Paintings

Henrique Belotti started as a street artist painting murals all over Brazil. He is constantly developing his technique and currently his works are a dialogue between contemporary pai...

🔸 _Title: Carnaval kawaii 🔸 _Artist: Diego Tirigall 🔸 _Year of Creation: 2024 🔸 _Dimensions: 160 W x 100 H x 2 D cm 🔸 _Medium: Enamel, Spray paint, Acrylic and Oil Stick 🔸 _Su...

2023, Oil on canvas

A wonderful painting in the style clearly identified with the artist.

Novy’s most-established series of koi fish references propaganda posters and anti-authoritarian symbols in Chinese art under communism. Koi traditionally symbolize the lessons and tr...

Novy’s most-established series of koi fish references propaganda posters and anti-authoritarian symbols in Chinese art under communism. Koi traditionally symbolize the lessons and tr...

Febland always works in rich dramatic narratives that are timeless and yet of this time. Timeless, because human narratives have remained relatively consistent throughout our time here and certainly of this time in regard to his choice of subject matter. This piece, a comment on the "Millennial." The piece feels somewhat lude, in nature. A scantily clad woman walking down the street. Unique hair, nails, tattoos, and clothes that draw attention. The shoulder strap fallen down as if to reference Sargent's "Madame X," a scandalous piece in 19th century Paris. She is in public, grasping her lifeline to the world, the cellphone. Yet she feels isolated and perhaps lost. The rickshaw's in the background as metaphorical guides to an unknown destination, yet she pays them no mind...

Novy’s most-established series of koi fish references propaganda posters and anti-authoritarian symbols in Chinese art under communism. Koi traditionally symbolize the lessons and tr...

"Parisian Model" is an oil on canvas painting by Max Weber painted in 1908. The work is signed and dated, lower right, "Max Weber Paris 1908". The painting size is 35 1/2 x 19 5/8 inches. The framed size is 43 x 27 x 2 1/4 inches. "Parisian Model" was painted in 1908, when Weber participated in a life class in Matisse's studio in Paris and painted several nudes. Weber was influenced toward a more Cubist styler after seeing Cezanne's work in the 1906-07 Salon in Paris, and he consorted within avant-garde circles in Paris as early as 1905. After returning to the US in 1909, Weber was credited with showing American audiences Cubism based on his firsthand knowledge of the key players and the style. Several drawings of Weber's from this time are in museum collections at The Met, the Smithsonian, and MoMA and show a similar style and stocatto gesture. Parisian paintings by Max Weber are extremely rare as there are hardly any that have sold publicly. Provenance: Estate of the Artist Gerald Peters Gallery...

A painting by Gregory Sumida. “Tree Study, Whittier, CA” is a landscape painting, watercolor on watercolor board in an earth-tone palette by American artist...

James Lechay was a painter of figures, landscapes, cityscapes and still lifes who played a notable role in the tradition of avant-garde painting in New York and in the Midwest. An ar...

Louisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...

Approximate Date: 1920-1925 Medium: Oil on Canvas Signature: Signed Lower Right Size: 29.50" x 23.00" Interwoven Socks Advertisement Literatu...

Exhibitions: It's a Man's World, Illustration Art by and for Men: November 14-17 2012, Illustration House NYC

Jim’s of Lambertville is proud to offer this artwork by: Arthur B. Carles (1882-1952) Born in Philadelphia, Pennsylvania, Arthur Carles was a painter whose work went through phases...

Robert Alexander Darrah “R.A.D.” Miller (1905 - 1966) Robert Alexander Darrah Miller, called “RAD” by his friends, was born in Philadelphia. He enrolled at the Pennsylvania Academy of the Fine Arts from 1923 to 1927 under the tutelage of Daniel Garber. In 1928, Miller moved to Bucks County where he would meet and marry Celia Belden Marshall, daughter of Dr. George M. Marshall, who at that time owned the Phillips Mill property. Nearly a year later, in 1929, a committee headed by artist, William Lathrop, negotiated to purchase the Mill property from Dr. Marshall for the purpose of holding art exhibitions. Thus, the Phillips Mill Art Association was formed. RAD Miller was a regular exhibitor at the Phillips Mill with the traditional New Hope Impressionists. Many of the original founders of the New Hope Art Colony, set in their ways, frowned upon the concept of modernist painting. A decision was made by the Association to not include the growing group of modernist painters in the area to exhibit with them at Phillips Mill. Although clearly not a traditional impressionist, Miller was not being excluded with the others, largely because his father-in-law formerly owned the mill and was one of the Association’s board of directors. RAD was sympathetic to his fellow modernists. In 1933, he was one of the original members of the Independents, a group formed for modernist artists who chose to embark on a more non-traditional creative path. They would exhibit in tandem with the Impressionists but at different locations. Around the time of his arrival to New Hope in 1928, Miller struck up a friendship with Thomas Hart Benton, and in 1932 he worked under Benton on a mural project. RAD’s paintings...

Signed lower right. Inscribed on the reverse 'My first color illustration, Nov. 1954.' Work is unframed, Film Noir in paint

Charming portait with Modernest colors. Provenance: Christie's Mercedes Matter, daughter of the artist, Salander-O'Reilly Galleries, New York. Private Collection. Sale: Skinner, Inc...

Seen is widely regarded as one of the most influential and innovative graffiti artists of all time. His unique style, incorporating elements of calligraphy and abstract expressionism...

Jim’s of Lambertville is proud to offer this artwork by: Bror Julius Olsson “B.J.O.” Nordfeldt (1878 – 1955) Bror Julius Olsson was born in Tullstrop, Sweden in 1878. He immigrated to the United States in 1891, later adopting his mother’s maiden name of Nordfeldt. Beginning his art studies at the Art Institute of Chicago where he was chosen to assist fellow artist, Albert Herter, with a large mural project for the McCormick Harvester Company. In 1900, he was sent to Paris by McCormick to help set up the completed mural at the Paris Exposition. While there, he studied briefly at the Academie Julian before traveling to England to study woodblock printmaking under F. Morley Fletcher. Returning to Chicago in 1903, Nordfeldt would spend the next ten years painting mainly figurative works in an academic style similar to that of the Old Masters. By the mid-teens he had developed a bold dramatic modernist style and divided his time between New York and Provincetown, Massachusetts. There, he invented the “Provincetown Print...

With thoughts on 21st century humans and their future, João Cardoso concludes that technology brings tools for two extremes. Thus, technology, as a much n...

You can read the title of the painting in the composition of the painting itself. Spray paint on linen. “The Last Time I Saw You Wasn’t the Last Time I Saw You” presents slightly sma...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Untitled (Horns and Bow), 1941, oil on board, signed and dated lower right, 15 x 20 1/x inches...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Blue Lake, c. 1940s, oil on masonite, signed lower right, 20 x 36 inches, label and inscriptio...

Sweet Toof's , acrylic painting, framed in a gilt frame with glass is , an unmistakable image that can be spotted throughout East London. Renowned London Street Artist, Sweet Toof, ...

"Alter Ego," created by Diego Tirigall, is a captivating 1 x 1 meter canvas that intertwines the intricate aspects of personal and corporate identity through a dynamic mix of mixed m...

This horizontal painting on canvas contains several layers of color, with textures and transparencies, representing a dreamlike scene where fantastic animals and humans in yellow and...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Untitled (Biomorphic Composition), 1948, oil on textured paper mounted on board, signed and da...

Edition 5 A bust in Street art style JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine Br...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Gracie Mansion, c. 1944, oil on canvas, signed lower right, 25 x 30 inches, presented in a ne...

Although born in Ohio at the end of the 19th century, Martin Sabransky studied art at Randolph Macon College in Virginia. He began his career path moving west, by first going to Kans...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Homage to Leger, 1941, oil on canvas, signed and dated lower right, 14 x 17 inches; inscribed ...

"At the Opera" WPA Social Realism Mid 20th Century Modern Theatre American Scene John Winters (1904 - 1983) "At the Opera" 17 x 14 inches oil on canvas Signed and dated 1943 lower r...

Shooting Gallery Mid 20th Century American Scene Social Abstract Realism Modern *William Kienbusch (1914 – 1980) Shooting Gallery, Sixth Avenue Poster paint on paper, c. 1941 15 ¾ x...

This particular piece depicts an anonymous portrait of a beautiful woman. Inspired by the every day, JM Robert strives to create paintings that mimic the fla...

"Salvation", Gold Street Art, Modern Portrait Art, 2020 A B O U T T H I S P I E C E : “Salvation” is modern portrait art/ gold street art by Addison Jon...

This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024, starting from the concept of the "face" on coins. It is a unique work consisting of a meticul...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

A modernist landscape painting by American WPA artist Earle N. Sherm

Waterfall Bearsville NY Landscape Social Realism Mid 20th Century Modern Cubism Georgina Klitgaard (1893 - 1976) Waterfall, Bearsville NY 40 1/2 30 inches Oil on canvas Signed lower...

Untitled (Houses and Railroad Tracks), c. 1940s, oil on canvas board, signed lower right, 16 x 20 inches, presented in a newer frame This work is part of our exhibition America Coas...

NYC Subway Mid 20th Century Modern American Scene Social Realism Contemporary David Atkins (1910 – 2012) Subway Train Departure 30 x 24 inches Oil on canvas, c. 1960s Signed lower r...

Anastasia Kurakina 's work on paper included in the Vatican Museums collection since 2017 Abstract modern art. Vivid colours. acrylic painting on gliceé print canvas yellow, pi...

"Bearsville NY" Landscape Social Realism Mid 20th Century Modern American Scene Georgina Klitgaard (1893 - 1976) Bearsville NY 26 1/4 x 36 inches Oil on canvas Singed lower right, t...

This piece is one of the latest additions to the "Exchange Currency Series" created by Natasha Lelenco in 2024. It is a unique artwork comprising a meticulously crafted female portra...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exper...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exper...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exper...

Henrique Belotti started as a street artist painting murals all over Brazil. He is constantly developing his technique and currently his works are a dialogue between contemporary pai...

This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024, starting from the concept of the "face" on coins. It is a unique work consisting of a meticul...

Acrylic and spray on canvas 90 x 70 cm (35.4 x 27.6 in) Unique artwork Natural wooden frame (95 x 75 x 5 cm) - (37.4 x 29.5 x 2 in) Signed by the artist Certificate of authenticity

Acrylic and spray on canvas 130 x 97 cm (51.2 x 38.2 in) Unique artwork Natural wooden frame (135 x 103 x 5 cm) - (53.1 x 40.6 x 2 in) Signed by the artist Certificate of authenticity

Acrylic and spray on canvas 80 x 120 cm (31.5 x 47.2 in) Unique artwork Natural wooden frame (85 x 125 x 5 cm) - (33.5 x 49.2 x 2 in) Signed by the artist Certificate of authenticity

Acrylic and spray on canvas 150 x 100 cm (59.1 x 39.4 in) Unique artwork Natural wooden frame (155 x 105 x 5 cm) - (61 x 41.3 x 2 in) Signed by the artist Certificate of authenticity

This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2023, starting from the concept of the "face" on coins. It is a unique work consisting of a meticul...

This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2023, starting from the concept of the "face" on coins. It is a unique work consisting of a meticul...

Here we have a partial male nude by admired American artist John Brock Lear, Jr. He was able to contrast the earthy reality of the flesh with vividly c...