Paintings

Hand painted - acrylic on canvas - 1/1 In 1999 BustArt began his artistic career with classic Graffiti. Until 2005, he became familiar with the whole spectrum of Graffiti and reache...

Keith Young Bart is watching you Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 13.5x2.5in Signed by hand COA provided Ready to hang Ref.: 924802-11330 ------...

Raventos. buildings. city. original expressionist acrylic painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of F...

German Modernist

ARTIST Joanna Woyda (b. 1981) Studied painting at the Academy of Fine Arts in Warsaw (2000-2005). She received her honorary degree in 2005. She was also a scholarship holder of the...

This piece is part of an exciting new collection depicting iconic "Coco Chanel" with the artists "Dripping Dots" style. Focused on a pointillistic technique, the paint is able to cap...

Green, landscape Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive results dominated by an impetuous sign assimilated, among others, by Oskar Kokoschka at the Academy in Salzburg in 1958. This evolution comes to an expressionist language highly communicative that characterizes its landscapes, portraits and nudes. Numerous prestigious exhibitions in Italy and abroad MUSEUMS Orléans, France, Musée Collégiale Saint Pierre le Puellier Salon de Provence...

Autumn Moor Study by Luisa Holden [2021] Original Mixed Media on Acrylic Paper Image size: H:27 cm x W:27 cm Complete Size of Unframed Work: H:40.5 cm x W...

Arc de Triomphe. 1988, canvas, oil, 100x92 cm Biruta Delle (born 1944.17.I) Biruta Delle studied in Latvia Art academy (1964 – 67) and one of her most i...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

A fine expressionist oil on canvas by Paullette Fedarb, 'Cedar of Lebanon'. oil on canvas circa 1970's. The painting has an allover medative, rhythmic...

Silvia Martínez Jiménez was born in 1975 in Gandia, a province in Valencia, Spain. When she was young, she was attracted to the works of classic Valen...

Miraculous formation upon miraculous formation seemingly just east of the Garden of Eden, resplendent with layers and layers of rock and glacial carvings captured brilliantly by artist Charles Tersolo with his trademark "seven layer method" of painting that he developed over a period of years. This original expressionist landscape also exhibits impressionist impasto with varied strokes in rich turquoise, aqua, lime green side by side with a multitude of earth tones. Tersolo earned his bachelor of studio arts degree from the University of New Hampshire and is an elected member of the prestigious Copley...

Petunias mixed [2016] original acrylic on canvas Image size: H:61 cm x W:61 cm Complete Size of Unframed Work: H:61 cm x W:61 cm x D:4cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look I wanted to paint the bold colours of petunias but from a birds eye view to focus on the shape and composition. Rachel Tighe...

“Outlaw” is a bright and powerful painting with a fashionista female figure wearing a cowboy hat, and a bright colorful blue background. It is sure to be a feature piece in any space. Known for her richly evocative color palette and striking portraits, Ramona Nordal...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Expressionist figurative nude oil painting on fine printmaking paper. Colorful, active movement, broad brushstrokes, expressionist feel.

Amazing Figurative Expressionism painting with exceptional color and movement. Oil on canvas, ca. 1960s. Measures 40 x 52 inches. Unsigned and unattributed. Excellent condition.

TITLE: Flying Dog ARTIST: Aleandro Roncarà YEAR: 2019 MEDIUM TYPE: Painting MEDIUM/MATERIALS: Acrylic on canvas DIMENSIONS: 100 x 100 cm

One of the originators of the Western pop art movement, Billy Schenck incorporates techniques from photorealism with a pop art sensibility to both exalt and poke fun at images of the West. Schenck is known for utilizing cinematic imagery reproduced in a flattened, reductivist style, where colors are displayed side-by-side rather than blended or shadowed. In the August 2014 issue of SouthwestArt magazine, his work was described as “a stance … a pendulum between the romantic and the irreverent.” Schenck’s artwork is now in 48 museum collections, including Smithsonian Institution, Denver Art Museum, The Autry Museum of Western Heritage, Booth Western Art Museum, Tucson Museum of Art, Phoenix Art Museum, the Mesa Southwest Museum, Museum of the Southwest, Midland TX...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

coast original watercolor paper expressionist painting. This Catalan painter, settled for years in Mallorca, offers a series of landscapes in which the natural is treated in the imp...

Signed lower right, 'Zarbano' for Mary Zarbano (American, 1931-2019) and painted circa 1985. Born in Nebraska, Mary Zarbano received her MFA from Califor...

I accidentally found this gas station while walking in the forest. This construction interested me because the colors in which it is painted create not only aesthetics but also have ...

A real picture of the present, the motives of which are quite clear. Three years ago, no one would have thought that an accessory not worn by a person could be the cause of a fight. But in the situation that has developed in the world in 2020, the mask has become a vital necessity not only for doctors, but also for ordinary citizens. There are things that should not be ignored. There are issues of health and safety rules, the neglect of which sometimes leads to not at all funny consequences: illness, fights, conflicts, and, in the best case...

Tis painting is included in the exhibition catalogue of 1986.

This is a one of a kind original expressionist painting by artist, Larry Caveney. Its dimensions are 22.5 x 27 in (L x H). It is unframed. A Certificate of Authenticity will follow ...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

This is a one of a kind original expressionist architecture acrylic painting by San Diego artist, Joe Oakes. It comes unframed. Its dimensions are 20" x 16" in (L x H). A certificate...

This piece is a collaboration between Angel Ortiz (LAII) and Cindy Shaoul. They began collaborating in 2010 with their iconic "Street Cars" series, depicti...

'The Port of Algiers", original lithograph, by Albert Marquet (circa 1940s). Marquet spent five years in Algiers, between 1940-45. Due to his travelling, harbour scenes were an impor...

“Hustler FK” is an amazing pop figurative painting inspired by the life and genius of artist Frida Kahlo. Bright and lively 60's design elements, stripes and a peaceful and penetrating gaze stand out on a rich blue background. Artist Ramona Nordal...

A wonderful 1950's French expressionist oil on canvas depicting figures at a fairground, by Parisian artist André Beaucé. Excellent quality work painted...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

Karl Zerbe (1903-1972) A mixed-media Painting collage of mod neon colored leaves on canvas with parchment backing. Hand signed "Zerbe" bottom left and dated bottom right 1965-65. Dimensions: Collage: 36 in tall x 24 in wide. Frame: 40 in tall x 28 in wide. Karl Zerbe (1903 – 1972) was a German-born American realist painter and educator. Karl Zerbe was born on September 16, 1903 in Berlin, Germany. The family lived in Paris, France from 1904–1914, where his father was an executive in an electrical supply concern. In 1914 they moved to Frankfurt, Germany where they lived until 1920. Karl Zerbe studied chemistry in 1920 at the Technische Hochschule in Friedberg, Germany. From 1921 until 1923 he lived in Munich, where he studied painting at the Debschitz School, mainly under Josef Eberz. From 1924 until 1926 Karl Zerbe worked and traveled in Italy on a fellowship from the City of Munich. In 1932 his oil painting titled, ‘’Herbstgarten’’ (autumnal garden), of 1929, was acquired by the National-Gallery, Berlin; in 1937, the painting was destroyed by the Nazis as "Degenerate art." Entartete Kunst was what they deemed all the Avant Garde, Modernism Movements. In the visual arts, sucf innovations as Expressionism, Fauvism, Cubism, Dada, Bauhaus, Post Impressionism were disdained. Artists such as Käthe Kollwitz, Otto Dix, George Grosz, Max Beckmann, Max Ernst, Oskar Kokoschka, El Lissitzky, Franz and Marc Chagall were among those who despite having made significant contributions to the German modernist movement were banned even if they were not necessarily Jewish. From 1937 until 1955, Karl Zerbe was the head of the Department of Painting, School of the Museum of Fine Arts, Boston. In 1939 Karl Zerbe became a U.S. citizen and the same year for the first time he used encaustic. He joined the faculty in the Department of Art and Art History at Florida State University in 1955, where he taught until his death. He was grouped together with the Boston artists Kahlil Gibran (bronze sculpture), Jack Levine and Hyman Bloom as a key member of the Boston Expressionist school of painting, and through his teaching influenced a generation of painters,[including, among others, David Aronson, Bernard Chaet, Reed Kay, Arthur Polonsky, Jack Kramer, Barbara Swan, Andrew Kooistra, and Lois Tarlow. Select solo exhibitions 1922: Gurlitt Gallery, Berlin, Germany 1926: Georg Caspari Gallery, Munich, Germany; Kunsthalle, Bremen, Germany; Osthaus Museum, Hagen, Germany 1934: Germanic Museum (now Busch-Reisinger Museum), Harvard University, Cambridge, Massachusetts 1934, 1935, 1936, 1937: Marie Sterner Galleries, New York City 1936, 1938, 1939, 1940: Grace Horne Galleries, Boston, Massachusetts 1941: Vose Galleries, Boston; Buchholz Gallery, New York City 1943: Mount Holyoke College, South Hadley, Massachusetts 1943, 1946, 1948, 1951, 1952: The Downtown Gallery, New York City 1943, 1947: Berkshire Museum, Pittsfield, Massachusetts 1945, 1946: Art Institute of Chicago, Illinois 1946: Detroit Institute of Arts, Detroit, Michigan 1948, 1949: Philadelphia Art Alliance, Pennsylvania 1948, 1955: Boris Mirski Gallery, Boston, Massachusetts 1950: Munson-Williams-Proctor Arts Institute, Utica, New York 1951-1952: Retrospective Exhibition circulated by the Institute of Contemporary Art, Boston, traveled to: Baltimore Museum of Art; Colorado Springs Fine Arts Center; Currier Gallery of Art, Manchester, New Hampshire; Florida Gulf Coast Art...

TITLE: Gioconda dots white silver ARTIST: Tomoko Nagao YEAR: 2019 MEDIUM TYPE: Painting MEDIUM/MATERIALS: Spray on canvas DIMENSIONS: 120 x 100 cm

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Large contemporary expressionist oil on cotton canvas of a sunset over a Provençal landscape by Dutch artist Bernadette Van Baarsen. Signed and ...

Highly textured portrait of an elderly rabbinic sage. Moshe Katz was born March 2, 1937 in Bucharest, Romania. With his parents, he fled the Nazis and with much difficulty successfully made it safely to Israel. His paintings have been displayed by Arts International in galleries across the globe since the fall of 1965. He received second prize in the Israeli Group Artist Show in Halfa in 1959. Exhibits featuring his paintings of the young artist in the United States have taken place in Philadelphia, Los Angles...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

This surreal neo-expressionist nude portrait is by Spanish artist Pep Suari and features a woman pouring water from a pitcher into the "Dream Fount...

Synthetic polymer drawing on paper. Unsigned. Warhol Foundation stamp on verso. Sheet size 31.5 x 23.5 inches. Custom framed as pictured. Artwork is in excellent condition. Cert...

This colorful painting by Chicago-based artist Patrick Fitzgerald belongs to a body of work he calls his “Neighborhood of Infinity.” Fitzgerald use...

Signed on palette, lower right, 'John Diallo Jones' (American, 20th century) and dated 1992. A dramatic figural oil showing the artist flanked by two whispering skeletons, one of wh...

Original hand painting, acrylic on canvas on board

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

In this painting, Nussbaum depicts a Rabbi as his subject; a recurrent figure in his body of work. The artist uses gestural marks and vibrant blue colors in this composition. Nussba...

Mixed Media Painting Title: Series Beasts of Burden No. 10 Dimension: 82 x 61 cm Material: Mixed Media Date: 2022 Artist Biography Zhang Chunyang wa...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

Mixed Media Painting Title: Series Beasts of Burden No. 5 Dimension: 82 x 61 cm Material: Mixed Media Date: 2022 Artist Biography Zhang Chunyang was...

Dragonfly Acrylic paintings 60x84 cm :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Y...

This colorful painting by Chicago-based artist Patrick Fitzgerald belongs to a body of work he calls his “Neighborhood of Infinity.” Fitzgerald use...

Happy Blossom and a Silver Sky by Nicky Chubb [2020] Happy Blossom and a Silver Sky is an original painting by artist Nicky Chubb. Featuring her signature tree iconography alongside...

Mixed Media Painting Title: Series Beasts of Burden No. 9 Dimension: 82 x 61 cm Material: Mixed Media Date: 2022 Artist Biography Zhang Chunyang was...

This unique artwork by Richard Proctor is part of a series of 3 (see last pictures and other listings). It is a self-portrait repeated 3 times in diffe...

This oil painting features a calm lake where eleven black ducks swim. The artist painted a water pipe on the lake's left bank while a palm tree stands alone at the center. John Mit...

Keith Young Lucky Cat and Pink Dolphin Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 11.25x9.25x3in Signed by hand COA provided Ready...