Unknown

Silver Thread Embroidered Funeral Vestment

XVII Century

Fascinating and rare wooden puppet depicting a skeleton, dating from the 19th century and probably of European origin. This piece hand-carved with extraordinary attention to anatomic...

Evocative and rare 17th-century carved marble skull from Lombardy, Italy. The work bears an engraved inscription on the back that reads "Carestia grandissima II2 LVIO 1630," a clear ...

Antique Sacristy Door with Skull and Crossbones - Italy, 17th Century Exceptional wooden vestry door, dating from the 17th century, from Italy. This unique piece was originally used...

This 17th-century parade helmet, made in Milan, is an outstanding example of Lombard weapons art of the period. Its iron frame is embellished with embossing and chiseling techniques,...

"This narrative questions the storyline that the wolf was the threat; but rather the Huntsman was the predator." KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box into a tenement building in Affordable Housing 2017, a jewelry box into a wheelchair in Last Lily Foot 2016, an old shoe shine box...

Color lithograph with chine collé, Edition 30. Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cul...

Mixed media (fiber, acrylic, paint) on stretched canvas

Work on canvas Technique Mixte Monogrammed work YH