1930s More Art

Circa Late 1920s - Early 1930s. It is all Bohlin made and marked to include the saddle, the headstall and the breast collar. All made in Hollywood California. The only non-Bohlin item is the bit which appears to also be early California. There is some interesting provenance of the fine saddle. It was commissioned by Charles R. Bell, married to Margaret Vail Bell who was the daughter of Walter Vail. On the Bolin nameplate it has engraved, Vail Ranch as well as made for Charles Bell. Charles Bell Died in 1939. The Vail Ranch has some great Western History which I will go into a little detail. You see, not only am I selling Saddles, but I’m also selling History. If you want to skip the history lesson you can just scroll down past the following info to images of the saddle. It’s no secret that ranching runs in the family blood. There is no greater example of that than California Rangeland Trust CEO Nita Vail. On April 14, 2018 Nita had the opportunity to witness her great-grandfather Walter L. Vail’s induction into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum. This high honor is bestowed by the Museum to “exceptional individuals who have made an indelible impact upon the history of the great West.” A pivotal figure in early California and Arizona ranching, Walter Vail joins just over only 200 individuals who have been inducted into this esteemed hall. The Vail legacy of advocacy and ranching lives on strongly through his descendants, including Nita. All these years later, Nita carries the mantle of advocacy for ranchers in her own work at the California Rangeland Trust. Reflecting on her great-grandfather’s induction ceremony in Oklahoma, Nita says, “Witnessing my great-grandfather’s induction with family and friends was an incredible experience and a reminder of why I do what I do. Ranching plays an integral role in the culture, economy, and quality of life in California. Generations later, I get to honor Walter L. Vail’s legacy in my work with the California Rangeland Trust every day, preserving those open spaces for new generations and partnering with ranchers to continue to sustain life on the range in California.” Walter Vail History A native of Liverpool, Nova Scotia, Walter Vail purchased the 160-acre Empire Ranch southeast of Tucson, Arizona in 1876, along with an Englishman named Herbert Hislop. In 1882, the Empire Land & Cattle Company was formed with Walter L. Vail as principal shareholder. Over the years Vail, along with various partners, expanded the original land holdings to include over one million acres. The year after Walter purchased the Empire Ranch, the Southern Pacific Railroad built a railroad line, which was great news for the Vail family as it provided a means for them to ship their cattle. Edward L. Vail, George Scholefield and Bird at the mouth of Rosemont Canyon ca. 1896-1898 Standing Up for Ranchers In the fall of 1889, the Southern Pacific Railroad announced they would raise cattle freight rates by 25 percent. They ignored loud protests from ranchers who had already been hit hard by depressed cattle prices. In response, the Vails made a plan to drive the cattle overland themselves without the railroad. They knew that, if they were successful, they could break the railroad’s monopoly on the ranchers and force prices down. Walter’s brother Edward Vail and foreman Tom Turner volunteered to drive the almost 1,000 steers on the 300-mile trip to the Warner Ranch in San Diego. The journey ahead would be grueling. Most of their trip was through desert with water sources 15 to 30 miles apart. The ranchers would face a slew of obstacles—a stampede, a chaotic Colorado River crossing, an encounter with a group of horse thieves. In spite of all the dangers and challenges, they reached their destination. Just 71 days after leaving Arizona, the Empire cowboys arrived at the Warner Ranch. They had only lost 30 steers. The historic Empire Ranch Trail Drive of 1890 inspired other Arizona ranchers to make similar drives as a stand against the railroad. That fall, a group of Arizona cattlemen met and agreed to fund improvements to establish a safe cattle trail from Tucson to California. In response to the united stand of the ranchers, sparked by the Vails, the railroad finally agreed to restore the old freight rate—on the condition that the cattlemen would make no more cattle drives. Walter Vail led by example, but he was also an active representative of ranching interests in the legislature. He served in the 10th Arizona Territorial Legislature in 1878 and in 1884 on the Pima County Board of Supervisors. He introduced two significant bills: One proposing the creation of Apache County in the northeastern corner or Arizona Territory, and the other calling for the repeal and replacement of a Pima County fencing ordinance. Elected to the Arizona Stock Growers Association in 1884, Walter L. Vail advocated for levying fines on outfits that brought diseased cattle into the Territory, proposed a system of recording brands and earmarks, and requested the establishment of the livestock sanitary commission to oversee quarantines on infectious diseases, and tighter trespass laws. Moving to California In the late 1880s when a long drought hit Arizona, the Vails began leasing California pastures and shipping increased numbers of their cattle there to fatten. This marked the beginning of Walter’s efforts to purchase land in Temecula Valley. Vaqueros (Mexican cowboys) at the Empire Ranch in Arizona In 1890, with growing corporate holdings in California, Walter Vail established his headquarters in downtown Los Angeles and moved his family there. By this time, he had pieced together four Mexican land grants—Pauba Rancho, Santa Rosa Rancho, Temecula Rancho and Little Temecula Rancho—to form the Pauba Ranch. Eventually, the Vails would own more than 87,500 acres surrounding the little town of Temecula. In 1892 they leased Catalina Island and in 1901-1902 in partnership with J. V. Vickers, they purchased most of the interests in Santa Rosa from the estate of A.P. More. In March of 1894, Vail and Gates joined Vickers in setting up a third cattle company, the Panhandle Pasture Company, with the hopes of expanding new markets in the east. The Panhandle Pasture Company bought seven thousand acres of grassland in Sherman County, Texas, and an equal amount across the line in Beaver County, Indian Territory (later Oklahoma). Walter Vail was tragically killed in a Los Angeles streetcar accident in 1906. After his death, the Empire Land & Cattle Company (later renamed the Vail Company) assumed control of all his ranches and other real estate holdings. Walter had five sons and they would all have a hand in running the various ranches and the Vail Company as whole throughout their lives. The Empire Ranch in Arizona was sold in 1928. The Temecula area ranches continued to operate until it was sold in 1965. Santa Rosa Island, the last of Walter Vail’s holdings, was sold to the National Park Service in 1986, and ranching operations shut down there in 1998. Walter Lennox Vail (May 13, 1852 - December 2, 1906) was an American businessman, cattle dealer, and politician. He is known for his Empire Land & Cattle Company (later the Vail Company), which spanned over one million acres throughout five states.[1] Vail has been called "a pivotal figure in early California and Arizona ranching." Early life Vail was born in Liverpool, Nova Scotia on May 13, 1852, to Mahlon Vail, Sr. and Eliza Vail. Career Empire Ranch The headquarters of the Empire Ranch in the modern day Vail left his family's Plainfield, New Jersey house in the middle of 1875 to pursue riches in the West. He worked for a few months in Virginia City, Nevada as a mine's timekeeper, but in November he wrote of his intention to get involved in Arizona's sheep business. He, along with an Englishman named Herbert R. Hislop, then purchased the Empire Ranch along with its 612 cattle on August 22, 1876. The purchase from Edward Nye Fish and Simon Silverberg cost $1,174 at the time and was only 0.25 square miles (0.65 km2). Vail had met Hislop for the first time in August of that year, at the Lick House in San Francisco. Vail also became the main shareholder of the Empire Land & Cattle Company, which was formed in 1882. Politics Vail additionally served in the House of Representatives on the 10th Arizona Territorial Legislature for two years, starting in 1879. He was one of five representatives from Pima County. There, he proposed the creation of Apache County in the northeast. In 1884, Vail was elected to the Arizona Stock Growers Association, where he introduced many laws relating to cattle farming. California Vail moved his main operations to California in the late 1880s due to a long drought in Arizona. He started leasing Californian land mainly in Temecula Valley, but established his headquarters in downtown Los Angeles. By this time, he had already bought four ranches: the northern half of Rancho Little Temecula, Rancho Pauba, Rancho Santa Rosa, and Rancho Temecula. Later, Vail would own over 135 square miles (350 km2) surrounding the city of Temecula. He also leased Santa Catalina Island and Purchased Santa Rosa Island in 1892 and 1901, respectively. Vail, along with Carroll W. Gates and J.V. Vickers, set up the Panhandle Pasture Company, which bought about 22 square miles (57 km2) in Sherman County, Texas and Beaver County, Oklahoma. Personal life Vail married Margaret "Maggie"[a] Newhall in 1881, with them having five children: Nathan Russel, Mahlon, Mary, Walter Lennox Jr., and William Banning (who used his middle name) together. In 1890, a Gila monster bit Vail on his middle finger, and for years thereafter he experienced bleeding and swelling in his throat, which was thought to be caused by the venom from the bite. Death Vail died at 54 on December 2, 1906, due to complications from a tram (Trolley Car) accident in Los Angeles. He was cremated, then buried at the Hollywood Forever Cemetery on December 6. Legacy Vail's sons took over the company after his death, renaming it to the Vail Company. The Empire Ranch was sold in 1928, and the Temecula ranches were bought by a syndicate of companies, including Kaiser Aluminum, Kaiser Industries, and Macco Realties in 1965. Santa Rosa Island was acquired by the National Park Service in 1986, and ranching ceased in 1998. Vail was inducted into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum in 2018.[2] Various properties have been named after the Vail family including: Vail Headquarters, an outdoor shopping mall, Vail Lake, and Vail, Arizona. In 1867, German immigrant, Louis Wolf, and his Chumash wife, Ramona, built a small adobe trading post next to Temecula Creek. Their Wolf Store helped launch the Temecula community, serving as a saloon, livery stable, legal services, hotel, general store, stagecoach stop, post office, school and employment agency. After Louis and Ramona’s deaths, their land and other Ranchos were purchased by Arizona cattle baron Walter Vail. By 1905, the 87,000-acre Vail Ranch became one of the largest cattle operations in California, stretching from Camp Pendleton to Vail Lake to Murrieta. It operated through the late 1970’s when it was sold to build Temecula’s housing. Some of the ranch’s oldest buildings survived in a cluster around the long-vacant Wolf Store. Together they would wait more than 40 years to be restored and once again become a center for community life in the Temecula Valley. ​ In 1905 after his death, Wolf’s Temecula was purchased by Arizona cattle baron Walter Vail, along with three other Ranchos totaling 87,500 acres. The sprawling Vail Ranch spread from South of Highway 79 to South of Clinton Keith Road, East to Vail Lake Resort and West to Camp Pendleton and continued operations through the late 1970’s when it was sold for housing subdivisions. The remaining buildings that comprised the Vail Ranch Headquarters, several having been demolished, have sat mostly vacant since then awaiting their restoration and re-use. John N. Harvey, Edward L. Vail, Walter L. Vail, 1879 Ned Joins the Partnership - May 1879 In May of 1879 Walter’s older brother, Edward Lang Vail, known as Ned, joined the Empire Ranch partnership. He had no ranching experience but quickly learned. The Empire Ranch herds were finally sufficiently developed for sale, and the Empire Ranch found a ready market in the town of Tombstone and its nearby mines. Walter finally had sufficient funds to begin to pay off some of the loans from his Uncle Nathan and Aunt Anna. North end of the original four rooms of the Empire Ranch House. Empire Ranch Census Records - 1880 The 1880 U.S. Census documents that eight men were living full time at the Empire: the partners, Walter Vail, John Harvey and Ned Vail; John Randolph Vail, Uncle Nathan and Aunt Anna’s son; John Milton Requa, nephew of Isaac Requa who hired Walter in Virginia City; John Dillon, who was instrumental in locating the Total Wreck Mine; Tomás Lopez, a herder; and Mon Ta, the cook. Section of Official Map of Pima County by Roskruge 1893. The Southern Pacific Railroad Arrives in Pantano - April 1880 In 1880 the Southern Pacific Railroad finally reached Tucson and by April it was extended to Pantano, north of the Empire Ranch. The availability of rail transportation was a major boom to the Empire Ranch as it was now possible to sell cattle and beef to markets beyond Southern Arizona. The railroad also increased the availability of goods in Tucson and allowed for much quicker and safer transportation to California and the East. Empire Ranch land acquisitions are highlighted in red. Courtesy of Dave Tuggle Land Holdings Expand-1881-1882 Starting in 1881 the land holdings of the Empire Ranch expanded considerably. They acquired Charles and Agnes Paige’s Happy Valley Ranch near the Rincon Mountains in 1881. 1882 saw the addition of Don Alonzo Sanford’s Stock Valley Ranch totaling over twenty-eight square miles of grassland between the Whetstone and Empire Mountains. Charles Bell Bohlin Saddle. All of the leather has been professionally cleaned and conditioned. All of the sterling has been professionally polished as are all of my saddles. THE BOHLIN BRAND IS AS ICONIC AS THE FAMED WESTERN STARS that wore it. The late actor Richard Farnsworth sported a recognizable gold steer-head Bohlin buckle...

Streamline moderne or Art Deco, "Circlet" or "Disc" vase designed by G. McStay Jackson for Trenton potteries, an iconic design of their time. Made only from 1935-1942, they were part...

Henri Matisse (1869-1954) - Jeune fille Photogravure from 1937. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure...

Etching and drypoint on laid paper, 1934. With Picasso's ink stamped signature lower right, and numbered 29/50 in pencil lower left. Image 12.25 x 8.75 inches, full sheet 19.5 x 13...

A beautiful 1930s Carlton Ware Art Deco Garden pattern vase of shouldered ovoid form, decorated with iconic art deco shapes on a green, blue, yellow and beige background , pattern no...

La Maison Tellier is an original modern rare book illustrated by Edgar Degas (Paris, 1834 – Paris, 1917) and written by Henri-René-Albert-Guy de Maupassant (Tourville-sur-Arques, 185...

Henri Matisse (1869-1954) - Dance Lithograph from 1939. Dimensions of work: 52 x 35 cm Publisher: Tériade, Paris. On the back there are two lithographs signed in plate. The prin...

Georges Braque (1882-1963) - Cubist Portrait Lithograph from 1939. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure ...

Rene Lalique Epis Vase, 1931 7 x 6.5 in molded pressed white glass cod1077

Edward Winter (American, 1908-1976) Helen of Troy, 1938 Enamel Signed and dated lower right 43 x 18 inches 44.5 x 19.5 inches, framed Exhibited: Cleveland Museum of Art, May Show 19...

Deluxe edition of only 23 copies including 40 original etchings by L. Marcoussis, including the title and a portrait of Apollinaire. One of the 20 copies on vélin d'Arches numbered i...

Letter addressed to Mino Maccari. Fagnano, 14 May 1933. "The promise of Ansaldo". During his pre journalistic period, the wannabe novelist Benedetti used to use the stage name of Ar...

"Il Selvaggio, no.10- 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", inclugind original woodcuts by the artist Mino Maccari....

This superb French Art Deco wooden panel or wall-mounted sculpture features a spectacular Venetian mask and was hand-crafted in the 1930s. The sculpted panel boasts finely detailed c...

La Dame Ovale is an original modern rare book written by Mary Leonora Carrington (Chorley, Lancashire 1917 – Mexico City, 2011) and illustrated by Max Ernst (1891 - 1976) in 1934. Original edition. Published by GLM, Paris. 535 numbered copies. Format: small 8°. Seven full page collages. Unnumbered pages. Good conditions. Max Ernst in 1934. Originally a Dada activist in Germany, Max Ernst (1891 - 1976) became one of the early adherents of the Surrealist circle. As a child living in a small community near Cologne, Ernst had considered his existence incredible and full of wonders. In autobiographical transcripts, written mostly in the third person, he said of his birth: “Max Ernst had his first contact with the world of sense on the 2nd April 1891 at 9:45 a.m., when he emerged from the egg which his mother had laid in an eagle’s nest and which the bird had incubated for seven years”. Ernst’s service in the German army during World War I swept away his early success as an Expressionist. In his own words: “Max Ernst died on 1st August 1914. He returned to life on 11th November 1918, a young man who wanted to become a magician and find the central myth of his age. From time to time he consulted the eagle which had guarded the egg of his prenatal existence. The bird’s advice can be detected in his work”. Mary Leonora Carrington (Chorley, Lancashire 1917 – Mexico City, 2011). Carrington was a British-born Mexican artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City and was one of the last surviving participants in the Surrealist movement of the 1930s. Carrington was also a founding member of the women's liberation movement in Mexico during the 1970s. In 1936 Leonora saw the work of the German surrealist...

Untitled Riverscape, an original oil on canvas by George Thompson Pritchard, is a piece for the true collector. An impressively calming nature of this plein-air painting draws you in...

"Il Selvaggio, no.9 - 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", including original woodcuts by the artist Mino Maccari....

"Il Selvaggio, no.7-8- 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", including original woodcut prints by the artist Mino M...

« Ave Maria – Gratia Plena » Hail Mary full of grace by François-Emile Decorchemont (1880-1971) A large and exceptional stained-glass window. Masterpiece by François Décorchemont. Stained glass colored in the mass and worked in relief. Blackened metal frame, cement joints. SIgned and dated 1934 France height 125 cm width 175 cm It was exhibited at the Salon des Artistes décorateurs in 1934. This very rare stained glass...

Format : 2 Volumes, In-4° Typology : Print Suite Edition of 100 copies, including 65 original lithographs by Giorgio De Chirico in the text. This copy is in two volumes, unlike the standard edition printed in a unique volume. This edition is part of the only 6 made on Japan Supernacré Paper...

A whimsical pastel featuring a Mother with her Child on her lap that just pulled a goldfish from it's bowl. A charming large work that is exquisitely framed. Peggy Dodds Williams ...

Among the most well-known West African textiles is kente cloth, woven by the Ewe and Asante peoples of Ghana. The word kente is not used by the Asante people; it may be derived from ...

JOHANNES SCHIEFER – UNTITLED [VUE SUR LA BAIE DES ANGES] Oil on Canvas ⚜ Signed Lower Left ⚜ Custom Conservation Frame A RADIANT MEDITERRANEAN VIEW BY POST-IMPRESSIONIST JOHANNES SC...

This set is composed of 2 items, around 1929/30: An Authograph Diaghilev Commemorative Card written and signed by Boris Kochno, Signed by Serge Lifar to...

MEDIUM: Original Drawing SIZE: 12 Field SKU: CCV2048 ABOUT THE MEDIUM: Original Production Drawings are one-of-a-kind pieces of art that were used in the creation of an animated fil...

Gesänge Gegen Bar is an original modern rare book written by Günther Schwenn (Berlin, 1903 - Geneva, 1991) and engraved by George Grosz (Berlin, 1823 - 1959, Berlin) in 1931. Publis...

Edition of 131 copies including 66 original b/w and colour lithographs by Giorgio De Chirico, plus repeats on title-page and front wrapper. One of the 88 copies on papier de Chine, w...

Das Neue Gesicht der Herrschenden Klasse is an original modern rare book illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1930. Original First Edition. Published by Malik, Berlin. Format: in 4°. The book includes 126 pages with 60 full page reproductions of drawings. Mint conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...

Edition of 175 specimens (plus 29 out of commerce) of this important book by Dalì, published by Editions Surréalistes in 1930 and one of the first books to...

Edition of 115 copies with additional proofs including a suite of 6 original printed in color lithographs by Marie Laurencin, numbered and signed by the artist. One of 90 copies on H...

Über alles die Liebe is an original modern rare book illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1930. Original First Edition. Published by Bruno Cassirer, Berlin. Format: in 4°. The book includes 119 pages with Sixty full page reproductions of drawings. Mint conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...

This is an Autograph Letter Signed by Enrico Prampolini to the Countess A.L. Pecci Blunt. Paris, June 12th 1935. One page, double-sided. Excellent c...

"Il Selvaggio, no.4-5- 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", including original woodcuts by the artist Mino Maccari...

On offer is a vintage American wood wall hanging featuring a powerful bison. If you have encountered such an animal, perhaps in Yellowstone looking at you as it crosses in front of y...

BEATON, Cecil [135] pp. Charles Scribner's Sons 1937 11 1/2" x 9 1/4" w/ floral rose bud Sanderson wallpaper boards & endpapers On the shelves at Ashcombe, I have now over fift...

Portrait (Untitled), c. mid 1930s, hammered copper, 11 1/2 x 8 1/2 inches Beryl McCarthy Wynnyk was a California-based painter, sculptor, and craftsperson. She studied at the Califo...

Winged Male Figure - Apollo, c. 1930s, polychrome bas-relief of cast aggregate, 12 x 26 inches; the mold from which this cast was taken by the artist is illustrated in St. Gaudens, M...

Jean Eugene Gilbert Despres (1889-1980) was born in Avallon, a small town in Burgundy, where his parents had a small shop selling jewelry and gifts. At the age of 16, he went to Paris to apprentice with a friend of his father, who had a jewelry and metal workshop in the Marais. At night, he studied design. Any spare time was spent in Montmartre, where he met Modigliani, Soutine, DeChirico, Signac, and most important, Georges Braque, who, with Picasso was the founder of Cubism. Despres and Braque became great friends. Jean Despres was one of the most important French Art Deco designers...

[45] pp. 1937 13 3/8" x 10 1/4" John Latham Volk (October 15, 1901 - February 20, 1984) was an Austrian architect who designed public buildings and private residences in and around Palm Beach, Florida from the 1920s until his death in 1984. Although there is no particular style exclusively associated with Volk, he worked with many styles from Mediterranean Revival to Modern. Volk was among a group of architects considered the “Big Five,” along with Marion Sims Wyeth, Addison Mizner, Maurice Fatio, and Howard Major, who defined Palm Beach style in the early twentieth century. After working on designs for the Rivoli and Capital Theaters in New York, Volk came to Florida in 1925 with a commission to design a $1 million office building and bank in Key West. The deal fell apart due to the 1926 hurricane and the collapse of the Florida real estate boom. Volk, however, saw the opportunity for growth in Florida and decided to move to Palm Beach. By 1926, Volk had established his own practice in Palm Beach. Architect Gustav A. Maass joined as a partner from 1927 to 1937. Volk's most significant commercial projects are the Royal Poinciana Plaza and additions and renovations to the First National Bank. Outstanding among his civic projects were the Parker Playhouse in Fort Lauderdale, the Royal Poinciana Playhouse, and additions and renovations to the Everglades Club and the Bath and Tennis Club...

Milwaukee Handicraft Project, Applied Design Blockprinted Textiles Volume VI Supplement, c. 1935 - 1942, twelve block printed designs on linen, images are various sizes, each is mounted in its original folder which measures 24 x 19 inches, all bear the Milwaukee Handicraft Project label, various designers, including Barbara Warren (1915 - 2005) ("Checkered Flower" and perhaps others), includes original portfolio binder The Milwaukee Handicraft Project (MHP) was the most prolific and successful of the decorative arts projects of the Works Progress Administration (WPA). It served as a model for many other similar projects across the United States and attracted the attention of thought leaders as diverse as Frank Lloyd Wright and First Lady Eleanor Roosevelt. Designed with the dual goals of providing work for underprivileged women and the creation of well-designed household objects, the MHP began in 1935 under the direction of Elsa Ulbricht...

BEATON, Cecil [136] pp. Charles Scribner's Sons 1937 11 1/2" x 9 1/2" On the shelves at Ashcombe, I have now over fifty diaries & scrapbooks, memorials of many violated magazine...

BEATON, Cecil [67] pp. Duckworth 1930 11 1/8" x 9" Exceedingly rare with the jacket Illustrated with a coloured frontispiece from the author's drawing of Queen Alexandra, 27 collotype reproductions of his photographs, and 100 line drawings in the text. I have tried to make my book an analysis of modern beauty, a collection of the loveliest ladies I have ever seen, and, in time, it may become a sentimental document for our granchildren, to marvel at all the types of beauty to-day; the latest varieties of Venus as well as the counterparts of former belles. The Book of Beauty is Cecil Beaton's first book. It is an unashamed paean to the beauty of the women who inhabit his world. The book is inspired by books of beauty published in the Victorian period and by his childhood fascination with the theatricality and glamour of the opposite sex. Photographs of women are accompanied by flowery descriptions. Sitters include Baba and Nancy Beaton, Edith Sitwell, Tallulah Bankhead, Tilly Losch...

Dopey MEDIUM: Original Production Drawing SIZE: 12" x 10" SKU: CCV2963 ABOUT THE FILM: Snow White and the Seven Dwarfs is a 1937 American an...

MEDIUM: Original Storyboard Drawing PRODUCTION: Mother Goose Goes to Hollywood, 1938 IMAGE SIZE: 7" x 9" FRAMING: Double Aperture -Framing included in Pricing SKU: CCV1385 ABOUT THE IMAGE: In this scene we see The Pieman (Oliver Hardy) is busy tending a large stack of his pies on a wagon. Laurel refuses an offered pie, but picks one from the middle of the stack, which alarms Hardy, fearing the stack will collapse. Nothing happens, however and a reassured Hardy tries to do the same. When the stack collapses and one of the pies lands on his head, he looks angrily at Laurel. Laurel swallows his pie in one piece and then snickers at Hardy. Hardy throws one of his pies at Laurel, who ducks his head inside his shirt, and the pie lands in the face of Katharine Hepburn. This piece comes with a Certificate of Authenticity! ABOUT THE MEDIUM: Original Production Storyboard Drawings are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. They are a sequence of drawings, typically with some directions and dialogue, representing the shots planned for a movie or television production. ABOUT THE FILM: Mother Goose Goes Hollywood is a 1938 animated short film produced by Walt Disney Productions and distributed by RKO Radio Pictures.[1] The short was released on December 23, 1938.[2] The film parodies several Mother Goose nursery rhymes using caricatures of popular Hollywood film stars of the 1930s. The film was directed by Wilfred Jackson and was the third-to-last Silly Symphony...

82 woodblock prints by Georges Aubert after Rouault's drawings. But no 17 color etchings. Large folio, in a superb binding by Creuzevault featuring a geometric design in many-colore...

Provenance: Walt Disney Productions This is an original painting on celluloid, actually used in the Walt Disney Production of Ferdinand The Bull. F...

Paul Klee (1879-1940) - Winter Lithograph from 1938. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Musical Abstraction (Untitled), c. 1935 - 1942, handwoven and embroidered textile on linen, 23 1/2 x 19 1/2 inches, label verso reads "Tenn. WPA Project handwoven / Related Art Dep. ...

Autograph Letter Signed by Arturo Martini to Gaetano Chiurazzi Milan, December 16th 1935 XII. One page, single-sided. In Italian. Excellent condition, with minor aging signs. This...

This beautiful baluster-shaped vase features the vivid hypnotic Egyptian blue (which some call "turquoise", although it's not) Raoul Lachenal is most renowned for. Drop-shaped white...

Autograph Letter by Mario Tozzi to the Countess Anna Laetitia Pecci-Blunt. Signed. Rome, March 27th 1934. In Italian. In Perfect conditin, including the original envelope. Completely...

Limited edition. Specimen number 91 of 565 copies so divided: 50 numbered copies (1-50) on Holland paper including two original etchings; 500 numbered copies (51-550) on Alfa paper; ...

These are Two Autograph Letter Signed by Enrico Paulucci to Libero de Libero written in Italian, from 1937 to 1938, prefectly readable and in excellent conditions. Including original...

Holy Woman Wiehler Handmade Gobelin Tapestry by Maestro Vera Petrova - Sapundjieva, Bulgarian artist 1912 - 1985 About the artwork TECHNIQUE: Wiehler ...

These 3 Autographs Signed by Mario Praz / all Oppé to the Countess Pecci-Blunt Written In Italian, from 1950 to 1953, are perfectly readable and in excellent conditions with origin...

Henri Matisse (1869-1954) - Divagations Photogravure from 1937. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. Text on the verso. The work is in Excellent conditi...

Flipping through a few pages of " Il Selvaggio, No.5-6 1936 " 15 Gennaio 1936-Anno-XIV", "Annual supporter subscription - Una copia 40 Cent - Fortnightly Newspaper letters arts and s...

Flipping through a few pages of " Il Selvaggio, No.2- 1938 " 15 Febbraio 1938-Anno-XVI", "Annual supporter subscription - Una copia 40 Cent - Fortnightly Newspaper letters arts and s...

The Misunderstanding of Capogrossi is the name of a lot composed of two autograph letters dated and signed by Giuseppe Capogrossi to the Countess Anna Laetizia Pecci- Blunt. Rome, ...

This beautiful baluster-shaped vase features the vivid hypnotic Egyptian blue (which some call "turquoise", although it's not) Raoul Lachenal is most renowned for. Drop-shaped white...