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Ginny FoxC18-13 [A, B, C] (Abstract Rectangular Triptych in Striated Black and Blue)2018
2018
About the Item
C18-13 (ABC), 2018
16" x 20" x 1" each
acrylic on three panels
16" x 64" x 1" (hung horizontal)
48" x 20 x 1 (hung vertical)
Abstract triptych made of three horizontal, rectangular panels of striated black and blue. May be hung horizontally or vertically.
Ginny Fox paints monochromatic multi-panel paintings that fuse the textures and colors of the natural world with linear and geometric patterns of industrial and architectural spaces. Fields of depth and light are built with multiple crosshatched layers of paint that is applied and removed with rags rather than a traditional brush. The closeness of the artist's hand is evident through Fox's flawlessly smooth surfaces that guide the viewers eye deep into her worlds of color. Fox is a graduate of New York University and has since exhibited extensively in Manhattan and the northeast.
Artist Statement:
My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe.
- Creator:
- Creation Year:2018
- Dimensions:Height: 16 in (40.64 cm)Width: 64 in (162.56 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU2273841901
Ginny Fox
Artist Statement:
My paintings are a merging of textures and colors referencing both organic and fabricated materials. I am inspired equally by patterns in nature, as well as those in textiles, architecture, and a myriad of manufactured elements. After many years living in the Bronx, I recently moved back to the Upper West Side of Manhattan, where the confluence of the Hudson River, its rocky environs, and multiple architectural structures has become a renewed source of inspiration. My studio in Yonkers, N.Y. is in a turn of the century carpet mill overlooking hills and industrial complexes, another locale containing the merging of elements so integral to my work. Layers of time evident in random markings on stone; light raked across water and sky; the open weave of moss covered earth -- all inform the work, resulting in a cohesive entity. By layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Many of the paintings are comprised of multiple panels, allowing for a subtle narrative of a nuanced and evolving universe.
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