi to the Countess Pecci- Blunt, written at the end of 1950's (1957-1958) Including 6 items, In Italian, in very good conditions. ...

La Psychlogie du peuple americain is a typewritten text of an oral speech. Likely a transcription of an history conference hold by Bernard Faÿ. With pencil autograph notes to the Cou...

In this letter the poet speaks of some of his books to the countess. Good conditions, perfectly readable and dated Paris 20/12/1929.

Autograph Letter on visiting card by the Austrian composer Eduard Strauss (Vienna, 1835 - ib., 1916). Letter addressed to a gentleman on personal matte...

Somnath Hore - Untitled Pen & Ink on Paper, 7.1 x 10.8 inches (Unframed Size) ( Unframed & Delivered ) Inclusive of shipment mounted not framed, Should you wish to receive the same ...

This is a Autograph Card Signed by Giacomo Manzù to the Countess Pecci-Blunt. Milan, May 28th 1937. In Italian. One page-single-sided. Excellent condit...

Autograph Happy Easter Card by Carlo Quaglia to Silvio Perina. Paris, April 15th 1952. In Italian. Perfectly readable, excellent condition. Signed "Quaglia". A postcard of Happy Easter, sent from Paris by the Italian painter to the Director of CIM warehouses of Rome. Carlo Quaglia (Terni, 1903 - Rome,1970) The Italian painter Carlo Quaglia discovered his passions when he was an official in Libya, in the thirties, in Benghazi, Sirte and Derna. At the beginning of the Second World War, in 1940, he was taken prisoner by the British and transferred to India at Camp 27 of Yol on the slopes of the Himalayas. He spent five years of imprisonment devoting himself to the study of the arts, practicing the first painting tests that will lead him to take the decision to become a painter. Upon returning to Italy he took his leave and began his career as an artist. His was a short and successful career that led him to critical and public success. In his painting we find the colors of the Roman School of Scipio, Mario Mafai and Antonietta Raphaël...

Oil, enamel, and ink on canvas Signed in black, l.r. This artwork is offered by ClampArt, located in New York City. Inscriptions read: THE WALL, NOGALES In Nogales, I walk across...

Take a look at this "Grand Pavois - Correspondence" between Maurice Estève and Nesto Jacometti. Composed of three items written in 1956, in French, perfectly readable. In details: ...

Jacques Chastenet de Castaing (Paris, 1893- 1978) was a French historian, diplomat and politician. Co-director (1932-42) of “Le Temps”, he wrote “Wellington”, “Le siècle de Victoria...

Autograph Happy Easter Card by Miguel Angel Ibartz to Silvio Perina. Barcelona, March 25th 1959. In Italian. Perfectly readable, excellent condition. Signed by Miguel and Maria Glo...

This lot of Autographs by Guglielmo Janni to Anna Laetitia Pecci Blunt, is composed of 3 items, written around 1937, in French. In excellent condition, including original envelopes. ...

Quadriennale d'Arte di Roma is a lot composed of two typewritten letter signed by Fortunato Bellonzi, on letterhead paper "Quadriennale d'arte di Roma". One page, single-sided. In Italian. As good as new. In details: T. L.S. Rome, March 13th 1952. Addressed to the Countess A.L. Pecci-Blunt. Official request of courtesy of the Countess' Portrait of Jean Cocteau...

Collect this unique Autograph Letter Signed by the Countess Pecci Blunt to Bruno Barilli “International Rapprochements”, written in Italian at the middle o...

Autograph Letter of Thanks by Renato Guttuso to Libero de Libero. Signed. After 1937. In Italian. In 8. One page, double-sided. On light blue colored paper and on letterhead "Galleria Mediterranea / Palazzo de seta...

This is a Typewritten Letter Signed by Giuseppe Prezzolini to the Countess Pecci Blunt. New York, September 30th 1941. In Italian. One page, single-sided. On letterhead paper "Colu...

These Letters of Invitation by Jacques de Lacretelle to the Countess Anna Laetitia Pecci-Blunt, are 3 autograph letters signed, written between 1928- 1935, in French. In very good condition, except for the lettter written in 1928 with a visible strain. Including origial envelopes. A.L.S. June 28th 1928. A.L.S. March 19th 1933 A.L.S. April 6th, 1935 This correspondence between the French novelist of Silbermann and his mentor and patron of arts, Anna Laetitia Pecci Blunt is cmposed of three letter of invitation for a literary conference in Rome and for a pleasant trip around the natural beauty of Castelfusano and the architectural beauty of the capital. Background: Awarded with the Grand Prix du roman de l'Académie française...

Autograph Happy New Year Card Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, December 21st 1954 . In 24°. In French. Excellent condition: As good as Ne...

Ticket a map to reach the Villa Reale in Lucca, Countess Pecci-Blunt's country residence . With sketches and notes by the great Italian writer. Good conditions.

Autograph Happy New Year Card Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, December 21st 1954 . In 24°. In French. Exce...

Cagli write to inform the Countess Pecci Blunt about the end of his exams and his return to Rome. The letter also talks about the projects to be carried out together with the Countes...

A Journey to Austria is the main content of this Autograph Letter by Fabrizio Clerici to the Countess and Patron of arts, Anna Laetitia Pecci-Blunt. Bad Gastein...

This is a Autograph Letter Signed by Jean-Pierre Guillermet to Nesto Jacometti. San José, March 15th, 1960. Three pages, double-sided. In French. Excellent conditions, perfectly readable. This is a long letter of report written from San José, Costa Rica, by the Swiss artist, Jean- Pierre Guillermet, to the Swiss graphic art editor and collector Nesto Jacometti. A letter thatt reveals the "adaptation" of the European artist in Costa Rica, a tropical island that ignores the engraving art.With more upcoming projects in San Paolo, Colombia, Guillermet is preparing for the birth of his frst child in France. Jean-Pierre Guillermet (Porrentruy, Switzerland, 1921- San José 2017) The Swiss artist, best-known as painter, wood-engraver, lithographer, he realized murals and tapestries. His artistic career grew up during the 1950s and was strongly influenced by Abstract Expressionism atmosphere. Lover of travels, he explores Mexico during the Sisties and makes contacts with Japan. Nesto Jacometti (Locarno, 1898- 1973) Nesto Jacometti is still today a fascinating figure of the Locano and International cultural scene of the last century. Collector and editor of graphic art, he was the promoter of two important editorial projects and adventures: the Guilde Internationale de la Gravure and L’Oeuvre Gravée. Born in Locarno at the end of the 19th century, at the age of 30 he left Ticino to move to Paris and immerse himself in the bohemian atmosphere of Montparnasse. The war forces him to return to Switzerland, to Geneva, where he works in the journalistic field and he knows figures as Albert Skira and Pierre Cailler. With the latter one a collaboration born and resulted, in 1949, in a printing guild: an edition of etchings and lithographs destined for a wide circulation of the Paris School. During all his life, Jacometti collaborates and involves artists such as Rufino Tamayo and Jean Lurçat, Antoni Clavé, Zao Wou-Ki, Alfred Manessier, Gustave Singier and Zoran Music...

Joie de Vivre Mexicaine - A.L.S. is a Autograph Letter Signed by Jean-Pierre Guillermet to Nesto Jacometti. Mexico, May 15th, 1961. Three pages, double-sided. In French. Excellent c...

Card signed by Alfonso la Marmora. (20x9 cm). Perfect conditions. Collaborator of the King of Sardinia, Carlo Alberto, fought in the First Independen...

These are Autographs Letter Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, June 18th 1962 . On letterhead paper " Nicolas Nabokov , Paris" Rome, February 6th 1963. On letterhead paper " American Academy in Rome". In French. One page, sigle-sided. Excellent condition: As good as New. With original envelope included. The Russian-born composer never forgot to write to his mentor and patron of art A.L. Pecci Blunt, with each kind of request, mainly asking to meet her. Background: During the Fifties, Nicolas Nabokov became General Secretaryof the newly formed Congress for Cultural Freedom (CCF), backed by the CIA, and remained in the job for more than fifteen years, organizing music and cultural festivals, and was musical director of the American Academy in Rome (Villino Aurelia, Porta S. Pancrazio). Nicolas Nabokov (Russia 1903 –1978) The Russian-born composer and cultural figure, was the first cousin of the talented writer of "Speaks Memory", Vladimir Nabokov...

Autograph Happy New Year Card Signed and Dated by Alberto Lattuada to Maria De Matteis. Milan, December 30th 1941. 9.2 x 14 cm. In 24°. In Italian. Excelle...

Autograph Postcard Signed by Alberto Moravia to the Countess Pecci Blunt. Cortona, Italy, July 7th 1932. In Italian. Perfectly readable, excellent condition, including original envelope. From Villa Morra Metelliano in Cortona, Alberto Moravia writes this postcard of greeting and thanks to the Countess Pecci-Blunt, or Mimi, the patron of arts and the closed-friend of artists and intellectuals. The Italian writer thanks her for the wise and pleasant people met during the Parisian stay, at one of the Countess' residences. The background: During the period of this correspondence, Moravia has just started his carres as journalist: in 1927, Moravia met Corrado Alvaro and Massimo Bontempelli and they founded the magazine 900. The journal published his first short stories, but his life changed when he published in 1929 Gli Indifferenti, noteced by the critic. In 1930 Moravia started collaborating for the newspaper La Stampa, then edited by author Curzio Malaparte...

This set is composed of a pair of Autograph Letters Signed by Renato Guttuso to the Countess Anna Laetitia Pecci Blunt. In 8. In Italian. One page, One side. Signed and dated. On iv...

Autograph Letter Signed by Charles Albert Cingria to Nesto Jacometti. Around 1930s-40s. In French. One page, single-sided. In excellent condition, perfectly readable, except for a ...

This is a unique Set of Autographs Signed by Dino Grandi to the Countess Pecci- Blunt, written between 1955 and 1968. Including 3 items, In Italian, in excellent conditions. Perfect...

Take a look at this "Grand Pavois - Correspondence" between Maurice Estève and Nesto Jacometti. Composed of three items written in 1956, in French, per...

This lot, concerning the Hunter College's Benefit Evening, consists of three items written in Italian and English, in 1945, by Vittorio Ceroni Gonzaga,...

This is a Autograph Letter Signed by Carlo Ludovico Ragghianti to the Countess A.L. Pecci-Blunt. Florence, October 22nd, 1946. One page, single-sided. In Italian. On letterhead pape...

Collect this unique Family Memories - Autograph Letter Signed by Francesco Maria Guardabassi to the Countess Pecci-Blunt. Santa Barbara, September 26th 1944. One page, four-sided, on light blue colored paper, in 8°, in English. On leterhead paper "Woodstock Pride's crossing - Massachusetts". Excellent conditions, usual folds. Perfectly readable, including original envelope. Confidential Letter concerning family memories between the Italian painter of the Risorgimento, F. Maria Guardabassi (Umbertide, Perugia 1867 - Palm Beach, Florida, 1952), owner of the Villa La Torre Monaldi in Perugia, attended by the young Countess Pecci. "You are too young to remember me in Perugia, my native town, when you were a very little girl and me allready a young man aand a great lover of art and music". This autograph letter with a nostalgic beginning, continues with an apology of the Pecci family name. Indeed the prestige of the family grew at the end of the nineteenth century, when Cardinal Vincenzo Gioacchino Pecci ascended to the papal throne with the name of Leo XIII...

This Set of Autographs by the Italian artist Giovanni Omiccioli to Silvio Perina, the director of the CIM warehouses in Rome, includes 5 items, written around 1950's, 1960's, in Italian : Autograph Letter Signed, concerning a new Omiccioli's solo-exhibition, (he has to realize 70 new artworks) and ask to borrow "Piazzale di Ponte Milvio...

L.A.S. s. l. n. d addressed to Countess Pecci Blunt. (13.5x22 cm). Ripped on the bottom edge. As a regular client of the "Aragno" café, "oversaw" by Cardarelli and Francesco Trombadori, the young De Libero finds his place inside the new school of Via Cavour. In that environment, painters like M. Mafai, Antonietta Raphaël...

The batch of correspondence with Countess Anna Laetitia Pecci Blunt includes: Headed Business Card "Alberto Arbasino" with a handwritten message from the author. Rome, July 1, 1958....

This heterogeneous lot “Ungaretti –Futur Prix Nobel” deals with the Ungaretti's ambitious race for the Nobel Prize for literature in 1954. A Correspondence, with different senders a...

This is an Happy New Year Autograph Letter Signed and Dated by Giuseppe Ungaretti (Alessandria of Egypt, 1888- Milan 1970) to the Countess and patron o...

Back Cover is an original China ink and Watercolor artwork realized by Gabriele Galantara in 1913. In good conditions, there is some pencil notes on the back of the card. Gabriele ...

In the correspondence, Antonio Barrera writes to the Countess Pecci Blunt sending her a business card to invite her to his exhibition.

This is the Correspondance between Jean-Pierre Guillermet (Porrentruy, Switzerland, 1921- San José 2017) and Nesto Jacometti (Locarno, 1898- 1973). Composed of 8 items written in Fr...

Autographs by Édouard Pignon to Nesto Jacometti. This lot is composed of 2 items: Autograph Letter Signed by E. Pignon to N. Jacometti. April 28th 1...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 19.5 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Ganesh Haloi - Khoai Santiniketan 11 x 15 inches (unframed size) Ink on Paper, 2021 (Unframed & Delivered) Born : In 1936 Ganesh Haloi born in Jamalpur, Mymensingh, now in Banglade...

The artist loves to capture the shape of trees during the winter days. The river Windrush flows through many of the North Cotswold villages. the drawing is made in black ink with the...

Lalu Prasad Shaw - Biwi - 12 x 9 inches Ink on Canvas Board, 2022 ( Unframed & Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu...

Gurudas Shenoy - Europe Studio Oil on Canvas, 15 x 15 inches, 2020 (Pair) Inclusive of shipment in roll form. Gurudas Shenoy is a well-known artist bas...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 18 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant...

Prokash Karmakar Untitled Ink and Acrylic on Canvas 60 x 36 inches 91.4 x 122 cm 2005 shipment in roll form Approx 200 Usd Framed Shipment : 1000-1200 usd complimentary frami...

Angel Pressure N°1 Archival pigment print on 305gsm 100% cotton Hahnemühle Bespoke sizes available Numbered, signed and supplied with a Certificate of Authenticity. ADDITIONAL INFO...

Prakash Karmakar - Beach Series 14.5 x 11 inches (unframed size) Ink on Paper 2006 ( Framed and Delivered ) Style : Legendary master artist Lt. Prokash Karmakar from Bengal was sole...