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Andy MosesGeomorphology 14282023
2023
About the Item
Blurring the line between abstraction and a new kind of pictorialism, Moses utilizes techniques that facilitate his almost obsessive study of the alchemical properties of paint. The paintings that emerge articulate the abstract nature of perception, reaching beyond the material and tapping into the visceral.
Andy Moses mines the history of Light & Space and Finish Fetish movements to provide and infiltrate metaphors for a back-and-forth relationship with figuration and abstraction through his investigations into materiality and perception. Poetically oscillating betwixt and between atmospheric sky-spaces, landscape and process, they encompass to illustrate a biography particular to his lens and authorship. To do so, he has invented his own medium - an animation of paint poured to float across surface with varying viscosities and fossilizing them, arresting pigments into rhythmic forms and catalyzing them into pristine conclusion. Gesture is evident in the undulations of luminous color which course their way through the paintings in emulsions which vacillate between acute lineation and soft washes of diffused pigment.
- Creator:Andy Moses (1962, American)
- Creation Year:2023
- Dimensions:Height: 46 in (116.84 cm)Width: 76 in (193.04 cm)Depth: 4.5 in (11.43 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU47812830972
Andy Moses
b. 1962, Los Angeles Andy Moses is an artist who lives and works in Venice, California. He was born in Los Angeles in 1962 and attended California Institute of the Arts from 1979 to 1981. At CalArts he focused on performance, film, and painting, studying with Michael Asher, John Baldessari, and Barbara Kruger. In 1981 he moved to New York and worked for the artist Pat Steir. Later that year he developed a type of process painting that is simultaneously abstract and representational. Moses is interested in pushing the physical properties of paint through chemical reactions, viscosity interference, and gravity dispersion to create elaborate compositions that mimic nature and its forces. He was in his first group exhibition at Artists Space in 1986 entitled, Selections. He had his first solo exhibition in New York at Annina Nosei Gallery in 1987. He has continued to exhibit his work in New York, Los Angeles, and abroad over the past twenty-five years. He moved back to Los Angeles in 2000 were he continues to refine and expand the vocabulary of his specific painting processes, imagery, and interrelationships with the technical and natural world.
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