Francie Bishop Good

Shes Watching Mixed Media Painting Collage Wall Construction FIgural Abstraction

1991

"Lady Looking at Brian (Her Grandson)" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estimating it is from the 1980's. It has some Postmodern elements and similarities to Transavanguardia is the Italian version of Neo-expressionism. Francie Bishop Good (American, 1949-) Francie Bishop Good was raised in Allentown, Pennsylvania. She currently lives and works in South Florida and New York City. Her work has been exhibited nationally and internationally. Bishop Good is twice recipient of the South Florida Cultural Consortium Fellowship, and the State of Florida Individual Artist Fellowship. She completed her Graduate Studies at Maine Media College, Rockport, Maine, International Center of Photography, New York, New York, Master of Arts, Florida Atlantic University, Boca Raton, Florida, B.F.A. University of Colorado, Boulder, Colorado, Philadelphia College of Art, Philadelphia, Pennsylvania, William Allen High School, studies under James Musselman Her museum solo shows include the Allentown Art Museum, Allentown, PA, Museum of Art, Fort Lauderdale, FL, the Museum of Contemporary Art, Jacksonville, FL, Art and Culture Center, Hollywood, FL, and the Hilliard Museum, Lafayette, LA. Bishop Good's work has been shown at David Castillo Gallery, Mindy Solomon Gallery, Miami, FL. Griffin Museum of Photography, Bernice Steinbaum Gallery, and AMbrosino Gallery. Recent museum acquisitions include Museum of Fine Arts, Boston, MA The Wadsworth Atheneum, Hartford, CT, The Patricia & Philip Frost Art Museum at Florida International University, Miami, FL, Bass Museum of Art, Miami Beach, FL and the NSU Art Museum, Fort Lauderdale, FL. Selected Group and Invitational Exhibitions NSU Art Museum, Remember to React: 60 Years of Collection, Fort Lauderdale, FL Frost Art Museum, Connectivity: Selections from the Collection of the Frost Art Museum, Miami, FL Dual Roles, curated by Laura Marsh, Art and Culture Center of Hollywood FL David Castillo Gallery, gallery artists, in terms of collage, Miami Beach, FL Multidisciplinary, curated by Dimensions Variable, Open Source Gallery, Brooklyn, NY Cornell Museum, Artistically Speaking, Boca Raton Museum of Art, FL. People and Places, Photographs from the Collection, summer 2015 Frost Museum, FIU Miami FL, 25 Inches, The Faces of the Permanent Collection Locust Projects, Smash and Grab, November Annie Wharton Fine Art, Los Angeles group show, summer Museum of Art Fort Lauderdale ,The Art of Caring summer Women to Women, collaboration with Samantha Salzinger, Bakehouse Fredric Snitzer Gallery Boy oh Boy, Summer Show Miami A.I.R. Gallery, The Man I Wish I Was, curator Kharis Kennedy Photo Miami with Nina Arias, Miami, FL December Alva Gallery, New London, Ct Being Good: Women's Moral Values Art Basel with Ambrosino Gallery, Miami, FL 51st Venice Biennale, Italy Poles Apart / Poles Together, International Artists' Museum, White Box Norton Museum of Art, West Palm Beach, FL, FOCUS ON: New Photography, National Museum of Women in the Arts, FL Transitory Patterns Museum of Contemporary Art, Miami, FL Optic Nerve Selected Collections Museum of Fine Arts, Boston, Ma. Wadsworth Atheneum Museum of Art, Hartford, Ct. Bass Museum of Art, Miami Beach, FL Frost Museum of Art, Miami Florida Norton Museum of Art, West Palm Beach, Florida Museum of Contemporary Art, Jacksonville, Florida Boca Raton Museum of Art, Boca Raton, Florida Sagamore Hotel Collection, Miami Beach, Florida Museum of Art, Fort Lauderdale, Florida Refco Collection, Chicago, Illinois Allentown Art Museum, Allentown, Pennsylvania New World Symphony Residence, Miami, Florida Art in Public Places, Broward County, Florida Art and Culture Center of Hollywood, Florida William Gates III (Bill Gates) Monica and Richard Segal Saks Fifth Avenue Asides from being an exceptional artist she is also a passionate collector. Photographs by Cindy Sherman and the late Ana Mendieta...

"She's Watching" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estimating it is from the 1980's. It has some Postmodern elements and similarities to Transavanguardia is the Italian version of Neo-expressionism. Francie Bishop Good (American, 1949-) Francie Bishop Good was raised in Allentown, Pennsylvania. She currently lives and works in South Florida and New York City. Her work has been exhibited nationally and internationally. Bishop Good is twice recipient of the South Florida Cultural Consortium Fellowship, and the State of Florida Individual Artist Fellowship. She completed her Graduate Studies at Maine Media College, Rockport, Maine, International Center of Photography, New York, New York, Master of Arts, Florida Atlantic University, Boca Raton, Florida, B.F.A. University of Colorado, Boulder, Colorado, Philadelphia College of Art, Philadelphia, Pennsylvania, William Allen High School, studies under James Musselman Her museum solo shows include the Allentown Art Museum, Allentown, PA, Museum of Art, Fort Lauderdale, FL, the Museum of Contemporary Art, Jacksonville, FL, Art and Culture Center, Hollywood, FL, and the Hilliard Museum, Lafayette, LA. Bishop Good's work has been shown at David Castillo Gallery, Mindy Solomon Gallery, Miami, FL. Griffin Museum of Photography, Bernice Steinbaum Gallery, and AMbrosino Gallery. Recent museum acquisitions include Museum of Fine Arts, Boston, MA The Wadsworth Atheneum, Hartford, CT, The Patricia & Philip Frost Art Museum at Florida International University, Miami, FL, Bass Museum of Art, Miami Beach, FL and the NSU Art Museum, Fort Lauderdale, FL. Selected Group and Invitational Exhibitions NSU Art Museum, Remember to React: 60 Years of Collection, Fort Lauderdale, FL Frost Art Museum, Connectivity: Selections from the Collection of the Frost Art Museum, Miami, FL Dual Roles, curated by Laura Marsh, Art and Culture Center of Hollywood FL David Castillo Gallery, gallery artists, in terms of collage, Miami Beach, FL Multidisciplinary, curated by Dimensions Variable, Open Source Gallery, Brooklyn, NY Cornell Museum, Artistically Speaking, Boca Raton Museum of Art, FL. People and Places, Photographs from the Collection, summer 2015 Frost Museum, FIU Miami FL, 25 Inches, The Faces of the Permanent Collection Locust Projects, Smash and Grab, November Annie Wharton Fine Art, Los Angeles group show, summer Museum of Art Fort Lauderdale ,The Art of Caring summer Women to Women, collaboration with Samantha Salzinger, Bakehouse Fredric Snitzer Gallery Boy oh Boy, Summer Show Miami A.I.R. Gallery, The Man I Wish I Was, curator Kharis Kennedy Photo Miami with Nina Arias, Miami, FL December Alva Gallery, New London, Ct Being Good: Women's Moral Values Art Basel with Ambrosino Gallery, Miami, FL 51st Venice Biennale, Italy Poles Apart / Poles Together, International Artists' Museum, White Box Norton Museum of Art, West Palm Beach, FL, FOCUS ON: New Photography, National Museum of Women in the Arts, FL Transitory Patterns Museum of Contemporary Art, Miami, FL Optic Nerve Selected Collections Museum of Fine Arts, Boston, Ma. Wadsworth Atheneum Museum of Art, Hartford, Ct. Bass Museum of Art, Miami Beach, FL Frost Museum of Art, Miami Florida Norton Museum of Art, West Palm Beach, Florida Museum of Contemporary Art, Jacksonville, Florida Boca Raton Museum of Art, Boca Raton, Florida Sagamore Hotel Collection, Miami Beach, Florida Museum of Art, Fort Lauderdale, Florida Refco Collection, Chicago, Illinois Allentown Art Museum, Allentown, Pennsylvania New World Symphony Residence, Miami, Florida Art in Public Places, Broward County, Florida Art and Culture Center of Hollywood, Florida William Gates III (Bill Gates) Monica and Richard Segal Saks Fifth Avenue Asides from being an exceptional artist she is also a passionate collector. Photographs by Cindy Sherman and the late feminist artist Ana Mendieta...

Oil pastels, acrylic, wax pencil, graphite, watercolor and collage elements on paper framed to 39.5 X 31.5. sheet measures 30 X 22 inches. (no glass) Raimundo Figueroa...

Ali Acerol, who was born in Bursa, Turkey in 1948 and died in Los Angeles in 2007, became a kind of legend in the Southern California art world for his stunning maps of countries and continents, his invented and satiric postage stamps, and his brick furniture— as well as for being stubborn, impossible, and brilliant. He grew up in Istanbul, then was educated at the Sorbonne, in Paris. Acerol said that his earliest memories were of taking walks with his father in Istanbul and noticing old brick walls. He continued his fine arts education in 1975 at CalArts in Southern California. This piece contains elements of Arabic and Islamic calligraphic abstraction. This first posthumous exhibition of works is drawn primarily from the collection of Richard Hertz, author of two influential works on the local art scene: Jack Goldstein and the CalArts Mafia and The Beat and the Buzz: Inside the LA Art World. The show includes Acerol’s magnificent eight by twelve-foot World Map that has not been seen in public for over thirty years. The World Map, covered with sign language that names the countries and cities, was originally Acerol’s MFA thesis project. Like all his works, it does not speak in simple terms. As critic Jeremy Gilbert-Rolfe wrote, Ali’s art is about parallel meanings and mutual incomprehension — “lots of little hands where there should be words, a symbolic code unfamiliar to most…” Turkish Artist Ali arrived in California in 1975 after seven years in Paris and enrolled at Cal Arts, then in its fifth year of existence. Soon he became close friends with such well-known artists as John Baldessari and Michael Asher, the godfathers of the art program, along with many colleagues such as Diane Buckler, Dana Duff, Mike Kelley, Laura Lasworth, Stephen Prina, and Christopher Williams...

Ali Acerol, who was born in Bursa, Turkey in 1948 and died in Los Angeles in 2007, became a kind of legend in the Southern California art world for his stunning maps of countries and continents, his invented and satiric postage stamps, and his brick furniture— as well as for being stubborn, impossible, and brilliant. He grew up in Istanbul, then was educated at the Sorbonne, in Paris. Acerol said that his earliest memories were of taking walks with his father in Istanbul and noticing old brick walls. He continued his fine arts education in 1975 at CalArts in Southern California. This piece contains elements of Arabic and Islamic calligraphic abstraction. This first posthumous exhibition of works is drawn primarily from the collection of Richard Hertz, author of two influential works on the local art scene: Jack Goldstein and the CalArts Mafia and The Beat and the Buzz: Inside the LA Art World. The show includes Acerol’s magnificent eight by twelve-foot World Map that has not been seen in public for over thirty years. The World Map, covered with sign language that names the countries and cities, was originally Acerol’s MFA thesis project. Like all his works, it does not speak in simple terms. As critic Jeremy Gilbert-Rolfe wrote, Ali’s art is about parallel meanings and mutual incomprehension — “lots of little hands where there should be words, a symbolic code unfamiliar to most…” Turkish Artist Ali arrived in California in 1975 after seven years in Paris and enrolled at Cal Arts, then in its fifth year of existence. Soon he became close friends with such well-known artists as John Baldessari and Michael Asher, the godfathers of the art program, along with many colleagues such as Diane Buckler, Dana Duff, Mike Kelley, Laura Lasworth, Stephen Prina, and Christopher Williams...

Ray Kass is an internationally recognized artist whose work is represented by Garvey/Simon: ART ACCESS in NYC and the Reynolds Gallery in Richmond, Virginia. His paintings have be...

For the very first time, Philip Treacy by Kevin Davies provides a unique, behind-the-scenes portrait of one of the world's most famous and influential milliners. Philip Treacy has al...

John Falter arranges figures and faces in a way that rival the old masters in their compositional perfection. And he makes it look easy. The expressions are captured so the emotion...

Philip Metcalf creates black-and-white infrared images of the landscape, most notably in the American Southwest. In 2015, he was an artist-in-residence at Bandelier National Monument...

Wonderful mixed metal Metales Casados footed bowl with an inlayed crushed turquoise edge. Designed by Los Castillo in the 1960s. Wonderful abstract design and form. Beautiful decorat...

"Challenge at Dawn" - Landscape with Elk in Watercolor on Paper Serene landscape with an elk by Greg McHuron (American, 1945-2012). An elk stand to the right side of the composition, looking back over it's shoulder towards the viewer. To the left of the elk, a calm river winds away from the viewer in to the distance, where mist and clouds partially obscure a rocky mountain. The sky is bright blue with streaks of yellow sunlight illuminating the clouds. Signed in the lower right corner. Artist's tag (with signature, date and title) and gallery tag on verso, Presented in a wood frame with a double mat. Frame size: 20.75"H x 17"W Image size: 14"H x 10"W Gregory Ivan McHuron (American, 1945-2012) was a plein-air painter working in oil and watercolor/gouache. He was born in Syracuse NY but was raised in Colorado, Wyoming, Alaska and California. His education included 4 years of extensive high school training by a teacher who graduated from the Berlin Art Academy. He also attended Oregon State University where he took classes in forestry, fisheries and wildlife and graduated with a Bachelor's Degree in Art from Oregon State University. Introduced to plein-air painting in oil in 1973 by Conrad "Connie" Schwiering, he quickly found that he enjoyed painting the rapidly changing scenes. It allowed him to put in his paintings the feelings and excitement that he felt while watching the scene unfold which created more drama and excitement than he would have been able to do in a studio environment. He has traveled widely including much of Alaska; in wilderness areas in WY and CO; down the Colorado River through Grand Canyon NP; to British Columbia and Alberta, Canada; and on extended boat trips along the west coast from Port Ludlow, Washington to Glacier Bay, AK going in and out of the fjords. He honed his understanding and knowledge of animals not only from college classes he took but also from the everyday study and observation of the wildlife in the Jackson, Grand Teton NP and Yellowstone NP areas. In addition for many years, he drew and studied wild animals at the Okanagan Game Farm in Penticton, British Columbia, Canada. Every summer and fall a group of artists would go to the Game Farm kibitzing, painting and drawing the wildlife. He taught workshops, gave demonstrations and participated in quick-draws for a variety of organizations including Wyoming Artists Association, Wind River Artist Association, Scottsdale School of the Arts, The Lodge at Palisades, National Museum of Wildlife Art, CM Russell Show, Grand Teton National Park and Isle Royale...

This artwork titled "Light and Two Branches" c.2010 is an offset lithograph on paper by Japanese artist Kaoru Mansour, b.1956. It is hand signed and nu...

Black Necked Stilt, by one of the finest American contemporary realist painters, Willard Dixon, who has painted western landscapes and nature-scenes for 35 years, capturing the unden...

Meticulously rendered stone archways lead to a stone path meandering into a lush landscape in Carol Pylant's stunning architectural painting entitled "La Prima Pietra". The pristine space suggest inner solitude and peace. This calm continues through the archway and into the rich green landscape beyond the walls. The artist often combines imagery from her travels to Italy, Spain and throughout Europe with memories of elsewhere. The artwork is framed in a heavy black wooden frame with a silver inset adding to the richness of the piece. It measures 36.5 x 42.5 inches framed. Carol S. Pylant La Prima Pietra oil on panel 30h x 36w in 76.20h x 91.44w cm CSP037 Resume Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore...

Nude color photograph of male on the beach "Miami" Wall (screw mounted) metal frame. (glass) Found in Ft lauderdale. Photo size: 8" x 10"...

White What's Left (Contemporary Abstract Painting with Colorful Paper Collage) 20 x 20 x 2 inches encaustic, collage on wood panel Signed on ...

Highly textured abstract composition by Rose Herzog (American, mid-20th Century). This piece includes the use of tissue paper, fibers, and other materials to create raised, textured ...

Original acrylic on masonite abstract painting by Nguyen (Manh Doc) Ducman. Signed and dated 1968 lower right. Condition is good. Provenance: Long Island, New York estate. Present...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in...

Jack Stuck (1925-1993) "Abstract Landscape" 1960 Collage oil paint, charcoal, paper and canvas laid down on masonite 48"x46" natural wood frame 51" x 49"...

Artist: Paul Van Hoeydonck – Belgian (1925 - ) Title: Planete Year: 1961 Medium: Mixed media Size: 48 x 48 inches. Signature: Signed, dated, titled on the reverse Condition: Good ...

'The Rider (Der Reiter)' by Moshe Tamir (1924 - 2004) Mixed media and collage on paper 92 x 63 cm (36 ¹/ x 24 ³/₄ inches) Signed upper left, M Tamir Provenance Private collection, Switzerland Artist biography Moshe Tamir was born in Odessa and completed his studies at Israel’s Bezalel Academy of Art in 1947 after which he won the Struck Award presented by the painter Mordechai Ardon. In 1952, Tamir graduated from the Academy of Fine Arts in Florence, where he specialised in fresco and monumental painting, and was chosen by his teacher, the renowned fresco artist Prozzo Parchi, to become his assistant in painting murals at the Church of St. Eugene in Rome. Working closely with a prominent figure in the art of fresco painting greatly contributed to Tamir’s professional development. Without surrendering to passing fashions, Tamir’s work encompasses oil, fresco, drawing and gouache. One of Tamir’s masterpieces – a magnificent fresco Amnon Wounded, part of a permanent exhibition at the Tel Aviv Museum – earned him honourable citation at the Venice Biennale. In 1954 Tamir moved to the Montparnasse in Paris, where he lived and worked for seven years alongside Constantin Brâncuşi, Jean Tinguely and Jean Dubuffet, whilst deepening his practice at the École des Beaux-Arts. Here he developed “New Figuration” – paintings crammed with shapes and mythological images in thick, colourful and intoxicating layers of paint. In 1958 he exhibited at the Museum of Modern Art in Paris and was voted one of the top twenty young artists in Europe, which earned him a Young Artist Award in Israel. Following this exhibition Tamir was invited to paint monumental frescoes in Chicago and Mexico City. Between 1956 and 1986, he was invited to present four exhibitions at the Palais des Beaux-Arts in Brussels that included a joint exhibition with Pablo Picasso. With newspapers headlines declaring him a “Renaissance Man”, the opening of the 1986 exhibition hosted many important guests, among which were King Baudouin and Queen Fabiola, the Belgian Prime Minister, ministers of the Belgian Parliament and heads of the European community. Tamir won First Prize for lithography at the Sao Paulo Biennale, his work remaining on permanent display at the Rio de Janeiro Museum. Publishing several albums of lithographs, for the last it was the celebrated poet Mario Lucci dedicated three poems written especially for the occasion. The art critic Stephane Rey has written, “Tamir is an artist, but also a thinker, thorough and educated. His works have made him one of the most important artists of the 20th century, and he gathers around him more and more art lovers all the time. He is contemporary, cosmopolitan and unique”. His work features prominently in prestigious international collections, such as those of Queen Elisabeth of Belgium...