Paintings
to
133
5
55
37
10
110
6
4
13
Overall Height
to
Overall Width
to
111
6
6
72
45
31
30
28
28
26
22
19
18
15
15
12
11
7
6
6
4
4
4
133
113
34
829
654
649
128
114
114
87
39
Paintings For Sale
Artist: Adam Mysock
Artist: Daniel Brice
A Willing Ignorance
By Adam Mysock
Located in New Orleans, LA
From John Singer Sargent’s Gassed, 1919
When considering the factors that are required (or at least helpful) for a lie to succeed, I constantly look to the audience. I constantly tr...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Surmountable Problem Writ Large
By Adam Mysock
Located in New Orleans, LA
After: The Young Beggar by Bartolomé Esteban Murillo (c. 1645-50) and Approaching Thunder Storm by Martin Johnson Heade (1859)
The main character of this painting finds himself mired in a pond as a sizeable storm approaches, and yet – instead of standing up and removing himself from the trouble – he chooses to focus on the discomfort of his wet clothing.
This child, attending to a minor nuisance rather than enacting a permanent solution, stands in as an icon of our current sociopolitical leadership – leadership which has defined our modern reality by its preference for constantly kicking the can on major issues (climate change, income inequality, various forms of discrimination, and so much more) as the rest of us are left to watch from the shore.
ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specialized in the manufacturing of pigments. On account of a steady stream of folk tales from his mother and his father’s vividly dyed work clothes, he developed an interest in narrative and representative painting from an early age. Mysock earned a Bachelor of Fine Arts degree in Painting and Art History in 2004 from Tulane University and an MFA from Southern Illinois University at Carbondale in 2007.
After his studies, Mysock taught at the university level for nearly a decade, including as a Professor of Practice at Tulane University. In 2016, he and his family moved back to Cincinnati, where he currently serves as coordinator for Manifest Drawing Center.
Mysock’s work has been exhibited throughout the country and is in private collections across the US, including the 21c Museum, Beth Rudin DeWoody, Ruslan Yusupov, Thomas Coleman and Michael...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Panel, Acrylic
Untitled
By Daniel Brice
Located in Lawrence, NY
Oil pastel and graphite
Artist Daniel Brice’s mixed-media canvases and works on paper are studies in the use of line and color to convey, through simple gestural movements, a comple...
Category
Early 2000s Minimalist Paintings
Materials
Oil Pastel
Untitled
By Daniel Brice
Located in Lawrence, NY
Oil pastel and graphite
Artist Daniel Brice’s mixed-media canvases and works on paper are studies in the use of line and color to convey, through simple gestural movements, a compl...
Category
Early 2000s Minimalist Paintings
Materials
Mixed Media
A Fool
By Adam Mysock
Located in New Orleans, LA
From Jan Matejko’s Stańczyk, 1862
I’ve heard that in centuries past, the jester – or fool – was often one of the only people able to speak truth to power. Because of their inherent ...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
Untitled
By Daniel Brice
Located in Lawrence, NY
Oil pastel and graphite
Artist Daniel Brice’s mixed-media canvases and works on paper are studies in the use of line and color to convey, through simple gestural movements, a comple...
Category
2010s Minimalist Paintings
Materials
Mixed Media
The Earliest Portrait of Everything
By Adam Mysock
Located in New Orleans, LA
after: the European Space Agency's Planck Observatory's imaging of Cosmic Microwave Background
Framed: 4h x 7.75w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 198...
Category
2010s Contemporary Paintings
Materials
Acrylic, Panel
Having Missed the Mark with Our Grief
By Adam Mysock
Located in New Orleans, LA
After: The Death of Seneca by Manuel Domínguez Sánchez (1871) and Eaton's Neck, Long Island by John Frederick Kensett (1872)
Painted as a response to the ongoing conversations about race and policing in the United States in 2020, Having Missed the Mark with Our Grief focuses on the problem of the “But what about…” conversations that too often accompany discussions about systemic racism and discrimination. From the nonsensical All Lives Matter crowd to the virtue-signaling of more well-meaning, empathetic groups, people outside of BIPOC communities too frequently seem ready to misdirect valuable attention away from meaningful change toward their own unthreatened subcultures.
Having Missed the Mark with Our Grief presents a mourning white male pulled from The Death of Seneca hovering above the shore of Eaton’s Neck, far from an “X” drawn in the sand. The setting is simple and uncomplicated beyond the target on its shore. However, the forlorn figure draws the spotlight away from the marked terrain toward his dramatic presentation of suffering.
ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specialized in the manufacturing of pigments. On account of a steady stream of folk tales from his mother and his father’s vividly dyed work clothes, he developed an interest in narrative and representative painting from an early age. Mysock earned a Bachelor of Fine Arts degree in Painting and Art History in 2004 from Tulane University and an MFA from Southern Illinois University at Carbondale in 2007.
After his studies, Mysock taught at the university level for nearly a decade, including as a Professor of Practice at Tulane University. In 2016, he and his family moved back to Cincinnati, where he currently serves as coordinator for Manifest Drawing Center.
Mysock’s work has been exhibited throughout the country and is in private collections across the US, including the 21c Museum, Beth Rudin DeWoody, Ruslan Yusupov, Thomas Coleman and Michael...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Panel, Acrylic
Daniel Brice "Water - Blue" -- Watercolor Abstract Painting on Paper
By Daniel Brice
Located in New York, NY
Daniel Brice
Water - Blue, 2020
watercolor on paper
16 x 25 in image size
21 x 29 in paper size
This original abstract watercolor painting on paper by Daniel Brice features bold sha...
Category
2010s Abstract Paintings
Materials
Watercolor, Paper
OX 68
By Daniel Brice
Located in Phoenix, AZ
oil and acrylic on linen over panel
In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in ...
Category
2010s Abstract Geometric Paintings
Materials
Linen, Oil, Acrylic, Panel, Wood Panel
Looking Down the Barrel of a Gun (Last Judgment)
By Adam Mysock
Located in New Orleans, LA
after: Hans Memling's "The Last Judgment" triptych (c. late 1460's), Bambi's mother from Disney's "Bambi" (1942)
acrylic on panel, mounted on a J.P. Sau...
Category
2010s Contemporary Paintings
OX 86
By Daniel Brice
Located in Phoenix, AZ
oil on paper
In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in sun-drenched southern ...
Category
2010s Color-Field Paintings
Materials
Paper, Oil, Archival Paper
Going
By Adam Mysock
Located in New Orleans, LA
after: a NASA image of the Whirlpool Galaxy
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes ...
Category
2010s Contemporary Paintings
Materials
Panel, Acrylic
Our Legacy of Engagement
By Adam Mysock
Located in New Orleans, LA
after: “La Lutte” by Émile Friant, 1889
Framed: 10h x 8.50w in
As I’ve gotten older, I’ve been particularly struck by the staggering number of unintende...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Panel, Acrylic
Distorted Perspectives
By Adam Mysock
Located in New Orleans, LA
After: Jan Veth’s “Portrait of Cornelia, Clara, and Johanna Veth” from 1885.
ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Panel, Acrylic
A Lack of Consequence
By Adam Mysock
Located in New Orleans, LA
From Rembrandt van Rijn’s Militia Company of District II under the Command of Captain Frans Banninck Cocq (The Night Watch), 1642
Forgive and forget. That’s what we’re taught to do ...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
An Exciting Unknown
By Adam Mysock
Located in New Orleans, LA
A portrait of Sasquatch (Harry from Harry and the Hendersons, Universal Pictures, 1987)
Developing almost simultaneously with my appreciation of mannequins, I fell in love with what...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Reliable Pardon
By Adam Mysock
Located in New Orleans, LA
From Nicholas Poussin’s The Death of Sapphira, circa 1652
As we invariably test the waters of lying, we quickly learn to recognize the more forgiving...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
OX 67
By Daniel Brice
Located in Phoenix, AZ
oil and acrylic on linen over panel
In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in ...
Category
2010s Color-Field Paintings
Materials
Panel, Wood Panel, Linen, Oil, Acrylic
Untitled (WOP-5)
By Daniel Brice
Located in Phoenix, AZ
oil on paper
image size: 20.5 x 29.5 inches
Daniel Brice’s paintings are composed using a minimal rectilinear language, divided into planes of color implying vast spatial landscape...
Category
2010s Color-Field Paintings
Materials
Paper, Oil
OF-Foot2
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF
Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Paper
OX 78
By Daniel Brice
Located in Phoenix, AZ
oil and acrylic on linen over panel
In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in ...
Category
2010s Color-Field Paintings
Materials
Linen, Oil, Acrylic, Panel, Wood Panel
OX 79
By Daniel Brice
Located in Phoenix, AZ
oil and acrylic on linen over panel
In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in...
Category
2010s Color-Field Paintings
Materials
Linen, Oil, Acrylic, Panel, Wood Panel
Foreseeing Nothing
By Adam Mysock
Located in New Orleans, LA
(after: Henry Fawcett; Dame Millicent Garrett Fawcett by Ford Made Brown, 1872)
Framed: 8.50h x 10w in
On November 7th, 2016, it seemed as if everyone knew how the U.S. presidential...
Category
2010s Contemporary Paintings
Materials
Panel, Acrylic
OF-Head5
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF
Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Paper
OF-Head17
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF
Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Paper
OF-Hand3
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF
Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Paper
A Weak Compromise
By Adam Mysock
Located in New Orleans, LA
A donkey, symbol of the Democratic Party
Democrats promote themselves as consistently ethical. So, when they inevitably get caught lying, the fault i...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Cautionary Tale
By Adam Mysock
Located in New Orleans, LA
A portrait of Pinocchio from Pinocchio, Disney, 1940
Are there any more recognizable stories about the difficulties that can accompany lying than that of Pinocchio? For the puppet-...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Counter Example
By Adam Mysock
Located in New Orleans, LA
A portrait of Abraham Lincoln
We’ve assigned a great deal of responsibility to our shared cultural figures when it comes to teaching lessons about truth, fiction, and morality. We u...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
An Allowance to Try Again
By Adam Mysock
Located in New Orleans, LA
A portrait of the Wizard from The Wizard of Oz, Metro-Goldwyn-Mayer, 1939
Whenever I’ve watched The Wizard of Oz, I’ve always been struck by the same thing – that the actor who play...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
Red Sky in the Morning (Day Three)
By Adam Mysock
Located in New Orleans, LA
after: "Twlight in the Wilderness" by Frederic Edwin Church, 1860
Framed: 3.50h x 3.50w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementa...
Category
2010s Contemporary Paintings
Materials
Acrylic, Panel
OX 70
By Daniel Brice
Located in Phoenix, AZ
oil and acrylic on linen over stretcher bars
In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. ...
Category
2010s Color-Field Paintings
Materials
Linen, Oil, Acrylic, Stretcher Bars
OX
By Daniel Brice
Located in Phoenix, AZ
oil on canvas
Daniel Brice’s paintings are composed using a minimal rectilinear language, divided into planes of color implying vast spatial landscapes. His work references the l...
Category
2010s Color-Field Paintings
Materials
Oil
OF-Head21
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF
Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Paper
Coming
By Adam Mysock
Located in New Orleans, LA
after: a NASA image of the Andromeda Galaxy
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes ...
Category
2010s Contemporary Paintings
Materials
Panel, Acrylic
An Audience Unaware
By Adam Mysock
Located in New Orleans, LA
From Johannes Vermeer’s A Girl Asleep, 1656-57
Learning to lie is a bit like learning how to play a game. There are strategies. There’s an opponent. It can be fun because it’s a cha...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
And, lo, three men stood by Abraham
By Adam Mysock
Located in New Orleans, LA
full title:
"And, lo, three men stood by Abraham: and when he saw [them], he ran to meet them from the tent door, and bowed himself toward the ground"
After: “Punishment of Korah” by Domenico Beccafumi (1537) and “The Banjo Player” by William Sydney Mount (1855)
Framed: 6.90h x 8.10w in
This image really began with my knowledge of the American artist of the source painting – William Sydney Mount. While Mount is acknowledged as one of the first painters to present African- Americans in a positive light, his beliefs about slavery were at odds with Abraham Lincoln’s. In response, he seems to have wrestled with the good and evil aspects of his beliefs. The imagery of Moses on his knees (from Domenico Beccafumi’s Punishment of Korah, Dathan and Abiram) comes from a similar narrative about a struggle between good and evil. In it, Moses’ divine connections were challenged by tribal leaders and as a result the earth split open and swallowed the malicious contenders, leaving only the good. William Sydney Mount’s painting of The Banjo Player serves as a stage that hints at both something positive (the musical reference) and something negative (figures emerging on their knees, as if being released from captivity.) The musical poster...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Panel, Acrylic
An Automated Message
By Adam Mysock
Located in New Orleans, LA
From a series of paintings by Ed Valigursky.
Our technology is staggering. We now have computers that can lie for us. For proof you only need to head over to any online comment boar...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Horrifying Self-Actualization
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875
At some point the lying has to stop, right? But when? I’m no longer convinced that any external stimulus...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Platform
By Adam Mysock
Located in New Orleans, LA
A portrait of Ted Turner, founder of CNN and by extension a 24-hour news cycle
I’ll blame everything wrong with America on Ted Turner. Don’t misread me – h...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Repetition
By Adam Mysock
Located in New Orleans, LA
A red-and-green parrot.
For a lie to gain real power, it must continue its existence separate from its creator. If it can be repeated by others, retold in a variety of contexts, it ...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Tutor
By Adam Mysock
Located in New Orleans, LA
A portrait of Kellyanne Conway
While the statement for this show indicates that there are no formal teachers of proper lying technique, it doesn’t deny that there are individuals ou...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Bit Too Far
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875
As we seek this fine line separating safe lying from detrimental misdirection, we often have to cross it...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Tentative Probe
By Adam Mysock
Located in New Orleans, LA
From Rembrandt van Rijn’s Militia Company of District II under the Command of Captain Frans Banninck Cocq (The Night Watch), 1642
The search for limits is an ongoing endeavor. Circu...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A False Prophet
By Adam Mysock
Located in New Orleans, LA
A portrait of news anchor Brian Williams
Similar to the regular fall of the Democrats, Brian Williams positioned himself as a figure worthy of our trust nightly. He convinced us tha...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Sense of Guilt
By Adam Mysock
Located in New Orleans, LA
A portrait of Fred Rogers, Mr. Rogers
I suppose I like to believe that liars know they’re lying. I like to believe it’s a controlled activity. And if they...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Pretty Face and a Nice Body
By Adam Mysock
Located in New Orleans, LA
A portrait of Lance Armstrong
We tend to exercise differing levels of tolerance for different liars. Some people get called out immediately, while oth...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Role Model
By Adam Mysock
Located in New Orleans, LA
A portrait of Charles Ponzi
When we combine the power of lies to persuade with their ability to establish a false hierarchy, we end up with Charles Ponzi – the eponym of the Ponzi S...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
An Overreach
By Adam Mysock
Located in New Orleans, LA
From an illustration by Arthur Rackham for Alice in Wonderland – “They all crowded round it panting and asking, ‘But who has won?’” 1907
There’s a fear of inferiority that lies behi...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Seduction
By Adam Mysock
Located in New Orleans, LA
From John William Waterhouse’s A Mermaid, 1900
We have a wonderful capacity to impose fictions on others in order to make them desirable. We o...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Frail Attempt
By Adam Mysock
Located in New Orleans, LA
Sandro Botticelli’s The Birth of Venus, 1484-86
We desire attention, but no one likes a show-off. So, we’ve sharpened our ability to practice false modesty. We pretend to cover ours...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Bid to Gain Attention
By Adam Mysock
Located in New Orleans, LA
A portrait of Baron Munchausen from The Adventures of Baron Munchausen, Columbia Pictures, 1988
The concept of Munchausen Syndrome offers another per...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
An Opportunity to Test
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875
Knowing what we do about insufficient consequences, we will always test the limits of acceptable lying. ...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A First Apology
By Adam Mysock
Located in New Orleans, LA
A portrait of Mark McGwire
If we are caught lying, it is the suddenly being singled-out that proves most unsettling. We are temporarily relieved of our ability to define our own pub...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Constant, Attractive Artifice
By Adam Mysock
Located in New Orleans, LA
A mannequin
For some reason, mannequins seemed to be everywhere when I was growing up. Maybe it was growing up during the heyday of malls in America. Nevertheless, with their clearl...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
An Attempt at Morality
By Adam Mysock
Located in New Orleans, LA
From Albrecht Dürer’s Adam and Eve, 1507
Akin to the historical narratives we’re fed in an attempt to steer us away from a life of lies, the narrative of Adam, Eve, and the serpent ...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
A Brush With Justice
By Adam Mysock
Located in New Orleans, LA
From Nicholas Poussin’s The Death of Sapphira, circa 1652
Sooner or later, we get caught lying. For most of us, it’s incredibly early in life, and the falsehood detected is innocuou...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Varnish, Wood Panel
Shop Abstract, Landscape, Figurative and Still-Life Paintings
Painting is an art form that has spanned innumerable cultures, with artists using the medium to tell stories, explore and communicate ideas and express themselves. To bring abstract, landscape and still-life paintings into your home is to celebrate and share in the long tradition of this discipline.
When we look at paintings, particularly those that originated in the past, we learn about history, other cultures and countries of the world. Like every other work of art, paintings — whether they are contemporary creations or works that were made during the 19th century — can often help us clearly see and understand the world around us in a meaningful and interesting way.
Cave walls were the canvases for what were arguably the world’s first landscape paintings, which depict natural scenery through art. Portrait paintings and drawings, which, along with sculpture, were how someone’s appearance was recorded prior to the advent of photography, are at least as old as Ancient Egypt. In the Netherlands, landscapes were a major theme for painters as early as the 1500s. Later, artists in Greece, Rome and elsewhere created vast wall paintings to decorate stately homes, churches and tombs. Today, creating a wall of art is a wonderful way to enhance your space, showcase beautiful pieces and tie an interior design together.
No matter your preference, whether you favor Post-Impressionist paintings, animal paintings, Surrealism, Pop art or another movement or specific period, arranging art on a blank wall allows you to evoke emotions in a room while also showing off your tastes and interests. A symmetrical wall arrangement may comprise a grid of four to six pieces or, for an odd number of works, a horizontal row. Asymmetrical arrangements, which may be small clusters of art or large, salon-style gallery walls, have a more collected and eclectic feel. Download the 1stDibs app, which includes a handy “View on Wall” feature that allows you to see how a particular artwork will look on a particular wall, and read about how to arrange wall art. And if you’re searching for the perfect palette for your interior design project, what better place to turn than to the art world’s masters of color?
On 1stDibs, you’ll find an expansive collection of paintings and other fine art for your home or office. Browse abstract paintings, portrait paintings, paintings by popular artists and more today.
Recently Viewed
View AllMore Ways To Browse
T Henry
Woman Red Dress
Spell Out
Spelled Out
Old Money
Native Dance
Western Modernist
Painting Of Paris Shops
Painting Antique Windows
Large Modern Sketch
By Marc Jacobs
Henry Ii
The Book Of The Thousand
Antique Hunting Paintings
Marc Jacobs By Marc Jacobs
Antique Hunting Painting
Jacobs By Marc Jacobs
Marc By Marc Jacobs