Mary McDonnell

Encaustic Abstraction

2004-2005

Burning Bush, 1989, by Theodoros Stamos (1922-1987) Acrylic on canvas 66 x 50 inches unframed (167.64 x 127 cm) Inscribed (Infinity Field Jerusalem Series...

Infinity Field T Series #2, 128, 1992 by Theodoros Stamos (1922-1997) Acrylic on canvas 64 x 50 inches unframed (162.56 x 127 cm) Inscribed (INFINITY ...

Blue Gaze, 1977, by Robert Natkin (1930-2010) Acrylic on canvas 66 x 66 inches framed 25.98 x 25.98 cm) Signed on bottom right Exhibitions: In 1957, Momentum, Chicago, IL In 1968, Pointdexter Gallery, New York, NY (solo) In 1969, San Francisco Museum of Art (retrospective 1952-1969), San Francisco, CA (solo) In 1974, Within the Decade: Selections from the Guggenheim Museum Permanent Collection, The Solomon R. Guggenheim Museum, New York, NY In 1980, Masters of American Watercolor, The Oklahoma Art Center, Oklahoma City, OK In 1992, Gimpel Fils Gallery, London, UK (solo) In 2007, LewAllen Contemporary, Santa Fe...

Curtain, 1975, by Stanley William Hayter (1901-1988) Oil on canvas 25 x 19 inches unframed (63.5 x 48.26 cm) 26 ¼ x 20 ⅜ inches framed (66.675 x 51.753 cm) Signed and dated on bottom...

Line, Color, Form Number 1, 1959, by Albert Manchak (b. 1925) Oil on canvas 35 ½ x 35 ½ inches unframed 37 x 37 inches framed Signed on bottom right Lab...

Dark Image, 1960 by Will Barnet (1911-2012) Oil on canvas 53 x 30 ½ inches unframed (134.62 x 77.47 cm) 55 ½ x 32 ⅞ inches framed (140.979 x 96.2152 cm) Signed and dated on top right on the reverse Description: This abstract oil painting by Will Barnet uses minute gradations in value to achieve a work that presents a contextual understanding of color. Upon first inspection, it looks as if Barnet has created a completely black canvas with some hints at forms in the darkness; however, upon a closer look, the canvas is, in fact, not black, but instead comprised of varied shades of dark, muted blues, grays, and purples. Barnet presents us with an illusion of vision, asking the viewer to question his perspective and understanding of color interplay. At the beginning of his career, Will Barnet was known for his figural depictions of domestic scenes. But, as he continued to stylistically develop, Barnet arrived at abstract geometric paintings far removed from his original career. A part of the Indian Space...

Frank Olt was a artist in residence at P.S1, the legendary Long Island City studio/gallery complex during the late 70s. Olt regards himself largely as a self taught painter, identify...

Frank Olt was a artist in residence at P.S1, the legendary Long Island City studio/gallery complex during the late 70s. Olt regards himself largely as a self taught painter, identify...

Frank Olts encaustic paintings are images that he creates from landscapes through out his travels. With a studio in Oyster Bay New York you find his colors pulled from the sea, the ...

In And His Open Arms Embraced color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic mono...

In Memory Of What Has Been color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotyp...

Encaustic, oil paint, carving and 22k gold leaf on wood