Metal Abstract Paintings

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

Acrylic, gold leaf and texture on canvas Marie Anne Decamp is a French artist born in 1973 who lives and works in Chambly in Oise in Picardy, near Paris. She belongs to the expressi...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex, detailed composition with depth and texture. The artwork comes fra...

Landscape mixed media on canvas 50x50 cm 2018 Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting at the Aca...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork comes framed and fl...

Landscape mixed media on canvas 50x50 cm original Art her painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, through the strip...

Oil and gold leaf on canvas For centuries, artisans and artists have turned to gold leaf as a way to make their creations shimmer and shine. Also many contemporary artists continue ...

Kinetic Minimalism of the Light “Rimele went even further; in his installations, he studied the laws of colour reflections and shadows with care and thus created magical new worlds in which materiality intertwines with their coloured shadowed dematerialisation.” Dr. Jure Mikuž December, 2012 (in the book Oto Rimele. Spirituality of Material Absence, p. 28) In the past tradition of painting, only the frontal parts of paintings were always the carriers of the content. I broke this millennial tradition and focused my attention on applying colour onto the edges and the back of the painting. These parts of my painting compositions are hidden from the viewer's eye and are visible only indirectly – as reflections of the paint reflecting onto the wall area, addressing the viewer with their immaterial presence. This creates coloured light and coloured shadows, which change in the intensity of the coloured radiation in daylight. A single painting composition, however, does not show just one static image, but addresses the viewer with a multitude of images generated by the changing daylight throughout the day. The attentive observer experiences such kinetic pictorial images personally and as a complete mental (spiritual) experience. In the paintings of past periods, light is depicted only indirectly – as an “illuminator” of the materiality of the pictorial motif. For me, light itself is the central motif of painting exploration. In my luminous painting objects, however, I do not depict light, but create it. It is an actual, present light that communicates with the viewer as a living, moving part of the artistic message. In the series of fourteen images entitled Light and Ladder...

Kinetic Minimalism of the Light “Rimele went even further; in his installations, he studied the laws of colour reflections and shadows with care and thus created magical new worlds in which materiality intertwines with their coloured shadowed dematerialisation.” Dr. Jure Mikuž December, 2012 (in the book Oto Rimele. Spirituality of Material Absence, p. 28) In the past tradition of painting, only the frontal parts of paintings were always the carriers of the content. I broke this millennial tradition and focused my attention on applying colour onto the edges and the back of the painting. These parts of my painting compositions are hidden from the viewer's eye and are visible only indirectly – as reflections of the paint reflecting onto the wall area, addressing the viewer with their immaterial presence. This creates coloured light and coloured shadows, which change in the intensity of the coloured radiation in daylight. A single painting composition, however, does not show just one static image, but addresses the viewer with a multitude of images generated by the changing daylight throughout the day. The attentive observer experiences such kinetic pictorial images personally and as a complete mental (spiritual) experience. In the paintings of past periods, light is depicted only indirectly – as an “illuminator” of the materiality of the pictorial motif. For me, light itself is the central motif of painting exploration. In my luminous painting objects, however, I do not depict light, but create it. It is an actual, present light that communicates with the viewer as a living, moving part of the artistic message. In the series of fourteen images entitled Light and Ladder...

Kinetic Minimalism of the Light “Rimele went even further; in his installations, he studied the laws of colour reflections and shadows with care and thus created magical new worlds in which materiality intertwines with their coloured shadowed dematerialisation.” Dr. Jure Mikuž December, 2012 (in the book Oto Rimele. Spirituality of Material Absence, p. 28) In the past tradition of painting, only the frontal parts of paintings were always the carriers of the content. I broke this millennial tradition and focused my attention on applying colour onto the edges and the back of the painting. These parts of my painting compositions are hidden from the viewer's eye and are visible only indirectly – as reflections of the paint reflecting onto the wall area, addressing the viewer with their immaterial presence. This creates coloured light and coloured shadows, which change in the intensity of the coloured radiation in daylight. A single painting composition, however, does not show just one static image, but addresses the viewer with a multitude of images generated by the changing daylight throughout the day. The attentive observer experiences such kinetic pictorial images personally and as a complete mental (spiritual) experience. In the paintings of past periods, light is depicted only indirectly – as an “illuminator” of the materiality of the pictorial motif. For me, light itself is the central motif of painting exploration. In my luminous painting objects, however, I do not depict light, but create it. It is an actual, present light that communicates with the viewer as a living, moving part of the artistic message. In the series of fourteen images entitled Light and Ladder...

Kinetic Minimalism of the Light “Rimele went even further; in his installations, he studied the laws of colour reflections and shadows with care and thus created magical new worlds in which materiality intertwines with their coloured shadowed dematerialisation.” Dr. Jure Mikuž December, 2012 (in the book Oto Rimele. Spirituality of Material Absence, p. 28) In the past tradition of painting, only the frontal parts of paintings were always the carriers of the content. I broke this millennial tradition and focused my attention on applying colour onto the edges and the back of the painting. These parts of my painting compositions are hidden from the viewer's eye and are visible only indirectly – as reflections of the paint reflecting onto the wall area, addressing the viewer with their immaterial presence. This creates coloured light and coloured shadows, which change in the intensity of the coloured radiation in daylight. A single painting composition, however, does not show just one static image, but addresses the viewer with a multitude of images generated by the changing daylight throughout the day. The attentive observer experiences such kinetic pictorial images personally and as a complete mental (spiritual) experience. In the paintings of past periods, light is depicted only indirectly – as an “illuminator” of the materiality of the pictorial motif. For me, light itself is the central motif of painting exploration. In my luminous painting objects, however, I do not depict light, but create it. It is an actual, present light that communicates with the viewer as a living, moving part of the artistic message. In the series of fourteen images entitled Light and Ladder...

Kinetic Minimalism of the Light “Rimele went even further; in his installations, he studied the laws of colour reflections and shadows with care and thus created magical new worlds in which materiality intertwines with their coloured shadowed dematerialisation.” Dr. Jure Mikuž December, 2012 (in the book Oto Rimele. Spirituality of Material Absence, p. 28) In the past tradition of painting, only the frontal parts of paintings were always the carriers of the content. I broke this millennial tradition and focused my attention on applying colour onto the edges and the back of the painting. These parts of my painting compositions are hidden from the viewer's eye and are visible only indirectly – as reflections of the paint reflecting onto the wall area, addressing the viewer with their immaterial presence. This creates coloured light and coloured shadows, which change in the intensity of the coloured radiation in daylight. A single painting composition, however, does not show just one static image, but addresses the viewer with a multitude of images generated by the changing daylight throughout the day. The attentive observer experiences such kinetic pictorial images personally and as a complete mental (spiritual) experience. In the paintings of past periods, light is depicted only indirectly – as an “illuminator” of the materiality of the pictorial motif. For me, light itself is the central motif of painting exploration. In my luminous painting objects, however, I do not depict light, but create it. It is an actual, present light that communicates with the viewer as a living, moving part of the artistic message. In the series of fourteen images entitled Light and Ladder...

A gold-leaf landscape painting by Sophie Berger. This original oil painting on canvas board has the depth and moodiness of a Dartmoor sky as well as the vivid sunshine hiding beneath the clouds. This is captured by the iridescent glory of the gold leaf. When the viewer is moving around the room the reflection on the gold leaf changes the whole painting as it glows and reflects. Based on the ever changing skies in Devon where Sophie lives and works. New original artwork by artist, Sophie Berger is available with Wychwood Art in their gallery and online. Sophie Berger's recent work has been greatly influenced by her move to Devon and a new found love of the Dartmoor. She often sketches on the north moors and in Skaigh woods, taking in the mood of the sky, rolling hills and streams or concentrating on the intricate twisted branches and roots of the bracken. Sophie Berger's next stage is to recapture these sketches using oil paint when back at the studio in Kigbeare, thereby creating a strong connection between her work and the landscape. The changeable, moody landscapes...

Artist's Statement: "Part of a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years ...

Artist's Statement: "Having a good time with metaphor and all kinds of odd media. To me, harkens back a bit to late 50's/early 60's Rauschenberg, Johns and Dine, some of my all-time...

Acrylic, texture, and gold leaf on canvas Marie Anne Decamp is a French artist born in 1973 who lives and works in Chambly in Oise in Picardy, near Paris. She belongs to the express...

This beautiful painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal leaf ...

Artist's Statement: "The first in a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the y...

Colorful abstract contemporary circular painting by Houston, TX artist David Hardaker. This painting features various rings of bright navy, blue, and pink tones. Signed, titled, and ...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

VF15 [2022] original Oil on aluminium mounted on MDF Image size: H:30 diameter cm x W:30 diameter cm Complete Size of Unframed Work: H:30 diameter cm x W:30 diameter cm x D:2cm Frame Size: H:30 diameter cm x W:30 diameter cm x D:2cm Unframed Please note that insitu images are purely an indication of how a piece may look. Inspired by the landscape, this series of paintings present both a micro (snail's view) and macro (bird's eye aerial view) of nature revealing...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli ...

Inspired by the landscape, my new series of paintings present both a micro (snail's view) and macro (bird's eye aerial view) of nature revealing the textures and colours found in gra...

John Okulick, large colorful wood wall sculpture construction "Perfect Harmony" Hand signed and dated, 1999 Dimensions: H: 52 inches:...

Inspired by the landscape, my new series of paintings present both a micro (snail's view) and macro (bird's eye aerial view) of nature revealing the textures and colours found in gra...

Inspired by the landscape, my new series of paintings present both a micro (snail's view) and macro (bird's eye aerial view) of nature revealing the textures and colours found in gra...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

The Unity series is about bringing peace, balance, and harmony to the mind/body/spirit connection. Following the pathway of the chakras of the body and the geometry found in nature, ...

Landscape mixed media on canvas 100x120 cm Ready to Hang original art Marilina Marchica orients her pictorial research to the theme of subtraction, her attention is focused on th...

Light Refraction #23, 2015 by Natasha Zupan From the series Light Refraction Oil, fabric, encaustic, 24K Gold, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a st...

An original mineral painting, made with 3 layers of 24k gold leaves, natural and synthetic minerals, and sea shells (calcium carbonate) on Japanese washi paper mounted on a wood panel. Natural colors include gemstones or precious and semi-precious stones such as azurite (deep ocean blue). Because these substances consist of unique chemical and physical properties, every artwork has unique characteristics and a story to tell, with a sense of connection to the earth. It is highly textured with a matt and rich sand-like appearance. I wanted to let the materials speak as much as the story. Not necessarily in a loud manner, but to communicate the value of authenticity and how they play together as one big piece of jewelry. Beneath all the complex minerals, there are 3 layers of 24k gold leaves covering the entire 80 cm surface. When light passes through various dimensions, hints of gold reveal its presence and brighten the surrounding dark colors in an incredibly mesmeric way. Just like the stars in the sky, you may not see them at times but when they do, they surely brighten up the sky. In mint condition, Certificate of Authenticity included and calligraphy seal in front, hand-signed at the back. Sold unframed and Ready to hang (eye bolt and string mounted at the back). Artist: Maria Mitsumori...

A unique and vivid abstract / surreal landscape painting on stretched canvas. Created with poured enamel and oil paint with vivid grasslands and fading hills in the background. Ready...

A set of TWO colourful, detailed, unique and vivid abstract oil and enamel paintings on stretched canvases. The artworks measure 20 x 30 cm EACH, ready to hang. Framing on request. F...

A unique and vivid abstract / surreal landscape painting on stretched canvas. Created with poured enamel and oil paint. Ready to hang. Framing on request.

Ricky Hunt’s work is influenced by Egyptian hieroglyphs, graffiti, and his tumultuous past that led to a paradigm shift in his creative life. He covers the canvas with unique imagery...

Based on Solfeggio Frequencies, HZ merges the healing potential of painting with the power of sound. Following Kandinsky’s musical theory of the abstract artwork, the spiritual quality of a painting is established in its ability to vibrate in the eyes and therefore emits an inaudible sound frequency. With HZ, the rhythmic organization of the iron lines on the black background transmits specific frequencies that vibrate directly with the soul of the observer. A universal silent sound that promotes a return to spiritual order. Minimal in its aspect, HZ intends to open a gateway in the interiority of the observer. An infinite universe present in each of us which can only be reached in front of the silence of the representation. By impoverish the exterior in order to enrich the interior, the magical power of the unseen is revealed. CARVED FRAME The burned and carved wooden frame acts as an anchor to the ground. In contrast with the infinite distance creating by the artwork, the burned wooden frame connects with the earth elements. An invitation to stay present in the body while travelling in your inner reality. Through the delicate black mantras carved in all-over, the mystical dimension of the pieces reveals itself. Using meditation...

This original abstract painting is a 2 piece set, sold individually. Both are highly textured mineral paintings, made with Japanese blue-gold leaves, natural and synthetic minerals and partially resin on Japanese paper mounted on a wood panel. Natural colors include gemstones or precious and semi-precious stones, such as green agate (deep matcha green). Because these substances consist of unique chemical and physical properties, every artwork has unique characteristics and a story to tell, with a sense of connection to the earth. All 4 sides are painted with a 3D-like appearance. It has a matt, sand-like texture for mineral areas and a smooth texture for resin areas. "Furaha" means joy and happiness in the Swahili language. Inspired by the rich culture and extraordinary land of South Africa, the artist expresses an environment of respect for differences in traditions and values, each existence as an independent entity. These duo pieces are part of the artist's continuous research on the Four Color Theorem or the Four Color Map Theorem of mathematics, which states that no more than four colors are required to color the regions of any map so that no two adjacent regions have the same color. In mint condition, Certificate of Authenticity included and calligraphy seal in front, hand-signed at the back. Sold unframed and ready to hang (eye bolt and string mounted at the back). Artist: Maria...

A colourful, detailed, unique and vivid abstract oil and enamel painting on stretched canvas. Poured enamel paint creates a marbled effect, with added oil paint details. Ready to han...

This beautiful painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal leaf ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...

This painting is an image of Tower Bridge from the Shard. Oil and enamel on canvas. Loved all the twinkling lights and how Tower Bridge dominated the ...

Landscape Mixed Media on canvas 120 x 150 cm The paintings I will share with you is inspired by landscape, nature and the passage of time. We change the nature and in response, it c...

A vibrant and colourful, unique painting on stretched canvas, ready to hang. The painting consists of shiny pools of enamel paint that was thickly poured onto the canvas to create a...

A textured, unique and vivid poured enamel painting on stretched canvas, with red, yellow, black and white colours. Ready to hang. Framing on request.

The artist is a recipient of the Pollock-Krasner grant awarded to artists with established abilities, established by the wife of Jackson Pollock. His work is held in various corporate and private collections worldwide. Oil Painting 39 x 32 x 2 inches Oil paint, cold wax, silver leaf on gallery wrapped canvas Framing is optional because painting wraps around canvas Ready to hang on wall, signed on the back by artist Video attached for viewing The beauty of geometrical balance in Cimini's series of work evokes a certain quiet beauty. Strong layers of color and brushwork explore depth and emotion to each unique piece. Cimini's work range from paintings with vibrant color and energy to quiet contemplative pieces with rich layering of depths. Using oil paint, wax medium, and marble dust on canvas, the artist creates a harmonious balance on the canvas, or paper, characterized by textured shades of colors, with linear lines and shapes - allowing a symmetrical, meditative composition of shapes and colors to emerge. ARTIST STATEMENT Building on the architectural origins which have been the basis of my work for over a decade, I have started referring to my compositions as random symmetry. That is, creating a balance on the canvas with no discernible pattern allowing a symmetrical, meditative composition to emerge. I employ the golden mean as a reference which can often be seen in the composition. I use oil paint with a cold wax medium, layering the paint, as organic surfaces evolve within the restrained lines of the composition. During the process an environment develops giving an emotional story to the thoughtfully planned out compositions. My color choices vary, sometimes deliberately creating a series with particular color decisions and sometimes allowing the color choices to impulsively appear fueled by intuition and experience. Color remains a constantly unfolding mystery. In a recent exhibition, MATH TO BEAUTY is series of new paintings employing the golden mean as a basis for the geometric compositions which I've come to call random symmetry. This fascinating ratio, frequently found in nature and geometry, is perceived by many to play a role in the human perception of beauty. So much has been written about the golden ratio; to the point that it's hard to discern fact from fiction. But whatever the truth, the golden ratio has properties that has intrigued and inspired mathematicians, biologists, artists, musicians, historians, architects, psychologists, and even mystics for centuries. Using the golden ratio in the cavalier way that I do keeps me mindful of proportion. Just when I think it's working along comes color to challenge my senses. In the end my intentions are to create beauty in my work. As the Greeks put it, the three ingredients to beauty are: symmetry, proportion, and harmony. Born: 1949, Williamsport, Pennsylvania, USA Education: San Francisco Art Institute School of Visual Arts (New York City) Grants & Awards 2003 Recipient of a Grant from the Pollock-Krasner Foundation selected by a committee of distinguished art professionals awarded to artists with established ability. The grant was set up by Lee Krasner, wife of Jackson Pollack. 2015 Finalist at the Global Art League 2015 exhibition at the Montreal Art...

A colourful, detailed, unique and vivid abstract oil and enamel painting on stretched canvas. Poured enamel paint creates a marbled effect, with added oil paint details. Ready to han...

Oil and gold leaf on canvas For centuries, artisans and artists have turned to gold leaf as a way to make their creations shimmer and shine. Also many contemporary artists continue ...

Landscape mixed media on canvas 100x120 cm original art ready to hang Marilina Marchica was born in Agrigento, where she works and lives, After receiving her diploma at Liceo Arti...

Color Derivatives #14, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, Gold, medium, on wood Size: 18 in. H x 15 in. W x 3 in D. Unique _________________________...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...