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Abstract Paintings For Sale
Artist: Dan Christensen
Artist: Syd Solomon
Malinke
Located in Lawrence, NY
Among America’s leading abstract artists, Dan Christensen (1942-2007) was devoted over the course of forty years to exploring the limits, range, and possibilities of paint and pictor...
Category

1970s Color-Field Abstract Paintings

Materials

Canvas, Acrylic

"Untitled" Dan Christensen, Geometric Plaid Series, Orange and Blue Abstract
Located in New York, NY
Dan Christensen Untitled, circa 1970-71 Acrylic and enamel on canvas 44 x 20 inches Provenance: The artist Sherron Francis (gift from the above) Dan Christensen was an American abs...
Category

1970s Abstract Geometric Abstract Paintings

Materials

Enamel

Java 1989 acrylic painting by Dan Christensen
Located in Hudson, NY
Signed and dated "© D. Christensen 1989" with an orientation arrow verso. Medium "Acrylic on Canvas", title "Java", size "22 x 20" are all inscribed verso. Dimensions of this artwo...
Category

1980s Abstract Abstract Paintings

Materials

Canvas, Acrylic

“Lightride”
Located in Southampton, NY
Here for your consideration is a great example of the artwork of the well known American artist, Syd Solomon. Signed top left. Titled and dated verso 1978. The painting is oil and acrylic paint on mounted synthetic canvas. Condition is excellent. Overall framed measurements are 44.75 by 24.5 inches. Provenance: A Sarasota, Florida collector. SYD SOLOMON BIOGRAPHY American 1917-2004 Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...
Category

1970s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil, Acrylic, Board

“Turning”
Located in Southampton, NY
Original oil paint and acrylic paint on canvas by the well known American artist, Syd Solomon. Signed bottom middle. Titled and dated verso, 1977/1978. The location for the painting is Midnight Pass near where the artist once lived in Sarasota, Florida. Condition is excellent. The painting is housed in its original gallery frame with silver edge. Overall framed measurements are 51 by 38 inches. Provenance: A Sarasota, Florida collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...
Category

1970s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil, Acrylic

“Gulfside”
Located in Southampton, NY
Original, oil paint and acrylic paint on canvas by the well known American artist, Syd Solomon. Signed bottom middle by the artist. Titled and dated verso 1983. Condition is excellent. Original gallery floating frame. Overall framed measurements are 38 by 42 inches. Provenance: A Sarasota, Florida collector. SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil, Acrylic

“Dune Watch”
Located in Southampton, NY
Here for your consideration is a very well executed early abstract painting by the well known American artist, Syd Solomon. Oil paint on birch ply panel. Signed middle bottom. Signed, titled and dated 1966 verso. The painting was done in East Hampton, New York where Syd Solomon spent his summers. Condition is excellent. Overall framed measurements are 26 by 31.5 inches. Provenance: A Sarasota, Florida collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...
Category

1960s Abstract Expressionist Abstract Paintings

Materials

Oil, Board

Memphis
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

20th Century Contemporary Abstract Paintings

Materials

Canvas, Acrylic

Untitled
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

20th Century Post-War Abstract Paintings

Materials

Acrylic

Spark
Located in Toronto, Ontario
Dan Christensen (1942-2007) is recognized as a leader in American experimental abstraction. After completing his BFA at the Kansas City Art Institute in 1964, he moved to New York C...
Category

1980s Abstract Abstract Paintings

Materials

Mixed Media, Acrylic

Indian Summer
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost abstract artist. Over the course his lengthy career, Christensen was devoted to exploring and expanding the constantly shifting aesthetics of 20th century abstraction. Christensen established his reputation at the end of the 1960s, by using spray guns to create colorful stacks, loops, and lines in his artworks. This body of work was considered by the legendary art critic Clement Greenberg among the most original abstract paintings of the decade. Unlike many of his contemporaries who dedicated themselves to a signature style, Christensen was unrelentingly curious and allowed his dynamic version of abstraction to evolve as he tried new techniques and varied his aesthetic. During the 1980's in particular, Christensen focused on experimenting with different forms of washing, spraying, and layering colours over top of each other. The works from Christensen's late period combine the gestural drama of Abstract Expressionism with the stained surface look popularized by the color field artists. The aesthetic complexity he achieved with these combined techniques are perfectly demonstrated in this later untitled work (aka "Indian Summer...
Category

1980s Abstract Abstract Paintings

Materials

Mixed Media, Acrylic

Push
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost abstract artists. Over the course his lengthy career, Christensen was devoted to exploring and expanding...
Category

Early 2000s Abstract Abstract Paintings

Materials

Mixed Media, Acrylic

Striker
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

20th Century Abstract Expressionist Abstract Paintings

Materials

Canvas, Acrylic

Autumn Park I
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

20th Century Contemporary Abstract Paintings

Materials

Canvas, Acrylic

Untitled 488S5
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

20th Century Abstract Expressionist Abstract Paintings

Materials

Canvas, Acrylic

Graysland
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

20th Century Abstract Expressionist Abstract Paintings

Materials

Canvas, Acrylic

Blue Splash
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost color abstractionists. Over the course of forty years as an artist, Christensen was devoted to exploring...
Category

Late 20th Century Abstract Expressionist Abstract Paintings

Materials

Acrylic, Watercolor

Ice Rider
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

20th Century Contemporary Abstract Paintings

Materials

Canvas, Acrylic

Kula Sunrise
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

20th Century Contemporary Abstract Paintings

Materials

Canvas, Acrylic

Dan Christensen "Sweaty", 2005
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost abstract artists. Over the course of his career, Christensen was devoted to exploring and expanding the ...
Category

Early 2000s Abstract Expressionist Abstract Paintings

Materials

Mixed Media, Acrylic

Chwana
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

20th Century Contemporary Abstract Paintings

Materials

Canvas, Acrylic

Dan Christensen "Blush", 1981
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost color abstractionists. Over the course his lengthy career, Christensen was devoted to exploring and expa...
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Acrylic

Dan Christensen "Mango Fizz", 2002
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost color abstractionists. Over the course his lengthy career, Christensen was devoted to exploring and expa...
Category

Early 2000s Abstract Expressionist Abstract Paintings

Materials

Mixed Media, Acrylic

Dan Christensen "Pistachio", 1979
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost color abstractionists. Over the course his lengthy career, Christensen was devoted to exploring and expa...
Category

1970s Abstract Expressionist Abstract Paintings

Materials

Acrylic

Ice Rider 2
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

20th Century Contemporary Abstract Paintings

Materials

Canvas, Acrylic

Dan Christensen "Igloo", 1984
Located in Toronto, Ontario
Dan Christensen (1942-2007) is widely recognized as one of America’s foremost color abstractionists. Over the course his lengthy career, Christensen was devoted to exploring and expa...
Category

Early 2000s Abstract Expressionist Abstract Paintings

Materials

Mixed Media, Acrylic

Rhymer #4 Red
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

Early 2000s Abstract Expressionist Abstract Paintings

Materials

Acrylic

Untitled 296L7
Located in Boca Raton, FL
Following the dominant Abstract Expressionist wave of post-WWII, which decried realism in favor of non-representational forms, the second-generation Abstract Expressionists pointed t...
Category

20th Century Abstract Expressionist Abstract Paintings

Materials

Canvas, Acrylic

Armistice
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Acrylic

Toro
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

1990s Abstract Expressionist Abstract Paintings

Materials

Acrylic

Cry Red
Located in Boca Raton, FL
From the Target Series
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Acrylic

Sola
Located in Boca Raton, FL
A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...
Category

20th Century Abstract Expressionist Abstract Paintings

Materials

Canvas, Acrylic

Liberty
Located in New York, NY
Acrylic on Canvas
Category

1980s Post-War Abstract Paintings

Materials

Acrylic

Original Abstract Paintings for Sale on 1stDibs

Bring audacious experiments with color and textures to your living room, dining room or home office. Abstract paintings, large or small, will stand out in your space, encouraging conversation and introducing a museum-like atmosphere that’s welcoming and conducive to creating memorable gatherings.

Abstract art has origins in 19th-century Europe, but it came into its own as a significant movement during the 20th century. Early practitioners of abstraction included Wassily Kandinsky, although painters were exploring nonfigurative art prior to the influential Russian artist’s efforts, which were inspired by music and religion. Abstract painters endeavored to create works that didn’t focus on the outside world’s conventional subjects, and even when artists depicted realistic subjects, they worked in an abstract mode to do so.

In 1940s-era New York City, a group of painters working in the abstract mode created radical work that looked to European avant-garde artists as well as to the art of ancient cultures, prioritizing improvisation, immediacy and direct personal expression. While they were never formally affiliated with one another, we know them today as Abstract Expressionists.

The male contingent of the Abstract Expressionists, which includes Jackson Pollock, Willem de Kooning and Robert Motherwell, is frequently cited in discussing leading figures of this internationally influential postwar art movement. However, the women of Abstract Expressionism, such as Helen Frankenthaler, Lee Krasner, Joan Mitchell and others, were equally involved in the art world of the time. Sexism, family obligations and societal pressures contributed to a long history of their being overlooked, but the female Abstract Expressionists experimented vigorously, developed their own style and produced significant bodies of work.

Draw your guests into abstract oil paintings across different eras and countries of origin. On 1stDibs, you’ll find an expansive range of abstract paintings along with a guide on how to arrange your wonderful new wall art.

If you’re working with a small living space, a colorful, oversize work can create depth in a given room, but there isn’t any need to overwhelm your interior with a sprawling pièce de résistance. Colorful abstractions of any size can pop against a white wall in your living room, but if you’re working with a colored backdrop, you may wish to stick to colors that complement the decor that is already in the space. Alternatively, let your painting make a statement on its own, regardless of its surroundings, or group it, gallery-style, with other works.

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