Contemporary More Art

Lyndi Sales is an artist based in Cape Town, South Africa. Lyndi Sales’ artistic process is guided by her desire to explore the limits of human perception. She draws her inspiration ...

"NO WAY" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual ...

linen, metal foil

Acrylic and spray paint on stretched canvas, wood aluminum chassis; Born in 1979, Denis Meyers is a Belgian urban artist. He studied at the National Superior School of Arts and Vis...

Emma Bell Three Clays IV Ceramic 3D Art Raku, Porcelain and Stoneware Framed Size: H 73cm x W 73cm x D 7.5cm Three Clays IV is an original wall sculpture b...

Designs, shapes, and colors find a balance between a polite instinct and a domesticated confusion within the cubist-inspired artworks by Tuscan artist Federico Pinto Schmid. Partiall...

A Bigger Splash - Forty Years of Modern Art By David Hockney David Hockney, a prominent British artist, is celebrated for his versatile and innovative contributions to 20th-century...

This C-Print by Sarah Hobbs is part of a series included in her show "Twilight Living," at Channel to Channel. It depicts two blue inflatable chairs a...

The work is sold without a frame.

cotton rope and aluminum

The Mural " Pantanal " was created by DM, from sand cast brass and steel a unique piece made from a burnout mold by the Artist. This piece is handmade, mounted and finished in our f...

"I originally created this image in response to the terror attacks at the Bataclan and other parts of Paris in late 2015. At that terrible moment I wanted to create an image of suppo...

Artist: Ruscha, Edward Title: Science is Truth Found Out Series: (RED)ition Winter 2022 Date: 2022 Medium: Silk twill scarf Unframed Dimensions: 51.25" x 51.25" Comes folded in the original presentation box (13 1/2 x 13 1/2in) Signature: Printed signature Edition: numbered from the edition of 500 (61/500 & 62/500 available) Produced by Massif Central...

Basket, Panama, Rainforest, Wounaan Tribe, Mamina Chemorra, red, blue, purple geometric diamond design silk weave extremely fine Darien Rainforest palm fiber and vegetal dyes handwo...

Be Wild Fiberglass / Composites Filled Resin Base Turquoise Finish 37" x 18" x 10" "I am an artist, a sculptor not by choice but by destiny as each step in the path I followed guide...

Of all Andy Warhol's celebrity subjects, none seem more emblematic of how the artist perceived and synthesised America than Marilyn Monroe. The artist saw in her all the promises, th...

The body of work, titled "Anthropocene 2016-2018," explores the ways in which humans have impacted and altered the natural systems of the earth during what is known as the Anthropoce...

Nicky Chubb Happy Day II Original Collage Collage with Resin Image Size: H 30cm x W 30cm Signed on Back Sold Unframed but Ready to Hang Nicky Chubb artist with Wychwood Art. Nicky C...

Christopher Adams creates sculptures that play on biological concepts, specifically adaptive radiation, whereby a pioneering organism enters an untapped environment and then differen...

This limited edition of Ai Weiwei’s book was realized by the publishing house Damocle Edizioni – Venice in 200 numbered copies. The book is hand bound with thermal blankets like thos...

This work by Yoshitomo Nara is a rare exhibition poster from 2002 featuring Yoshitomo Nara's interpretation of the famous Doraemon character in ...

"The Gift," an original watercolor on paper by William Verdult, is a piece for the true collector. The artist's genius reflects a fiery artistic approach that inspires unexplored fee...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Summer still life

Original gunpowder drawing and porcelain bird sculpture, limited-edition copy exhibition catalogue Edition 26 of 50 Print is signed and number...

Limited edition vinyl record designed by Yoshitomo Nara. Green vinyl edition of 500

Super rare Promo Record featuring Banksy Artwork. Center label on record has an alternate version of the iconic Banksy Flower Thrower. Released i...

About the artist The beauty of nature Davit Nava’s work focuses on showing the beauty of nature by creating sustainable art that seeks to raise public awa...

Tea party 80x70 cm

"Personaje" (seated) acrylic on canvas painting by Southern California artist Mike Rivero. Personaje (sitting) is painted in blue, green, pink, red, black white, orange, set on a tau...

Minimalist black and neon pink organic sculpture by contemporary Houston, TX artist Matthew Reeves. Inspired by buoys commonly found along major waterways, the work features a column...

"Club" is an original piece by Kay Seohyung Lee made from oil on canvas. This piece measures 24"h x 36"w and comes with a gallery-issued Certificate of Authenticity. Kay Seohyung L...

text en verso

Per L'arc Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies Moisés Gil’s sculptures can be described as philosophical and conceptual, as they encourage individuals to reflect and act in a never-ending existential struggle, in the face of the multiple situations by which they are affected in contemporary societies. Art is always a form of communication: communication with and between the materials employed by the artist, giving rise to an aesthetic visual balance able to convey feelings, emotions and ideas, all of which are essential to a nonconformist commitment and worldview. Moisés Gil puts his representations of individuals in sculptural structures to better indicate the place of humans in the world, the place of contemporary individuals in their different environments, sometimes hostile; they are naked men...

David Hockney A Year in Normandie Ashtray by David Hockney, 2022 Ceramic Ash Tray 7 9/10 × 6 3/10 in (20 × 16 cm) Edition of 170

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Step into the enchanting world of Marc Zimmerman's clay totem sculpture, where ancient mystique meets the vibrant ...

Very cool One Cut Cut Commander record with Banksy Artwork on cover. Has large image of Banksy tank on front cover. Released in 1998, this is a very early example of Banksy artwork. ...

Tom Otterness Gold-Plated Earrings, ca. 1995 Pair of gold-plated earrings Anatomically correct (man and woman) with penny Signed with incised signature TOM OTTERNESS on the verso of the circular penny shape. 1 3/4 × 1 1/4 × 1/4 inches Unframed An irrepressible and unforgettable gift. These anatomically correct, signed vintage gold plated earrings of figures dangling from a replica of a U.S. penny by public sculptor Tom Otterness are real collectors items. Although the edition is unnumbered, the artist has stated that approx 200 were created. The artist has also confirmed to us that these earrings were originally made as gifts to close personal friends and associates, so he did not sell them on the open market and did not make them again after the initial group. They are quite rare and desirable. In 2013, these works sold at Phillips auction house for US  $2,750. Wonderful, racy conversation pieces. Wearable art which would also look terrific framed hanging in a small shadow box. About Tom Otterness: Tom Otterness was born in Wichita, Kansas in 1952. He came to New York City in 1970 to study at the Arts Students League, and in 1973 took part in the Whitney Independent Study Program. In 1977 he became a member of Collaborative Projects, a pioneering community of independent artists, and took a leading role in organizing Colab’s 1980 Times Square Show, which was called “the first avant-garde art show of the ‘80s” by the Village Voice. Otterness is one of a handful of contemporary artists invited to design a balloon for the Macy’s Thanksgiving Day Parade, for which he devised a tumbling Humpty-Dumpty in 2005. Otterness lives and works in New York. Otterness may well be “the world’s best public sculptor,” as the art critic Ken Johnson opined in the New York Times in 2002. Public art is his focus, and Otterness has had major outdoor exhibitions of his sculptures on the Park Avenue Mall in New York (2003), in more than a dozen sites in downtown Indianapolis (2005), on the grounds of the Beverly Hills city hall (2005-06) and throughout Grand Rapids, Michigan (2006). His first solo exhibition, held at Brooke Alexander Gallery in New York in 1983, featured elements of The New World (1991), a white plaster frieze of 250 nude “Ur-people,” as essayist Hayden Herrera called them, eventually destined for the plaza of the Edward R. Roybal Federal Building in Los Angeles, a General Services Administration commission. In the U.S., Otterness has completed at least three dozen public commissions, including Life Underground (2004), his celebrated multi-figural bronze sculpture installation for the New York Metropolitan Transportation Agency at the 14th Street station on the Eighth Avenue subway lines. His international commissions include public plazas in Münster, Germany (1993), Toronto, Canada (2007), and Seoul, South Korea (2010), and a large public park in Scheveningen, the Netherlands (2004). In 2013, Creation Myth, a gateway park for the Memorial Art Gallery in Rochester, N.Y., was dedicated. Otterness has exhibited his work at John Berggruen Gallery in San Francisco, and other important contemporary art galleries. His most recent exhibition, Metal on Paper: Silverpoint, Copperpoint & Steelpoint Drawings, opened at Marlborough in September 2015. Works by Otterness are included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Eli Broad Family Foundation, the Brooklyn Museum, the San Francisco Museum of Modern Art, the Carnegie Museum, the Museo Tamayo in Mexico City, the Israel Museum in Jerusalem, and others. He was elected a member of the National Academy in 1994. Most recently, Otterness has installed The Tables from the collection of the Whitney and 50 new sculptures in niches at the Cathedral of Saint John the Divine, as part of the group exhibition, The Value of Food. On a personal note, Otterness has practiced Tai Chi, martial arts, and boxing in the school of William C. C. Chen since the 1970s, and his studio features a boxing bag...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to create exuberance and energy in her images. Inspired by street art, Coulombe Bégin 's paintings range from the abstract to the surreal and employ a variety of techniques and materials. Her contemporary artworks draw inspiration from body image, the universally recognizable symbol of hearts, and the experience of humankind. She brings a sensitivity to her work that stems from her exploration of identity and the joy and happiness of existence. Coulombe-Bégin draws us into her internal world: exploring the soul and matter, conscience, and the modern universe. This original painting depicting one heart painted on a silver background measures 12 inches square. The thickly textured heart is applied with tactile brushwork. It is wired and ready to hang. The sides of this artwork are painted black and it does not require framing. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Coulombe-Bégin’s work portrays from colorful hearts to specific parts of the human body, especially large close-up portrayals of the mouth and eyes, which are depicted with great contrasts of color and chiaroscuro. These symbols are constructed with specific gestures and drippings in which Coulombe-Bégin expresses an abstract universe full of movement, symbolism, and eroticism. Born in Miami, Coulombe-Bégin grew up in Quebec City where she earned a Bachelor of Visual Arts in 2006 from Laval University. Starting very young, her parents focused a great deal on both the arts and athletics which helped her develop her own mode of expression. “I am particularly interested in the fragmented corporal shell, which I emphasize through spontaneous movement and vivid colors.” stated Coulombe-Bégin. “My experience with painting has led me to see things differently, to self-discovery and to great astonishment." Coulombe-Bégin's works have been exhibited and collected worldwide, including Canada, the United States, Europe, South America, and Australia. REPRESENTATION Artspace Warehouse, Los Angeles SOLO EXHIBITIONS 2023 Inspire moi, Galerie Iris, Baie-St-Paul 2021 Le Corps à Coeur, Galerie Corno X Beauchamp, Montréal 2019 Rêve moi, Centre Boréart, Granby, QC Feel Moi, Galerie Iris, Baie-St-Paul, QC 2017 Wildest Dreams, La nuit des Galeries, Québec Salon d’habitation d’automne, Qébec 2016 Salon d’habitation d’automne, Québec 2015 Polyphonie, Palais Montcalm, Québec 2012 Le feu à la bouche, SSS, Québec, QC 2011 Le Moulin La Lorraine, Lac Etchemin, QC 2010 Lunetterie du faubourg, Quebec Les futures Déesses désirées, Le Cercle, Quebec, QC Trafic d'organes, Clocher penché, Quebec, QC Corps et Corporalités, Studio Party...

This plush doll by Yoshitomo Nara is of his very well known children, with their expression of innocence combined with pessimism. The hat is knitted and the...

Fine Bone China Edition of 250 Printed signature and edition details on verso comes with the original presentation box. Mickalene Thomas, born in 1971 in Camden, New Jersey, is a ce...

Abstract collage titled "Celestial Touch" by contemporary artist Julia Rossel. The piece incorporates imagery of two hands that resemble the hands from Michelangelo's "The Creation o...

This is a beautifully nuanced, and deeply soulful abstract contemporary oil painting on linen, that speaks volumes with its quietly furious brushstrokes multi-layered in monochromati...

Reflexio Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies Moisés Gil’s sculptures can be described as philosophical and conceptual, as they encourage individuals to reflect and act in a never-ending existential struggle, in the face of the multiple situations by which they are affected in contemporary societies. Art is always a form of communication: communication with and between the materials employed by the artist, giving rise to an aesthetic visual balance able to convey feelings, emotions and ideas, all of which are essential to a nonconformist commitment and worldview. Moisés Gil puts his representations of individuals in sculptural structures to better indicate the place of humans in the world, the place of contemporary individuals in their different environments, sometimes hostile; they are naked men...

Rheann Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 35" x 6" x 5" "I am an artist, a sculptor no...

"Dark" is an original piece by Kay Seohyung Lee made from oil on canvas. This piece measures 24”h x 18”w and comes with a gallery-issued Certificate of Authenticity. Kay Seohyung L...

Assegut a les Altes 3 Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” An...

The title Mainosuutiset, translated from Finnish as Advertisement News, accompanies a striking image. The poster features a black face with white openings for the eyes and mouth, sym...

Girl with a cup of coffee 70x50 cm

Girl in a cafe 70x50 cm

Red vase 110x80 cm

Dream time 80x120cm The work is sold without a frame.

Marbella 100x100 cm The work is sold without a frame.

Summer 80x80 cm The work is sold without a frame

Girl with umbrella 70x50 cm

March 70x50 cm

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

Bolgum Nagesh Goud - Ardhanaareeshwara Metallic Acrylic & Ink on Canvas 48 x 48 x 2 inches ( Rolled & Delivered ) Born July 18, 1965 Education 1993 Bachelor of Fine Arts, Colleg...

Per Una Paret Llisa Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies Moisés Gil’s sculptures can be described as philosophical and conceptual, as they encourage individuals to reflect and act in a never-ending existential struggle, in the face of the multiple situations by which they are affected in contemporary societies. Art is always a form of communication: communication with and between the materials employed by the artist, giving rise to an aesthetic visual balance able to convey feelings, emotions and ideas, all of which are essential to a nonconformist commitment and worldview. Moisés Gil puts his representations of individuals in sculptural structures to better indicate the place of humans in the world, the place of contemporary individuals in their different environments, sometimes hostile; they are naked men...