Paintings

This stunning romantic Art Deco portrait oil painting is by noted Australian/British artist Frederick Leist. He was born in Sydney, his parents both Londoners, and moved to England with his wife Ada in 1910 and exhibited prolifically, including at the Royal Academy, on his return. Like many artists, he became a war artist during the first world war and his dramatic battle scenes contrast markedly with his more delicate portraits. This composition is of a beautiful young woman kneeling on the ground, a striped blanket covers her head and auburn curls and is around her shoulders and spread out on the ground around her. In one hand and scattered around her are beautiful pink flowers the colour of her lips. One shoulder and her face are bathed in light as she gazes down to her left, lost in thought. The brushwork and use of light are superb. Almost Orientalist by design, it is a super roaring twenties painting, full of vitality and impressionistic colour and influences and an excellent example of Leist's work. Signed lower right. Provenance. Collection IMI PLC. Condition. Oil on canvas. Unframed size is 30 inches by 25 inches, in excellent condition. Housed in a fine Bourlet gilt gallery frame. Framed size is 40 inches by 35 inches, in excellent condition. Frederick William (Fred) Leist (1873-1945) born Sydney. He was the eighth surviving and fifteenth child of Edward Frederick Leist, builder, and his wife Harriet Eliza, née Norris, both Londoners. Leist was educated at Crown Street Public School and, while training as a furniture designer in the workshops of David Jones Ltd, studied art at Sydney Technical College before becoming a student of the Art Society of New South Wales; under Julian Ashton's tuition he learned plein air techniques. 1898 he married Ada Sarah Roberts. Leist drew for the Bulletin in the 1890s and became staff artist on the Sydney Mail; he was also local representative for the London Graphic from 1900. According to William Moore he 'was the first to portray the Australian girl as a definite type'. Leist was an original council-member of the Society of Artists, Sydney, in 1895 and, after their merger, of the Royal Art Society of New South Wales. However in 1907 he was one of the twelve who re-established the Society of Artists. The Leists moved to England and from 1910 to 1925 he exhibited regularly at the Royal Academy of Arts. His first successful picture, 'The Mirror', a portrait of his daughter, was hung on the line at the Royal Academy in 1911 and next year at the Salon de la Société des Artistes Français. At the 1914 Royal Academy exhibition his painting of two Spanish guitar players, 'The Rivals', was acclaimed. The Review critic wrote: 'it is a composition in light and a pattern of colour, given power and meaning by restraint'. Noted for his studies of handsome women, Leist was elected to the Royal Society of British Artists and to the Chelsea Arts Club in 1913 and next year to the Royal Institute of Oil Painters; later he also exhibited with the Royal Society of Portrait Painters. During World War I, Leist worked for the War Office designing recruiting posters. Then, in September 1917, he was appointed an official war artist with the Australian Imperial Force and attached to 5th Division headquarters as an honorary lieutenant. From September to December and from June to August 1918, 'dodging shells and mustard gas', he produced about 150 small sketches, drawings and watercolours, and a portrait of Lieutenant-General Sir Talbot Hobbs. He later fulfilled commissions to paint four large battle scenes including 'Battle of Polygon Wood' and 'Capture of Mont St Quentin'. The striking colours of these battle scenes are in strong contrast to the delicacy and muted tones of his watercolours such as 'The Lacemaker'. In London, Leist consolidated his reputation: he was represented in the 1918 exhibition of Australian war...

The painting captures a wonderfully amusing family moment set in the 16th century. In the center of the painting we see the father, exhausted by worries and dozing in his chair in fr...

"Freshly Shorn", is a 12x24 oil painting on board by artist Leslie Peck featuring a lively flock of freshly shorn sheep and lambs. The animals are framed under a canopy of bright gre...

This elegantly framed artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. A vision of delicacy and refinement, Cherries in a Saucer...

An original British large oil painting on canvas by Ramsay Richard Reinagle which is signed and looks to be dated 1832. Lovely rich colouring depicting a mountainous Italian panorama...

Large scale mid 20th Century French, oil on board, still life, tablescape, interior view, by Claude Barthélémy. Signed bottom left, presented in fine carved wood and gilt frame, with...

Up for sale is a phenomenal large antique original oil painting on canvas by listed British/Scottish artist Norman M Macdougall (UK,1852-1939) depicting a genre scene. Titled "Boy re...

Original oil on canvas realized by Zhang Wei Guang in the early 2000s. Signed on rear. In excellent conditions, it includes a contemporary black wooden frame. Zhang Wei Guang, als...

This equine portrait, "American Mustang" is a 36x48" oil painting on canvas by Italian actor and artist Federico Castelluccio. A beautiful dark horse ...

Unidentified Artist, 20th Century – "View of Samarkand" Medium: Oil on canvas Dimensions: 106 x 73 cm (unframed), 130 x 92 cm (framed) Signature: Lower left corner (illegible) Pro...

"Taking Care of Business" by Clyde Steadman (United States) is a handmade landscape painting that is unframed, but ready to hang.

Charcoal drawings add warmth to an artwork and this is a nice one by Terry Futvoye. It has a few minor imperfections but still looks nice in the frame. Reframing is an option if t...

"Nasturtiums" is a painting that pays homage to the natural beauty and timeless elegance of this summer flower. Painted with great precision and a keen eye for detail, this work exu...

Pocket Wild Apple [2022] original and hand signed by the artist Oil paint on canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:5 cm x W:5 cm x D:2cm Frame Size:...

A marvellous, tiny shell, commonly known as a marbled cone, lies on a marble stone, almost at the edge. Reminiscent of Rembrandt's famous engraving, Gianluca Corona enhances the lumi...

Realistic early German portrait painting of Johann Ludwig-Mosley wearing his various military awards. The back features further documentation about the man's life and service. Curren...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

This painting beautifully captures a realistic view of an artist's studio. The boxes covered in oil paint fingerprints, the small dent in the wall, the palette, tubes of paint scatt...

Charles Verlat (1824–1890) "Snarling Fox" This dramatic oil painting by Charles Verlat, a prominent 19th-century Belgian artist, captures a striking and emotionally charged depictio...

Up for sale this charming Still life oil painting on canvas depicting a warm, intimate scene featuring a violin resting on a rich red cloth, illuminated by the soft glow of a single ...

This artwork captures a solitary moment in a remote desert setting. The scene focuses on a vintage motel, "Desert Inn," with its bright yellow façade standing out against the dark, m...

Barbara Shermund (1899-1978). Fancy Department Store Satirical Cartoon, ca. 1930's. Ink, watercolor and gouache on heavy illustration paper, panel measures 19 x 15 inches. Signed lower right. Very good condition. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

Hubert-Denis Etcheverry Bayonne 1867 – 1950 Paris French Painter 'Une Consultation de Sigmund Freud' Signature: signed lower right and dated ‘D. Etcheverry / Paris 1900’ Medium: oi...

Charming 19th Century painting of a grandmother and grandauughter in front of their thatched cottage. It is an oil on canvas measuring 18 inches by 14. The frame measures 20 3/4 by 1...

"My Sister, The Moon" by Adeniyi Joshua Adetayo is a captivating artwork that delicately captures a young lady standing at the back of a house, ...

This piece, "Mountain Trail" by Miguel Peidro is an 24x24 original oil painting on canvas. This painting depicts a dirt path in peak autumn season, with bright orange an red foliage...

Pocket Pinky Red Pomegranate is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroqu...

Walnuts in a whiter bowl, oil on paper on board ADDITIONAL INFORMATION: Kate Verrion [2024] Original painting Oil Paint on paper on board Complete size of framed work: 23.5 H x 28.5...

This superb British still life oil painting is attributed to circle of William Nicholson. Painted circa 1920 it is a really lush and vibrant composition of white tulips in a blue jug...

Anton Ebert (Austrian, 1845-1896), Portrait of a Woman, Oil on Oval Canvas laid on Board, 19th century, signed "A. Ebert / Wien" to mid right, original ova...

Francis Mabel Hollams (British, 1877–1963) Bumble, 1957 Oil on wood panel With characteristic precision and affection, Francis Mabel Hollams captures the spirit of a beloved compani...

Beautiful early landscape by American artist, Will Howe Foote (1874-1965). Bermuda Landscape, ca. 1890-95. Oil on on textured cardboard panel, measures 14 x 18 inches. Original attri...

Antique American school realist fruit still life oil painting. Oil on board. Unsigned. Framed. Image size, 16L x 16H.

This charming Flemish genre oil painting is attributed to Ferdinand de Braekeleer the Elder. Painted circa 1850 it is a fine realist genre scene of the interior of a school room, a t...

Original Oil painting signed by the Artist on the lower right corner.

Mountain Landscape Painting of the English Lake District by British Artist, Philip Stanton. This is a high quality original, oil on canvas, in great condition and ready to hang! Art measures 30 x 20 inches Frame measures 38 x 28 inches (Presented in an ornate gold frame, commensurate with age) This exquisite oil painting captures the breathtaking beauty of a serene lake nestled among majestic mountains, reminiscent of the iconic landscapes found in England’s Lake District...

"Through the Trees" by Jane Hunt (United States) is a handmade landscape oil painting that is framed and ready to hang. After moving to the US as a teenager, Jane Hunt studied illus...

This artwork captures a tranquil desert scene centered on a vintage white convertible parked on expansive sands. The car’s sleek design and chrome accents evoke nostalgia and freedom...

Shire Horse & Man by Woodland River in the English Countryside by British Artist, Peter J Greenhill Art measures 24 x 18 inches Frame measures 30 x...

Antique Dog Painting of a Cavalier King Charles Gustav Lorincz (Austrian, 1855-1931) Oil on panel, signed 9 1/4 x 6 3/4 (13 3/4 x 11 1/4 frame) inches Gustav Lorincz was a noted painter of animal subjects, mostly portraiture of dogs and cats...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Title of the Artwork: Alineació, París Artist: Josep Maria Vayreda Canadell Technique: Oil on canvas Dimensions without frame: 16.1 x 13 inches Dimensions with frame: 22.8 x 19.7 inc...

Two Pears Realism oil painting on panel 12" x 12" David Harrison, is a master in the style of Realism painting. Two Pears shows the simple beauty of Realism paintings. by a Realis...

Le Grand Basin des Tuileries. Oil on canvas, 74x93 cm

Artist/ School: Italian School, signed lower left, 20th century Title: Flowers in a Pewter Vase Medium: oil painting on board , framed Size: framed: 15.5 x 13.5 inches painting: ...

Regina Maris, 1908 by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 16 x 19.25 inches Superb oil painting by the well li...

John Tarantola's original nude portrait "Wood Nymph" (2018) is a beautiful realist painting done with oil on panel, which depicts an athletic nude male figure standing in a forest, p...

"The Innocence of Youth" by Ginny Williams – 20x24 Oil on Canvas (Framed 21.5x25.5) – $4,500 Soft, nostalgic, and beautifully expressive, The Innocence of Youth by Ginny Williams ca...

Jose Luis Fuentetaja - Maternity - mixed media (print and oil on canvas). Canvas size 54x65 cm. Frameless. Is born in Madrid on the 21st july 195...

This artwork elegantly blends classic and contemporary elements, depicting a young woman in a stylish black outfit holding a phone to her ear. She stands against an endless blue sky...

Large-scale mixed media and gouache abstract by Nancy Louise Jones (American, 20th century), 1980. This large-scale abstract piece features a cool color palette with layered geometric shapes and planes, evocative of outer space and the cosmos. Signed and dated "1980" on the bottom right. Presented in a metal frame. Image size, 39"H x 48"L. About the Artist: Mentors: William Brice, Ron Pekar, Manfred Mueller, Gere Kavanaugh. Permanent Museum Collections: Huntington Library Archive, “Intimate View of LA”, San Marino, CA South Bay Contemporary Museum, Torrance, CA Published Work: 2012 “Nymphas Dissolutio”, The Bride Revisited Mercedes Gertz/ Nancy Louise Jones 2010 Billy IDOL...

English 20th century portrait of an English Frigate in full sail at sea in oils. A very well painted oil on canvas with great detail of a ship cutting through the sea at I'm sure great speed. The piece is an oil on canvas with I think gouache added to the waves to make them a brighter white. The piece is signed Mason and with some investigation, we are attributing this painting to the talented English painter Barry Mason...

This rare original equine painting by renowned artist, Jenness Cortez, features legendary racehorse Secretariat sprinting towards the finish line at the 1973 Belmont race, winning by an incredible and historical 31 lengths. Titled, “Secretariat, Winning the Belmont at 31 Length”, this beautiful oil painting measures 16 x 24.5 and is framed in an ornate warm silver and gold frame, complete with a commemorative plaque. Secretariat is widely considered to be the greatest racehorse of all time and the most recognizable name in thoroughbred racing. Big Red, as he is most often affectionately referred, became America’s Horse after his historic Triple Crown win in 1973, winning the Belmont Stakes by an unimaginable 31 lengths (in world record time) in what stands today as the single greatest horseracing performance ever. About Jenness Cortez: Jenness Cortez is a distinguished figure in the contemporary revival of classical realist painting. She was born in Indiana and exhibited a very early talent for art. As a teenager, she took private lessons with Antonius Raemaekers...

This beautiful figurative painting by Jeroen Allart is part of his minimalist landscape painting he did in his home country the Netherlands. A farm stands before you on the horizon....

Title: "Las Trampas Summer #2" Medium: Oil on Cradled Wood Panel Size: 12 x 12 inches "Las Trampas Summer #2" is a 12 x 12-inch oil painting showcasing the golden hillsides of the B...

Beautiful abstract painting by American artist, Harris Strong (1920-2006). Acrylic and pins on folded handmade paper, 1970's. Measures 30 x 40 inches framed. Weighs 22 lbs. Color ...