Paintings

American School, Artist Unknown

In this painting by Judith Shahn, the artist renders a boat and dock in a series of lines. The artist takes a naive approach at depicting the subject by simplifying the elements in t...

Untitled Diptych, painting by Suzanne Law. Framed Overall size: Image size: 12.6 in. H x 34.2 in W Frame size: 18.1 in. H x 44.8 in W x 1 in D Individual size: Image size: 12.6 in. ...

Clarence Holbrook Carter (American, 1904-2000) Maze, 1982 Acrylic on cardboard Signed and dated upper right 7 x 9.5 inches A surrealist mid-century figural abstract painting. Clar...

Oil on board, 62cm x 42cm, (70cm x 50cm framed). The picture is in good condition. Plummer trained at the Royal Academy Schools in the early 1950s, championed by Stanley Spencer and Sir Herbert Read, he was the recipient of the coveted Leverhulme Scholarship. In a mixed career which included illustration work for The National Trust, anatomical illustration for Guys Hospital and teaching, painting ran parallel to his commercial work. Plummer specialised in the medium of egg tempera, as well as oil painting, a technique little used since the frescos of the Renaissance, he often worked on a large scale, but in tremendous detail, combining Classical iconography and formal composition with visual exploration evocative of William Blake and...

18.50" x 23.50" sight size Debra Yoo received a degree in Fine Art and the Humanities from the University of Chicago, strongest influences were painting professor Vera Klement and the proximity of the Art Institute of Chicago. Her undergraduate work was primarily abstract, deeply influenced by Matisse, Russian icon painting, Robert Motherwell, and Barnett Newman. After graduation she decided to pursue a growing interest in painterly realism. At that time Minimalism and Conceptualism were dominant, but there was (as there is still) a core of distinguished American artists who practiced the kind of contemporary realism based on modernism. Matisse continued to be a guiding light, but she also became interested in the work of Larry Rivers, Louisa Matthiasdottir...

Harvey Gregory Prusheck (Slovenian/American, 1887-1940) Bison Oil on board Signed lower right 9.5 x 11.5 inches 16.5 x 18 inches, framed Harvey Gregory Prusheck was a Slovenian-Amer...

A Modernist landscape painting with figures by artist (William) Davenport Griffen. His paintings tend to be rare. (William) Davenport Griffen was born in 1894 in Millbrook, NY. He graduated from Iowa State College in Ames, IA in 1918 with a B.S. in Civil Engineering; however, Griffen’s true love was painting. In 1919, he enrolled in the Chicago Academy of Fine Arts and subsequently studied at the Art Institute of Chicago from 1923-1928. In 1926, he was awarded the American Travel Scholarship and began painting in Provincetown, MA. In 1928, he was awarded the John Quincy Adams Scholarship and spent six months painting in Paris, France. Griffen also painted in the U.S. Virgin Islands for 11 months between 1930-1931. Griffen had one-man exhibitions of his Virgin Islands paintings...

"Dune" Watercolor on Paper Painting 10" x 12" in (1977) by Inji Efflatoun signed & dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibiti...

Febland creates wonderfully dynamic technical and dramatic narratives. The works are evocative of many places in America(especially that of his newer works which seem to sew-togethe...

This delicate oil and ink painting on panel by Dusso depicts a beautiful and graceful woman seen from behind, her nude figure enhanced by the framing of her hair. She holds a vase in...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Fresco, 20 x 16 inches unframed, 22 x 18 inch...

Arthur Smith (American, 1897-1972) Untitled, 20th century Oil on board 8 x 9 7/8 in. Framed: 14 1/4 x 16 3/8 in. Signed lower left: A Smith Arthur Smith is a listed American paint...

A "Thumb Box" (or diminutive) painting of sailors in Hanover, NH by Harold Haydon. Harold Emerson Haydon was born in Fort William, Ontario, Canad...

Oil on board painting by Donna Marecak (1922-1998) titled 'Artist and his Family' from 1950. Interior scene with four figures, a baby, and a cat gathered around a table. Painted in ...

Great still-life oil painting by Helen Stein. Has recently been restored to excellent condition. 11x15 inches painting : 16x21 inches with frame Hele...

Education 2002 – MFA; cum laude, New York Academy of Art, New York, NY 1993 – BFA; Washington University, St. Louis, MO 1992 – Lorenzo Di Medici Institute, Florence, Italy Select Gallery Exhibitions Linda Warren Projects, Chicago, IL Eden Rock Gallery, St Barthelemy, F.W.I Blank Space Gallery, New York, NY Evanston Art Center, Evanston, IL Noyes Cultural Arts Center, Evanston, IL Quidley & Company, Boston, MA Zolla Lieberman Gallery...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Oil on panel, 14 ½ x 18 inches unframed, 22 x 25 ½ inches framed, inscribed “painted by David McCosh Property of Edward b. Rowan” and numbered “8” verso Exhibited: The First Exhibit of the Iowa Artist...

William Stephens Shields, Jr., 1925 - 2010 Untitled 1990 Oil on canvas 60"x48" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Franc...

Frank Nelson Wilcox (American, 1887-1964) The Wood Chopper, Brecksville, Ohio, c. 1917 Oil on masonite 33 x 24 inches "We were fortunate in that the two farms in Brecksville were still open to our visits. The urbanization of the township was then only beginning and we spent several summers there where I tried to capture something of the rural peace so soon to be erased from the countryside." - Wilcox Exhibited: “Water Colors and Oils by Frank N. Wilcox,” Cleveland Museum of Art, January 1937. Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School...

'Central City, Colorado' by Leonard Silverstein is an original gouache on paper from 1954. Hand signed, titled, and dated by the artist in the lower right...

Joseph Raskin painted still lifes throughout his career, often using them for formal and technical experimentation. Here, the artist renders a bouquet of a wide variety of flowers in...

Galina Vasilevna Pshenitsina was born in 1940 in the town of Gorky (now Nizhny Novgorod). She began her studies at the Art School named after Johanson in St. Petersburg. In 1959, she...

A "Thumb Box" (Diminutive) painting of Vermont by Harold Haydon. Harold Emerson Haydon was born in Fort William, Ontario, Canada in 1909. Haydon came ...

Donald Stacy "Curled Up Cubist c.1950s Gouache on paper 24" x 18" unframed Unsigned Came from artist's estate Donald Stacy (1925-2011) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art Commission Philadelphia...

A "Thumb Box" or diminutive painting by Harold Haydon depicting a mountain at sunset. Harold Emerson Haydon was born in Fort William, Ontario, Canada in...

Oil on canvas painting, titled 'Early Spring' (Thompson's Studio) painted in 1933 and signed by John Edward Thompson (1882-1945). Impressionist style portrayal of the artists studio ...

Febland creates wonderfully dynamic technical and dramatic narratives. The works are evocative of many places in America(especially that of his newer works which seem to sew-togethe...

Saul Schary was born in 1904 in Newark, New Jersey. Painter, Printmaker, Illustrator. He lived and worked in New York City and New Milford, Connecticut. Schary studied at the Art St...

"Villageoise II" Pastel on Paper 12" x 20" inch (1987) by Inji Efflatoun Signed and dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibi...

David Febland is a prominent American artist working today. He pulls together imagery from his travels and composes them in a scene that is full of movement. The work is imbued wit...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Oil on canvas, 24 ½ x 19 ½ inches unframed, 32 x 27 inches framed, signed and inscribed “Adrian Dornbush/ Flower Still Life” verso, a remnant of exhibition label verso, stamped “1454” verso, original frame Exhibited: i) Midwestern Artist’s Exhibition Representative Work from Missouri, Kansas, Oklahoma, Nebraska & Colorado, Kansas City Art Institute, February 1 to March 2, 1931, no. 34 (see catalog with a listing of work with this title); and ii) Special Display and Sale of Late Oil Paintings Produced by Cedar Rapids Own Artists from the Little Gallery, at Newman’s Department Store, Cedar Rapids, Iowa, March 1932 (see [Advertisement], The Gazette (Cedar Rapids, Iowa), March 15, 1932 – listing a work with this title, together with paintings by fourteen other artists, including Grant Wood, Marvin Cone...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Oil on canvas, 18 x 14 inches unframed, 22 x 18 inches framed, signed and dated lower right, inscribed “Mother and Son by Herman Maril ‘31” and “property Edward B. Rowan Falls Church VA” verso Literature: i) Dows, Olin, Herman Maril, The American Magazine of Art, Vol. 28, No. 7 (July 1935), p. 407 (illustrated with the title “Mare and Colt...

A "Thumb Box" (diminutive) painting of the Gospel Hall in Calais, VT by Harold Haydon. Harold Emerson Haydon was born in Fort William, Ontario, Canada i...

Galina Vasilevna Pshenitsina was born in 1940 in the town of Gorky (now Nizhny Novgorod). She began her studies at the Art School named after Johanson in St. Petersburg. In 1959, she...

Oil Painting Mid 20th century, signed P. Zimmerman Reminiscent of the Mid Century Social Realist and WPA works of Ben Shahn this captures an architectural street scape...

Betsy Podlach (American, born 1964.) Still life with Fruit, a Bowl of Apples Framed 25 X 26 24 X 25 inches Betsy Podlach graduated from Harvard, cum laude, (she studied at Harvard with Alfred Decreido and William Reimann as well as Carlos Fuentes continuing her studies at the New York Studio School of Drawing, Painting, and Sculpture, Ms. Podlach was awarded an art fellowship and residency at The International School of Art in Umbria, Italy. Betsy Podlach is an American painter who considers the Italian Venetians and the american abstract expressionist painters her mentors. The two painters she is most inspired by are Titian and Jackson Pollock, Both use the picture plane and abstraction and space, light, movement and form to communicate a physicality built entirely on the principals of painting, in the “classical” sense of a flat plane and lines, color, shape, space and light applied to that flat surface to create magic – light, space, form, emotion, force, movement, the physical and the spiritual. She describes her work as a figurative version of abstract expressionism. She was influenced by many of the abstract expressionists from the NY school...

Richard Anuszkiewicz Old Door, 1953 Watercolor on paper Signed and dated by the artist on the lower right front 20 × 14 inches Unframed This unique and extre...

Frank Nelson Wilcox (American, 1887-1964) On the Back Porch, Brecksville, Ohio, c. 1922 Watercolor on paper Monogram lower right 21.5 x 27. 5 inc...

ADOLF ARTHUR DEHN (American, 1895-1969) Portrait of Mexican Man with Agave Cactus plant, 1939, Gouache Painting Hand signed and dated '39 lower left. Whitney Museum of American Art, N.Y. Label verso sight: 20.5 in. X 15 in. Frame is 32 X 24 inches This was subsequently made into a lithograph in 1941 titled Man From Orizaba Standing in the foreground of an agave field is man wearing a straw hat, a white button up collared shirt, white pants and sandals. The man has shaggy black hair, a beard and moustache and large eyes. His right hand is clenched as if holding something and his left hand is open holding some flower-like objects. He stands in the middle of a large agave plant that expands the width of the composition. In the middle ground are large agave plants in subsequent rows. Behind the agave plantation is a mountain range with snow covered peak on the right hand side. Above the mountain range is a partially cloudy sky. Adolf Dehn (November 22, 1895 – May 19, 1968) was an American artist known mainly as a lithographer. Throughout his artistic career, he participated in and helped define some important movements in American art, including regionalism, social realism, and caricature. A two-time recipient of the Guggenheim Fellowship, he was known for both his technical skills and his high-spirited, droll depictions of human foibles. Dehn was born in 1895 in Waterville, Minnesota. He began creating artwork at the age of six, and by the time of his death had created nearly 650 images. Dehn went to the Minneapolis School of Art (known today as the Minneapolis College of Art and Design), where he met and became a close friend of Wanda Gag. In 1917 he and Gág were two of only a dozen students in the country to earn a scholarship to the Art Students League of New York. He was drafted to serve in World War I in 1918, but declared himself a conscientious objector and spent four months in a guardhouse detention camp in Spartanburg, SC and then worked for eight months as a painting teacher at an arm rehabilitation hospital in Asheville, NC. Later, Dehn returned to the Art Students League for another year of study and created his first lithograph, The Harvest. In 1921 Dehn's lithographs were featured in his first exhibition at Weyhe Gallery in New York City. From 1920 to 1921 in Manhattan, he was connected to New York's politically left-leaning activists. In 1921, he went to Europe. In Paris and Vienna he belonged to a group of expatriate intellectuals and artists, including Andrée Ruellan, Gertrude Stein, and ee cummings...

Miguel RIVERA BAGUR. 1919-1993 Baleares artist. Spain. Chief Representative of the art Naif in Spain. His work is characterized by the precision of his portraits, especially in gest...

"Le Chat V" Oil Painting 20" x 14" inch (1971) by Zohra Efflatoun signed & dated Zohra Efflatoun came from an artistic family. Her half-sister Inji was a renowned painter from Cairo. Whereas Zohra, who lived in Alexandria, studied under the patronage of the Alexandrian pioneer painters Adham and Seif Wanly...

Signed lower right: Will Barnet; on verso (photo available): Will Barnet / Aug 1963

WPA era oil on canvas landscape painting by Hayes Lyon (1901-1987) titled 'The Hillside' from 1938. American modernist portrayal of a hillside farm with a b...

Subject: American Family Medium: Oil Surface: Canvas Country: United States In this painting, Joseph Wolins uses vibrant and complimentary colors and broken brushwork. Joseph Wo...

Original abstract oil painting signed by Wilma Fiori (1929-2019) painted in 1994. Signed and dated by the artist on verso. Large format horizontal abstract...

"Cairo Street Corner" Oil Painting 39" x 28" inch (1974) by Zohra Efflatoun signed & dated Zohra Efflatoun came from an artistic family. Her half-sister Inji was a renowned painter from Cairo. Whereas Zohra, who lived in Alexandria, studied under the patronage of the Alexandrian pioneer painters Adham and Seif Wanly...

Seymour Chwast (born August 18, 1931) is an American graphic designer, illustrator, and type designer. Chwast was born in Bronx, New York, and graduated with a Bachelor of Fine Arts from Cooper Union in 1951. With Milton Glaser, Edward Sorel...

Galina Vasilevna Pshenitsina was born in 1940 in the town of Gorky (now Nizhny Novgorod). She began her studies at the Art School named after Johanson in St. Petersburg. In 1959, she...

Oil on cradled board. Signed and dated on back. Part of an ongoing series of man vs beast by the artist

Joyce Treiman Ink on paper, framed under glass; signed in pencil lower right; Dimensions: 16 1/2 x 13 3/4 inches; 18 3/4 x 14 3/4 inches frame. Joyce Wahl Treiman was an American painter, printmaker, sculptor and teacher. Her work ranged from "the impishly perverse and humorously paradoxical to the brilliant and profound." She was known as an excellent draftsperson throughout her career. She made several trips to Europe to study the old masters, and the human figure is central in her work. In her later paintings she is known to have inserted self-portraits. She attended Stephens College in Columbia, Missouri, and then studied at the State University of Iowa (today the University of Iowa) under the influential painter Philip Guston. During World War II she worked as a commercial artist but resigned when she began to have success with exhibitions of her work in Chicago and New York. In 1945 she married Kenneth Treiman, and son Donald, now an Architect, was born in 1950. The Treimans, along with Rene and Rose Wahl, moved to Los Angeles in 1960. She was in an exhibit of Tamarind prints...

This is a one-of-a-kind small painting, Measuring 8x10, entitled “ Field of marsh grass “. The medium is oil on canvas. It represents a file of marsh grass. It is framed in a whitew...

This is a unique 8"x10" oil on canvas color study by Francis X Pavy. it is framed. the images depicts a frog and a leaf.

"Winter" American Modernism WPA Regionalism Landscape Mid-Century Magic Realism. 30 x 40 inches. Oil on canvas, c. 1960s, Signed lower right. As we list the painting now, the work is currently being cleaned, restored and a hand carved frame is being built. Additional photos will be uploaded as soon as possible. Our gallery, Helicline Fine Art, just launched our new digital exhibition: American Art: The WPA and Beyond. Three dozen paintings, works on paper and sculptures which are available here on 1stDibs. In person viewings can be arranged by appointment at our midtown Manhattan gallery. Provenance: "Winter" was originally purchased by Stanley Byer. Mr. Byer owned homes in Key West, New York City, and Washington, D.C. He purchased the painting from Dunning Auction in 1984 in Elgin, Illinois. Mr. Byer was related to Abraham Weiss from Florida. Saul Babbin, now deceased was a cousin of Mr. Weiss. I purchased the painting from Joy Babbin, Mr. Babbin's wife, now living in from New Mexico. Dale Nichols (1905 – 1995) Artist, printmaker, illustrator, watercolorist, designer, writer and lecturer, Nichols did paintings that reflected his rural background of Nebraska where he was born in David City, a small town. Although he did much sketching outdoors, most of his paintings were completed in his studio and often included "numerology, magic squares...

In the summer of 1970, I had been using acrylic for four years and had yet to find a way to develop color like a composer might orchestrate a symphony from a piano score. (The symphonic was then my visual ideal.) After the 106th acrylic of “majestic” size, I got real about scale—smaller—and switched to colored sticks of soft pastel so I could hold a rainbow in my hand. I kept on with the streaming lines of the big acrylic paintings, but I filled the spaces between with the soft pastels. –Fred Martin...

ADOLF ARTHUR DEHN (American, 1895-1969) San Francisco Bay Area street scene, with Trolley, Streetcar, Cable Car with bay and Alcatraz Island in background. Hand signed LRC. Sight 19" x 15", overall 23" x 19". Adolf Dehn (November 22, 1895 – May 19, 1968) was an American artist known mainly as a lithographer. Throughout his artistic career, he participated in and helped define some important movements in American art, including regionalism, social realism, and caricature. A two-time recipient of the Guggenheim Fellowship, he was known for both his technical skills and his high-spirited, droll depictions of human foibles. Adolph Dehn was born in 1895 in Waterville, Minnesota. He began creating artwork at the age of six, and by the time of his death had created nearly 650 images. Dehn went to the Minneapolis School of Art (known today as the Minneapolis College of Art and Design), where he met and became a close friend of Wanda Gag. In 1917 he and Gág were two of only a dozen students in the country to earn a scholarship to the Art Students League of New York. He was drafted to serve in World War I in 1918, but declared himself a conscientious objector and spent four months in a guardhouse detention camp in Spartanburg, SC and then worked for eight months as a painting teacher at an arm rehabilitation hospital in Asheville, NC. Later, Dehn returned to the Art Students League for another year of study and created his first lithograph, The Harvest. In 1921 Dehn's lithographs were featured in his first exhibition at Weyhe Gallery in New York City. From 1920 to 1921 in Manhattan, he was connected to New York's politically left-leaning activists. In 1921, he went to Europe. In Paris and Vienna he belonged to a group of expatriate intellectuals and artists, including Andrée Ruellan, Gertrude Stein, and ee cummings...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1950 University of Illinois at Urbana "Contemporary American Painting" 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 36" x 2". About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

GLORIA STUART (1910 – 2010) WATTS TOWERS, 1971 Oil on canvas, signed lower right, 24” x 50 ½”. Gloria Stuart, an Academy Award nominated actress was also a painter, illustrator and printmaker. She most recently portrayed Rose in the blockbuster film “Titanic”. She was a Santa Monica native. In 2013 The Los Angeles Museum of Art, LACMA exhibited a nearly identical painting looking from the south, the same size and frame. Last 5 photos show the example at LACMA. One shows theirs in a distant room with a major Thomas Hart Benton painting in the foreground A VERY IMPORTANT MULTI-LEVELED DOCUMENT OF LOS ANGELES AND HOLLYWOOD CULTURAL HSTORYi The following is from her obituary in the Los Angeles Times upon her death in September 2010 at the age of 100 Gloria Stuart, a 1930s Hollywood leading lady who earned an Academy Award nomination for her first significant role in nearly 60 years — as Old Rose, the centenarian survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100. .......She devoted much of her time to designing and printing artists’ books (handmade, letter-press printed books in limited editions, with her own artwork and writing). Her work is in the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums. Stuart, a founding member of the Screen Actors Guild who later became an accomplished painter and fine printer, died Sunday night at her West Los Angeles home, said her daughter, writer Sylvia Thompson. Stuart had been diagnosed with lung cancer five years ago. “She also was a breast cancer survivor,” Thompson said, “but she just paid no attention to illness. She was a very strong woman and had other fish to fry.” In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills. “She was a charming and beautiful leading lady in the ‘30s, and I never understood why her career didn’t go further at that time,” film historian and critic Leonard Maltin, who interviewed Stuart on stage at the event, told The Times on Monday. As for Stuart’s high-profile comeback in “Titanic”: “She was thrilled by the attention that that performance brought her and really wanted to win that Oscar. I thought she hit just the right notes in that performance. She was wry and engaging.” As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.” She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.” But mostly she played what Stuart later dismissed as “stupid parts with nothing to do” — “girl reporter, girl detective, girl nurse” — and “it became increasingly evident to me I wasn’t going to get to be a big star like Katharine Hepburn and Loretta Young.” After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946. By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books. Writer-director Cameron’s $200-million “Titanic” changed that. Stuart played Rose Calvert, the 100-year-old Titanic survivor who shows up after modern-day treasure hunters searching through the wreckage of the sunken ship find a charcoal drawing of her wearing a priceless blue diamond necklace. Stuart’s performance as Old Rose frames the 1997 romantic- drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson...