Zeynep Severge

TROPHY TOTEM

2022

Robert Mapplethorpe (American, 1946-1989) Calla Lilly, plate produced by Swid Powell in 1989, original image captured 1984 Porcelain with overglaze transfer-printed decoration 12 in....

Majorca. Original unique ceramic piece Painter born in the town of Estellencs on the island of Mallorca, since his youth he dedicated himself to drawing and watercolor, later enterin...

Mary Caroline Richards Tea Cup, circa 1970s Glazed earthenware 2 1/2 x 2 1/2 inches Provenance Estate of Carolyn Brown, New York 2025. Mary Caroline (M. C.) Richards (1916 – 1999)...

Published in 1990 by Rosenthal, Germany, Roy Lichtenstein’s, Water Lilies is an exquisite glazed porcelain charger, brilliantly colored, accompanied by signed certification. Stamp si...

A Large Minoan style vessel inspired by the views, constantly changing light and rugged beauty of the Atlantic Ocean and coastal moorland of Wes...

Bernard Rook (b.1938): Organic Waterscape Vase, 1960-1965 -Rare example of Rooke’s oeuvre demonstrating his inventive artistic talents to the full - A ...

Robert Fournier (1915-2008), stoneware, tall flattened, bottle, circa 1960-1965 - This bottle is from the same series as No.2008.658.18 in the Metrop...

H&C Heinrich, massive, white, porcelain, sculpted, floor standing, vase, circa 1960 - The massive height, white monochrome and sculpted surface create a rare, floor standing, ceram...

Alan Wallwork (1931-2019): Organic landscape sculptural vessel, 1960-1965 -Exhibiting the articulated, inventive, organic qualities & tactility of Wallwork’s early oeuvre for which he is best known - This sculptural landscape vessel has been handmade by coiling, slabbing and shaping the clay. The totemic form and pitted and pierced surfaces draw on the abstract landscape and tactility of elements in nature. matte glazes and oxides have been skillfully used to enhance the rich textures of the surfaces and the organic aesthetic. - Wallwork is one of the great individualists in British pottery, developing an archetypal language that echoed some of the wider artistic obsessions of that period, what the art critic Herbert Read called the “postwar ferment” of sculptural activity. - This piece was made during 1960-1965, the time that Wallwork was sharing a studio in Greenwich with Bernard Rooke and comes from a private collection along with a waterscape vase by Rooke and a bottle by Robert Fournier...

Martin Freyer for Rosenthal Studio: Massive, black, porcelain, pleated or plissee vase, 1968 - The pleated vase is known as Martin Freyer’s best work w...