Paintings

Original Painting on Canvas. One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani ...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Contemporary pastel pop art portrait of Edward Scissorhands and Kim Bogs by Texas artist Robert Sandman. Posed in the style of the iconic "American...

PATRICK ARCHER (American b. 1926) "Genesis VI" Collage on board. Sight: 13 x 11 inches, framed: 23 .5 x 21.5 inches. Signed and dated at lower right, signed titled and numbered on v...

This painting is from Karen Lynn’s architectural series of paintings. “My intention was to paint a pale pink building, a masculine building but with feminine colour. The blocks of bl...

Artist: Vadym Mykhalchuk Title: Shenzhen. New Neighborhood. Year: 2017 Style: Pop Art Materails: Oil on canvas Height: 80 cm Width: 100 cm

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 18 x 20 inches. Artwork size 12 x 13.75 inches...

Vadym Mykhalchuk "Coca-Сola" 2018

Joss Parker Bobber Girl in pop art style. Colors: Blue, White, Pink, Red, Yellow

Artist: Miche Watkins, British/South African (1953 - ) Title: Ben Year: 2016 Medium: Acrylic on Canvas, signed l.l. Size: 36 x 24 in. (91.44 x 60.96 cm)

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Fishing Lure on Gold II Year: 1987 Medium: Acrylic and Screenprint on Canvas, signed, dated, and stamped verso Image Size: 1...

One of The Hampton's most popular urban Pop artists whose paintings can be found in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. He has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. Ceravolo's Large scale paintings have received international acclaim for more than four decades with sold out exhibitions throughout the United States. Ceravolo's art came to popular attention when he was commissioned to create five large scale paintings for the lobby of The Palladium Theatre in New York City of Jackson Browne, Linda Ronstadt, Frank Zappa, Neil Young and Hall and Oates. This Acrylic and Oil painting with spray paint archival ink and metal grid...

"Make Africa Great Again" is a wood decorated colored Panel. It is created by the French artist Maestro Eric Liot. About the artwork: TECHNIQUE: Mixt, Low reliefs, wood panel as...

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi Year: circa 1960 Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

In this original acrylic paint on canvas, Jose Palacios depicts a woman in a neo-cubist and pop art style climbing a winding white staircase. Her body is composed of geometrical shapes filled with patterns and colors in yellow, greens, blues, pinks, and purples and she is framed by purple and pink walls. She is carrying a red high heel...

In this original acrylic paint on paper, Jose Palacios depicts "Rosa", a figure in a neo-cubist and pop art style. He uses vibrant yellow, blue and red shapes to compose her face whi...

Agent X has created a bright and brilliant mash-up of iconic Pop Art aesthetics and digital collage techniques. Agent X intercuts Pop art imagery with panels of poppy pattern, colour...

In this original acrylic paint on canvas, Jose Palacios depicts a woman in a neo-cubist and pop art style. She is sitting across a lime green armchair, with one leg hanging over the...

Denied Warhol Repent & Sin No More Black and White Painting by Charles Lutz Silkscreen and acrylic on canvas with Denied stamp of the Andy Warhol Art Aut...

The American flag sways slowly as the National Anthem plays softly in the background. A slow fade to black makes room for the single drone tone and a rainbow of color bars signal ...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...

Original Painting on Canvas. One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani ...

Hidden by Clouds is an original framed painting by artist Rosie Phipps. Featuring her gestural and expressive use of mark making to create these beautifully intimate landscapes. Rosi...

Artist: Pietro Bulloni, Italian (1947 - ) Title: Interal Letto Year: 2010 Medium: Oil on Canvas, signed, dated, and titled verso Size: 23.5 in. x 23.5 in. (59.69 cm x 59.69 cm)

One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...

Portrait of John Lennon and Yoko Ono, powerful couple whose relationship is one of the most famously iconic. In my creation, I explored the essence of iconography wrapped in bursts ...

Artist: David Kaye Title: Contemplation Size: 90 x 90 cm (35 3/8 x 35 3/8 in.) Medium: Acrylic on Canvas Edition: Original Year: 2023 Notes: Signed, titled and dated '"Contempla...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani, hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with a unique dollar b...

Artwork size: 100 x 81 cm. Frame size: 109 x 90 cm. Free shipment worldwide. Signed, titled and dated on the verso. Acquired directly from the artist. Artist Peter Klasen is a maste...

Original acrylic painting on canvas. Hand signed on front by Peter Max. Canvas size 36 x 24 inches. Custom frame with hand painted filet. Frame size approx 46 x 33.75 inches. Stu...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...

This is a profound visual representation that invites reflection on identity, authenticity, and the influence of society on our being. The artwork is rich in symbolism. The figure o...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

Artist: Pietro Bulloni, Italian (1947 - ) Title: Lo Ete (a Firenze) Year: 2015 Medium: Oil on Canvas, signed, dated, and titled verso Size: 12 x 12 in. (30.48 x 30.48 cm)

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

Joss Parker The iconic Volkswagon Bug in blue in pop art style.

Contemporary, Pop, Surrealistic, Figurative, Nude

Original Painting on Canvas. One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani ...

Medium: Mix media, silk screening, hand finished with Oil, Acrylic, stencils, spray paint, Collage with old iconography images, newspapers, comic books, magazines and text on canvas....

Medium: Mix media, silk screening, hand finished with Oil, Acrylic, stencils, spray paint, Collage with old iconography images, newspapers, comic books, magazines and text on canvas....

One Queen (02) is an Original on Canvas by Agent. ’One Queen (02)depicts silhouette of the Queen. Agent X creates the illusion of a cut-out to reveal a Baroque, floral painting under...

Acrylic Painting on Canvas

One-of-a-kind Pop Art Original Painting on canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...

Nuggets McDonald's Acrylic on paper 31x41cm cm :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :...

Vadym Mykhalchuk "Basic Instinct."

This watercolor painting portrays two women resting in the soft glow of the afternoon sun, reminiscent of Gustav Klimt's decorative style. The tender sunlit skin tones contrast with ...

"My Ex" is a painting by Maestro Pancho Malezanov. About the painting: TECHNIQUE: Acrylic, painting on canvas STYLE: POP ART, Contemporary Edition : Unique, signed Weight: Approximately 2 kg. The painting is unframed. Frame: Optional Snow Pearl gallery offers the possibility to increase the value of this artwork by adding a gorgeous wooden Italian contemporary frame of your choice. We can also offer a very special ancient restored frame. The frame can be hand-carved with composition ornamentation and hand-applied, with water gilded with 22 Kt. genuine gold leaf over rouge burnishing bole and then patinated to the appropriate patina. This will slightly increase the price, the shipping cost and the delivery time. His paintings bring emotion of happiness, love, energy and beauty represented by the vast creative power of his talent.” Dear art lovers, if you like the art of maestro Malezanov, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Snow Pearl art gallery provides certificates of authenticity for all artworks of the artist. . Maestro Malezanov has track records of multiples exhibitions. His works are owned in multiples collections around the word. Maestro Pancho Malezanov Was born in Sofia in 1964. Graduated from Secondary Art School in Sofia in 1984. Participated in general exhibitions in major galleries in Sofia in 1988-1989. SOLO EXHIBITIONS 2019 – Arsenal of Arts Gallery, Plovdiv - European Capital of Culture 2017 – Art Moore House, London U.K. 2017 - Bulgarian Cultural Institute, London, United Kingdom 2016 – The Art Fondation, Sofia, Bulgaria 2016 – Pentimento Gallery, Sofia, Bulgaria 2015 – Nataly Gallery, Sofia, Bulgaria 2014 – Artamoncev Gallery Sofia Bulgaria 2011- Anima Art Gallery Hilton Sofia Bulgaria 2011- Bulgarian Cultural Institute, London, United Kingdom 2008- Gallery Ikar Sofia Bulgaria 2007- Bulgarian Cultural Institute-Berlin Germany 2004 - Avant-garde Gallery, Plovdiv 2004 - Apollo and Mercury Gallery, Sofia 2003 - Iridium Gallery, Sofia 2003 - Draca Gallery, Sofia 2001 - Monitor Daily Gallery, Sofia 2000 - Municipality Gallery, Varna 2000 - Art 36 Gallery, Sofia 2000 - Draca Gallery, Sofia 2000 - Romfeya Gallery, Plovdiv 1998 - Art Club Gallery, Sofia 1998 - Gallery of the Bulgarian National Assembly 1997 - Ata-Ray Gallery Sheraton Hotel, Sofia 1997 - Macta Gallery, Sofia 1996 - Ata-Ray Gallery, Sofia 1995 - Macta Gallery, Sofia 1994 - Macta Gallery, Sofia 1993 - Ata-Ray Gallery, Sofia 1992 – Mericas Gallery, Athens, Greece SELECTED GROUP EXHIBITIONS 2018 - Art fair Lausanne 2018 – Nuance Art Gallery, Sofia, Bulgaria 2017, Antwerp Art Fair, Antwerp, Belgium 2016 - Hay Hill Gallery London U.K. 2016 - Autumn arts Salon, Wadenoijen, Netherlands 2015 - Hay Hill Gallery London U.K. 2015 - Slater Memorial Museum Norwich CT 2014 – Hay Hill Gallery London U.K. 2013 – Hay Hill Gallery London U.K. 2013 – Wimbledon Fine Art, London, U.K. 2013 Makta Art Gallery Kempinski Hotel Sofia Bulgaria 2005 – Apolonia Arts Festival, Bulgaria 2003 – Delight Hamilton Gallery, Seattle, WA (US) 2002 – Gettysburg, PA (US) 2001 – Washington, D.C. 2001 – Aleksey von Schlippe Gallery, Univ. of Connecticut, New London, CT (US) Pancho Malezanov’s wild cars have broken into the Art moorhouse gallery- London! I have read that designers strive to give character to cars, often inspired by nature - sometimes their headlights look like the eyes of an owl or an eagle, grills snarling predatorily like shark’s teeth, the body curved like a purring kitten orsleek like a hungry tiger ... not to mention the many horses under the bonnet ... It is this nature of cars, including some of the most expensive and vintage brands, that artist Pancho Malezanov unveils his new series "(Auto) portraits". First of all, because he has experience with painting animals and knows their desires well. Secondly, because he sees their characters embodied in metal, leather and glass. The result is futuristic – a car, yet behind the windows, the character of a powerful untamed beast is revealed. Not always, of course. How can you not trust a brand whose radiator grill is colored like a rainbow, whose multicolored lights wink at you, all stemming from Malezanov’s imagination. He has managed to turn the car into a living creature who prowls around the urban jungle. You will stand up and pay attention after seeing such a car. And you’ll be sorry that you drive a boring black or white machine. No problem – simply listen and take inspiration on how to bring colour to your life and to your car from this exhibition. If you do not want to take a risk with an insanely expensive classic brand, at least you can hang up your own Malezanovartwork on your wall and lift your mood by how he intertwines technique with technology, combining the flamboyant cars with detailed backstories and turns them into colorful toys for a grown boy’s room. Mila Vacheva – "24 Hours" newspaper The prominent art critic Maximilian Kirov writes about the author: ..."As an artist Pancho Malezanov always prefers to interact with nature directly, but it is difficult to call him a landscape artist in the exact meaning of the term. He is not interested in particular details, but prefers to unite the entire scenery through a randomly situated point of view, which does not take into account the horizon line or the static position from which each natural object is seen. This point of view almost always has a peculiar “bird’s plan view”, which allows him to contemplate a panoramic scene. This is a “bird’s eye vision...

Oil on Aluminum Dibond, Gold Leaf, and Resin

Each feather is pointing to specific hour, at the same time it is a symbol of life-breath, soul, easy transition from one state to another. This artwork was painted at Andy Warhol M...

"Kind Soul" (FRAMED) Painting 16" x 14" inch by Tasneem El-Meshad Medium: acrylic on wood Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflection ...

Currently exhibits locally and internationally, while his work has been presented in multiple exhibitions in the USA, Europe, and Asia. One of the first things that one notices in th...

This is a one of a kind original oil and acrylic on canvas portrait of pop culture icon Marilyn Monroe by southern California artist, Gina Palmerin. Its dimensions are 30x30. It comes unframed. A certificate of authenticity will follow delivery. The artist has depicted Marilyn Monroe in a traditional dia de los muertos style. Marilyn stares at the viewers in a seductive pose with a face full of traditional makeup against a black background. Over time, Palmerin has developed a style which combines realism, classicism, street art, low brow...

From the series “The color of memoryâ€

This is a one of a kind original oil and acrylic neoclassical painting depicting biblical Eve, by Southern California artist, Gina Palmerin. Its dimensio...

Yes, they are simple, sturdy, leather boots. Everyone had something like that. A symbol of reliability and brute strength. Nothing happens to it and nothing will happen in your lifet...

From the series “The color of memoryâ€

Artist: Michael Knigin, American (1942 - 2011) Title: Sign of Power Year: 1990 Medium: Acrylic and enamel on canvas, signed and dated in pencil Size: 75...

Oil on thick paper, 30 x 50 cm, 2022. Every time that I come back home from a journey or a holiday, I always find some flags among the photographs that I’ve taken. I am particu...