Items Similar to Hug
- Want more images or videos?Request additional images or videos from the seller
1 of 8
Louisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylvania in 1958. Chase attended the George School, a private Quaker-sponsored boarding school in Bucks County. Initially intending to study classics at Syracuse University, she discovered printmaking and graduated with a Bachelors in Fine Arts in 1973. A Yale summer program confirmed her direction and she enrolled at the Yale University School of Art, earning her Masters in Fine Arts (MFA) degree in 1975. It was clear, early on, that Louisa Chase was special. In her final year in graduate school, she was selected for a solo show of “floor pieces” at the Artists Space, a non-profit gallery dedicated to showcasing emerging talent, located on Wooster Street in the heart of Soho, Manhattan’s burgeoning artist neighborhood. Degree in hand, Chase moved to downtown Manhattan, and became a part of the vibrant downtown art scene of the late 1970s and 1980s. As a young artist, Chase did what other young artists do. She taught—commuting to the Rhode Island School of Design in Providence from 1975 to 1979, and closer to home at the School of Visual Arts in Manhattan, from 1980 to 1982. In her downtown studio, she painted, made prints, and explored woodblock. As she worked, she garnered a series of solo shows and participated in a host of group exhibitions highlighting contemporary artists, including Barbara Rose’s 1979 manifesto at the Grey Art Gallery, New York University, “American Painting: The Eighties;” the Whitney Museum Biennial in 1982; and the American group contribution to the Venice Biennale in 1984. Chase’s work attracted serious, positive, and respectful notice in the art press, including, among many others, The Village Voice (Kim Levin, “The Secret Life of Louisa Chase,” Jan. 28, 1981), The New York Times (‘Louisa Chase,” February 17, 1989), and Arts Magazine (Richard Kalina “Louisa Chase,” May 1989, p. 90). Throughout her career, Chase remained a questing spirit, freely experimenting with various media. Similarly, her oeuvre reveals a variety of approaches at different times, so that, despite having attracted a number of labels, among them “new image school,” and “neo expressionist,” there is not one distinctive “Chase style.” Her credited influences range from the medieval Italian Sienna painters through Jackson Pollack. What never wavered was the artist’s intention to make visual on canvas her inner emotional state. In 1979, Chase wrote “painting for me is a constant search to hold a feeling tangible” (as quoted by Alexandra Anderson-Spivy in Finding a New Language: Louisa Chase’s Recent Paintings, exhib. cat. Foundation Kajikawa, Kyoto, Japan, 1991, p. 6). For a 1982 group show at the Whitney Museum, Chase wrote that “The forces closest to landscape are the closest to the internal forces that I am trying to understand. . . . The location is inside.” Chase’s work is represented in the permanent collections of a number of noted museums—the Whitney Museum of Art in New York; the Museum of Modern Art, New York (MOMA); the Metropolitan Museum of Art, New York; The National Gallery of Art, Washington, D.C.; the Brooklyn Museum; The Walker Art Center, Minneapolis, Minnesota; the Albright-Knox Art Gallery, Buffalo, New York; the Baltimore Museum of Art; the Butler Institute of American Art, Youngstown, Ohio; and the Nelson-Atkins Museum of Art, Kansas City, Missouri. In 1991, Chase moved to Sag Harbor, on the eastern end of Long Island, and then to nearby East Hampton where she bought a small 1930 farmhouse with a separate studio. As with lower Manhattan, Chase chose a location with an art community that was congenial and collegial. She was living in East Hampton when she died in 2016 after a seven-year-long struggle with cancer.
Shipping & Returns
- ShippingRates vary by destination and complexity.Ships From: New York, NY
- Return Policy
This item cannot be returned.
About the Seller
Located in New York, NY
5 / 5
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1952
1stDibs seller since 2010
28 sales on 1stDibs
Typical response time: 12 hours
Art Dealers Association of America
More From This Seller
You May Also Like
By Louisa Chase
Located in New York, NY
1980s 85 New Wave Abstract Paintings
'Three Abstract Figures', Detroit, Michigan, American Modernist Interior
By Robert Wilbert
Located in Santa Cruz, CA
A Modernist interior oil painted in shades of navy blue and coral, showing a group of surreal and semi-abstracted figures seated at a railing near a background stage. Signed verso,...
1960s American Modern Figurative Paintings
Abstract Procession Jewish Wedding Chuppah Oil Painting Modernist Judaica
By Sabina Teichman
Located in Bal Harbour, FL
Genre: Modern Subject: Abstract Medium: Oil Surface: Canvas Country: United States Sabina Teichman: (1905-1983) Studied at Columbia Univ. (BA, MA), also with Charles J. Martin and A...
1950s American Modern Figurative Paintings
By John Hartell
Located in Dallas, TX
Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell Unive...
Mid-20th Century American Modern Abstract Paintings
"Bathhouse" WPA American Scene Abstract Figurative Mid-Century 1940s Regionalism
Located in New York, NY
Vincent Campanella (1915 – 2001), "Bathhouse," 20 x 36 inches, circa 1940s, signed, oil on canvas. Born in New York in 1915, Campanella studied at the Leonardo Da Vinci Art School w...
1940s American Modern Abstract Paintings
Tan Suit IV: Abstract Figurative Painting of Man in Beige Suit by William Clutz
By William Clutz
Located in Hudson, NY
Modern abstracted figurative painting of a man walking in a beige suit “Tan Suit IV” painted by William Clutz in 1987 30 x 20 inches in a natural wood floater frame Wire backing, sig...
1980s American Modern Figurative Paintings
Awanyu, American Modernist and Southwestern Painting by Female Artist, 1930's
Located in Doylestown, PA
"Awanyu" is a 18 x 24 inches, oil on canvas painting by American modernist, female artist Peter Miller. The work is painted in a vibrant color palette, a signature of Peter Millers' ...
1930s American Modern Abstract Paintings
By Ernest Tino Trova
Located in Missouri, MO
Ernest Tino Trova "Figurative Abstract" 1965 Oil on Canvas approx 17 x 12.5 inches Signed and Dated Lower Right Known for his Falling Man series in abstract figural sculpture, he cr...
1960s American Modern Abstract Paintings
Price Upon Request
The 1stDibs PromiseLearn More
Expertly Vetted Sellers
Confidence at Checkout
Insured Global Delivery