1980s More Art

George Segal (signed and inscribed by George Segal), 1989 Hardback monograph with dust jacket (signed, dated and inscribed for Tera by George Segal) Warmly signed, dated 3/27/1998 an...

Gardner's Autograph is an autograph postcard signed (P.A.S.) by the cinema star Ava Gardner and addressed to Roland Sensini. On the recto, a colored photo...

Jasper Johns, Merce Cunningham, John Cage Dancers on a Plane, 1989 Clothbound Artist's Book with slipcase, Signed in ink by John Cage, Merce Cunningham, and Jasper Johns on the half-...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes, Daffy Duck's Quackbusters SKU: IFA9989 ABOUT THE IMAGE: Looney Tunes is ...

Donald Baechler Wasted Time and Money: A Month in India with Ranbir Singh, and Getting There (Hand signed and inscribed to art critic Anthony Haden-Guest), 1989 Softcover catalogue with stapled wraps (Hand signed by Donald Baechler and inscribed to art critic Anthony Haden-Guest) Hand signed and inscribed to art critic Anthony Haden-Guest by Donald Baechler on the title page 10 1/2 × 8 inches This super rare softcover catalogue with stapled wraps is hand signed and inscribed to art critic Anthony Haden-Guest by Donald Baechler on the title page. The inscription reads: For Anthony 3 April 91 Donald Baechler Book information: Publisher: Ajax Press, New York, 1989 Printing: John Hauser...

Rocks (1985), Wool, Post-Modern Abstract Landscape Woven Tapestry, Textile Sculpture. Zofia Butrymowicz (1904-1987) was born in Warsaw, Poland. Artis...

Three sculptures from the series "The Rust" by renowned Japanese artist Aijiro Wakita, from a very prominent collection in Dallas The sculptures, were created in pieces of corten ste...

Manantial II. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós ex...

Marc Chagall (1887-1985) - Le Retour de l'Enfant Prodigue Etching from 1981. An unnumbered and unsigned copy in black, outside from signed edition of 60. Dimensions of sheet: 49.5...

Marc Chagall (1887-1985) - La Thora Rouge Etching and aquatint from 1981. An unnumbered and unsigned copy outside from signed edition of 60. Dimensions of sheet: 49.5 x 32.5 cm D...

Very interesting proofs of signature by Henry Moore, on the letterhead of "The Henry Moore Foundation", watermarked "Conqueror" and laid paper. With some notes written in pencil on t...

Keith Haring Hiroshima 1988: Rare 1988 7” Japanese vinyl record featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art and unique vintage K...

Le Corbusier Modulor Lacquer is a premium clear or colored wood finish designed to provide a hard, durable surface that dries through solvent evaporation or a curing process. Produce...

Sandstorm (1985) Wool, Post-Modern Abstract Landscape Woven Tapestry, Textile Sculpture. Zofia Butrymowicz (1904-1987) was born in Warsaw, Poland. St...

FOR LINDA AT 15 MEDIUM: Giclée on Paper IMAGE SIZE: 24" x 15.5" EDITION SIZE: 75 SKU: GICLEE-254 ABOUT THE IMAGE: An image of Wile E. Coyote standing in front of a cactus. It was from a birthday card that Chuck Jones...

Yaacov Agam "Life", (Hand Signed and numbered), 1980 Hand Signed, Stamped Gallery Art Center Envelope with French postage stamp & numbered Triple signature "Agam" and number 46/54 on the front Frame Included: floated in original vintage frame This very special vintage limited edition work features the “Agam” design by Yaacov Agam, a pioneer of Op Art. It is the first artist...

Beautiful and rare Book of Francisco Zuñiga Artist Monograph, 1st Misrachi Art Gallery Edition, 1980 Text in Spanish and English. 317 pages with 355 plates. Hardcover with slipcase. ...

Jean-Michel Basquiat at Tony Shafrazi Gallery: Vintage original 1990s announcement published on the occasion of Jean-Michel Basquiat at Tony Shafrazi Gallery, New York, November 20, ...

Alberto Giacometti Dessins - Lithographies - Eaux-fortes is the title of the artist's catalogue, written for the exhibition 31 May - 22 October 1986, at the Patrick Cramer Gallery, G...

Art Deco rug created by American artist Giancarlo Impiglia entitled "Dinner For Two". Perfect for hanging on a wall as a tapestry. Measures 67 x 60 inc...

ONE WEEK ONLY SALE The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. There are i...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Donald Baechler Limited edition Tony Shafrazi exhibition catalogue (hand signed and dated by Donald Baechler), 1983 Softback monograph (hand signed and dated by Donald Baechler) Bold...

Gouache and tea on masking tape Signed and dated, l.l. This artwork is offered by ClampArt, located in New York City. Born in New York City and educated at the Maryland Institute C...

Blue Striped Abstract Expressionist Composition in Acrylic on Paper Bright, saturated abstract painting by California-based artist Ricardo de Silva (American/Brazil, 20th C). This p...

MEDIUM: Limited Edition Cel SIZE: 10.5" x 12.5" EDITION SIZE: 100 SKU: CC1228 ABOUT THE IMAGE: You know you’ve arrived when gossip columnist, Lola Beverly, interviews you about how you rose from meager Brooklyn beginnings to a virtual super star of animation. But then, Bugs Bunny, seen here in the 1947 short, A Hare Grows...

Audrey Flack Audrey Flack On Painting (hand signed, dated and inscribed by Audrey Flack), 1981 Hardback monograph with dust jacket (hand signed, dated and inscribed by Audrey Flack) ...

Rammellzee Annina Nosei Gallery, New York, 1983 (Rammellzee Gothic Futurism, Rammellzee Ikonoklast Panzerism): RARE Rammellzee illustrated announcement card published by Annina Nosei...

Robert Irwin Being and Circumstance Notes Toward a Conditional Art, 1985 Hardback monograph with dust jacket (hand signed and dated 2015 by Robert Irwin) Boldly signed and dated May...

Frogire is an original Contemporary artwork ink and collage on cardboard, realized by Sergio Barletta in the 1980s. Hand-signed in pencil on the lower right: Sergio Barletta. Titled...

Donald Baechler ArT RANDOM Donald Baechler Japanese catalog (hand signed and inscribed to writer and art critic Anthony Haden-Guest), 1989 Hardback monograph Hand signed and inscribed to writer and art critic Anthony Haden-Guest 12 × 9 1/4 × 1/2 inches Unframed This uncommon 1989 Japanese hardback monograph with no dust jacket as issued, is hand signed and inscribed by artist Donald Baechler to the art critic Anthony Haden-Guest. Inscription reads: For Anthony 4.April. 91 Donald Baechler Book information: First edition. Published by Kyoto: Kyoto Shoin International Co., Ltd., 1989. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Paintings and drawings by Donald Baechler. Text (in English and Japanese) by Lisa Liebmann. Unpaginated (48 pp.), with 36 four-color plates. About Donald Baechler: Donald Baechler was one of the most promising artists of the 1980s. He was associated with a group of painters in New York that included Julian Schnabel, David Salle, Jean-Michel Basquiat and Philip Taaffe...

Vintage Museum Press Kit (MOMA) Offset Lithograph brochures, press releases, magazines and a bookmark 12 x 9 inches Unframed Andy Warhol Retrospective, February 6 to May 2, 1989, the...

Rare Vintage 1980s Keith Haring Record Cover Art: (Set of 4: 1983-1987): Four individual 7 inch albums - all illustrated by Haring during his lifetime - making for standout 1980s Ke...

Ex Libris - Romeo Laanlan is a Modern Artwork realized in 1983 by Richard Mutso from Estonia. B/W woodcut on paper. Hand Signed and dated on the back. The work is glued on ivory c...

It happened ... Paper, ink, pencil, 20x26 cm As a black and white comic, the absence of color allows the artist to focus on using shading, line work, and contrast to convey the narrative and emotions effectively. Black and white comics creates a distinct and dramatic atmosphere, emphasizing the story's mood and capturing the readers' attention. Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art...

Ex-Libris - A. Vercammen is an Artwork realized in 1985. Woodcut on ivory paper. The work is glued on grey cardboard. Hand Signed on the right margin and dated on back. Total dime...

Picabia La Nuit espagnole - Poster Exhibition is a mixed colored offset print realized in 1986. This print was realized on the occasion of the exhibition dedicated to the artist and...

Lithograph on paper with cut-out (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-199...

Harding Black San Antonio (1912 - 2004) Huge Heavy Crackle Vase 1985 Height 14'' Across Widest 8" Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982-1988: A set of 2 rare vintage original Basquiat announcement cards from 1982 & 1988, respectively published on the occasion(s) of: - ‘Basquiat Anatomy’ 1982 (a suite of 18 screen prints). - Jean-Michel Basquiat December 3, 1988. Medium: 2 off-set printed gallery announcements. Dimensions: 4 x 6 inches & 6 x 8 inches 9 (anatomy). Each in good to very good overall vintage condition. Published by Annina Nosei Gallery, New York, 1982-1988. Each unsigned from an edition of unknown. Scarce. Jean-Michel Basquiat’s dramatic life and iconic paintings—which variously feature obsessive scribbling, enigmatic symbols and diagrams, and iconography including skulls...

Barbara Kruger Artists Space invitation announcement card, 1987: Rare folding announcement card for the Artists Space's Spring Benefit Party held at Federal Hall, New York City, Apri...

Gun Gordillo (Swedish, 1945-) Ege Axminster, Denmark. Danish Tapestry Rug Art-Line 55" X 79" "Blue Hour" Tapis rectangulaire en laine tuftée, fond bleu marine sur lequel se détache un néon bleu turquoise. Etiquette de l'éditeur Ege Axminster (Danemark) titrée au revers. vintage 1980's. This had a velcro strip to be used as a wall hanging. It can also be laid on the floor. This is a tufted pile wool tapestry not a flat weave like an Aubusson. Perfect for a Memphis Milano 80's interior. Gun Gordillo was born in Lund, Sweden. Contemporary Scandinavian Artist. Her fluency with the material, which comes so natural to Gun Gordillo, makes her works unusually suited to function in many different context in a public milieu. Dolerite, lead, copper, and zinc plate in combination with contemporary fragile art materials such as glass, plexiglass and, above all, neon light makes her works stand out among those which have been created with light as the basic architecture of their artistic expression. There is a decidedly personal angle to her way of dealing with neon light which gives it a poetic dimension in marked contrast to the harsh stridency of advertising signs. Gordillo's work has been shown at several major solo exhibitions, most recently in 2015 at the famous French galerie denise rené, Paris. She has worked with the legendary gallerist Denise Rene for more then 30 years. She has also participated many group exhibitions including "The spirit of white" at Galerie Beyeler, Basel in 2004 and most recently "Néon, who's afraid of red, yellow and blue?" at la Maison Rouge, Paris in 2012. She has also been invited to create several major installations at world famous companies and public sites in cities like Basel, Paris, Copenhagen and Stockholm. Gordillo today lives and work in Copenhagen, Denmark after spending many years living and working in Paris, France. Her work straddles the lines of design and sculpture with her Neon and Fluorescent Light installations reminiscent of the California Light & Space artists such as Larry Bell, Robert Irwin, Bruce Nauman, James Turrell as well as Dan Flavin. Tapisserie d' Artiste. select group exhibitions 2021 galerie denise rené, paris, "Retour à la ligne" Artists included: Carlos Cruz-Diez, Geneviève Claisse, Gun Gordillo, Jesus-Rafael Soto, Julio Le Parc & others. galerie denise rené, Espace Marais Paris, "Esprit des couleurs" Artists included: Aurélie Nemours, Carlos Medina, Christian Megert, Darío Pérez-Flores, Francis Celentano, Gun Gordillo, Hans Kooi, Hugo Demarco, Tony Bechara galerie denise rené, paris, "Small is beautiful" Artists included: Gun Gordillo, Heinz Mack, Henryk Stazewski, Jesus-Rafael Soto, Josef Albers, Sonia Delaunay, Victor Vasarely, Yaacov Agam. galerie denise rené, paris, "Let there be light" Artists included: Angel Duarte...

Oxygen Cutting is an original artwork realized by Italian artist, painter as well as sculptor, Angelo Bozzola in 1983 in Turin. Flame cutting on bronze...

M.A.S. accompanying his "Still Life". Rome, December 9, 1984. 1p. 21x29cm. Very good condition. "This is the first, perhaps last Findus, entered into the history of art," writes Vespignani about his only "dead and frozen" still life. In his humorous writing, he described how, in the 1960s, he wanted to paint an "alive, remembering the sea, wriggling like a freshly caught fish" nature, to distract himself from his "murderous dead". But the result was quite different, contrary to his intentions. Because of his being a "realistic painter, or rather obsessed nerista", portraying the alive nature meant seeing and reproducing the gradual decay of the small group: "from the stage of cheerful youth (...) to the cadaverous dissolution." In the same year that he writes "Like Flies in Honey" dedicated to Pier Paolo Pasolini, and the Academy of France...

Little river 1983, cardboard, oil, 24x33 cm

Post-Graffiti Catalog, Sidney Janis Gallery, New York, Dec. 1 - 31, 1983: Published on the occasion of "Post-Graffiti" at Sidney Janis Gallery, New York, Dec. 1 - 31, 1983, featuring works by Jean-Michel Basquiat, Daze, Keith Haring, Lady Pink, Angel Ortiz, Kenny Scharf, and other artists. A seminal early New York...

Jack Scott "#20" 1980 Interwoven, continuous line charcoal drawing on paper 40"x30" site, black wood gallery frame float mount 42.5"x32.75" museum glass Sig...

Ex Libris Arija Neimane is an original Contemporary Artwork realized in Germany in 1983. Original Ex Libris. Hand-signed and dated by the artist on the lower right corner in pencil....

Vintage Poste after Enrico Castellani is an original poster print realized in occasion of Castellani's Exhibition at Galerie Di Meo, Paris, in 1988.. Good conditions.

FISCHL, Eric. Annie, Gwen, Lilly, Pam and Tulip. By Jamaica Kincaid. 14 pp. Illustrated with 9 original lithographs by Fischl. Folio, bound in publisher's black cloth with embos...

Octopus Sake Set Porcelain, decal and red enamel underglaze tallest- 4.25" x 3.75” date unkown Ron Nagle is one of the most important sculptors in the United States. He work is highly collected and included in museum collections such as Shigaraki Museum, Japan; Los Angeles County Museum of Art; Musée de Plastique, Paris; San Francisco Museum of Modern Art; and the Stedelijk Museum in the Netherlands. He was born in San Francisco and began working with ceramics during the 1950s as a high school student. In 1961 he apprenticed to Peter Voulkos at the University of California, Berkeley, and later exhibited his work alongside Voulkos, Ken Price, and other innovative West Coast artists working in clay. His work is inspired by such artists as Giorgio Morandi, Phillip Guston, and George Herriman...

Gobardhan Ash - Untitled - Gouache on Paper 10 x 15 inches (unframed size) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...

The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. This beautifully rendered ceramic vessel is perched on little decorative feet that poke out of the body of the piece. Of particular interest and commanding presence are the decorative forms attached to the top and sides. They twisted shapes of bent organic growth and provide endless entertainment for the creative imagination. American Post War and Contemporary Artist, Gawaine Dart...

DUNHAM, Carroll. Shadows. Ten original full sheet drypoints, with justification, title- leaf, and tissue interleaves. Oblong folio, 350 x 584 mm, the whole enclosed in publisher's...

A.R. Penck, Sonnabend Gallery New York 1982 announcement: Medium: Offset printed gallery announcement card. 1982. Dimensions: 9 x 6.375 inches. Good overall vintage condition. Hand...

Andy Warhol album art: A collection of 4 LPs with individual cover art designed by Andy Warhol between 1982-1987: 12 x 12 inches / 30.48 x 30.48 cm (applies to each individual). Cov...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...