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Nancy BakerNancy Baker, Pink Box, 2017, paper, acrylic paint, digital pigment print2017
2017
$650
£482.59
€562.35
CA$902.41
A$1,009.40
CHF 525.30
MX$12,426.09
NOK 6,682.89
SEK 6,269.87
DKK 4,195.70
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About the Item
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres. This collapsible, frantic universe parallels the global climate created by our current administration.
Nancy Baker is compelled to put things together; underscoring the process of combining and interlocking forms in elegant configurations, she interweaves mathematical data in her constructions that speak to her need for stasis and a reliable reality. The recently new experience of living once again in an urban environment has made her sensitized to the dominating forces of infrastructure, and to those corresponding interstitial spaces that, arouse wonder and anxiety. The competition for space and sky has been instructive; her work reflects this struggle by recreating the battlefield in the studio, and attempting to tame it, and ultimately, to own it.
For the exhibit, No Regrets, Baker seizes upon current political anxiety that informs her series of works which employ text from the US Constitution, in addition to mathematical constructs such as Pi, and the Golden Section. Intermixed within her constructions are additional phrases which seek to undermine the authority of No Regrets, such as Fewer Answers, No Illusions, Some Ideas, and Little Idea How. In claiming a definitive confidence, there is for Baker, consequences of hubris which reflect a truly complex lifetime of shifting doubts.
For No Regrets, Baker has made good use of the ubiquitous commercially available paper drink carrying tray. She has deconstructed this object, recreating forms that strangely reflect their Baroque sensibility, inherent in the original article. Reimaging these paper pulp products as eccentric participants in her constructions, Baker’s chosen literary tropes signify a contemporary fear and suspicion that perhaps the enemy is invisible and unaccountable
Her paper constructions combine digitally printed, hand and laser cut geometric shapes that are painted, sprayed, scraped and gouged. Incorporated into these paper, polystyrene and Dura-Lar sections are glitter, paint, modeling paste, gold leaf, printed commercial matter and recycled paper pulp forms.
Nancy Baker earned her BFA from the School of Visual Arts, New York, NY. Her work has been widely exhibited throughout the US, including ODETTA Gallery in Brooklyn, NY; Front Room Gallery in Brooklyn, NY; Mark Moore Gallery, CA; Winkleman Gallery, NYC; Schema Projects, Brooklyn, NY; Marcia Wood Gallery, Atlanta, GA; Jancar Gallery, Los Angeles, CA; NC Museum of Art, Raleigh, NC; 1708 Gallery, Richmond VA; Heriard Cimino Gallery in NOLA; and Lump Gallery, Raleigh, NC, and in Fall of 2018, the Changwon Sculpture Biennale in South Korea.
She has received numerous awards, including two North Carolina Artists Fellowships, a Tennessee Individual Artist Fellowship, and an NEA Southern Arts Fellowship.
She was awarded a commission with New York City MTA Arts and Design for two train stations in Brooklyn, which was fabricated in stainless steel. She was also was commissioned to create a new work for Karen Brooks Hopkins, the Director of Brooklyn Academy of Music.
Her work is included in numerous public and private collections including the International Collage Center, Bucknell, PA; US Embassy, Kiev, Ukraine; Wellington Art Collection, Boston; Memorial Sloane Kettering, NYC, City of Raleigh Municipal Art Collection, Raleigh, NC; North Carolina Museum of Art, Raleigh NC; MCI Corporation, Raleigh NC; Reynolds Industries, Winston-Salem, NC; Herman Miller, New York, NY; Bellevue Hospital Center, New York, NY; TRW, Cleveland, OH; American Hospital Corporation, Nashville, TN; First Nation Bank, Nashville, TN, among others.
She has participated in several artist residencies including Casa de Mateus, Vila Real, Portugal, and Studio Camnitzer, Valdottavo, Italy.
- Creator:Nancy Baker (American)
- Creation Year:2017
- Dimensions:Height: 9 in (22.86 cm)Diameter: 4 in (10.16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:the paper constructions are very fragile and ephemeral in nature. a collector would want to frame elements from this installation to protect them.
- Gallery Location:Darien, CT
- Reference Number:1stDibs: LU17222557771
Nancy Baker
Nancy Baker earned her BFA from the School of Visual Arts, New York, NY. Her work has been widely exhibited throughout the US, including ODETTA Gallery in Brooklyn, NY; Front Room Gallery in Brooklyn, NY; Mark Moore Gallery, CA; Winkleman Gallery, NYC; Schema Projects, Brooklyn, NY; Marcia Wood Gallery, Atlanta, GA; Greenhill Center, Greensboro, NC; Jancar Gallery, Los Angeles, CA; NC Museum of Art, Raleigh, NC; 1708 Gallery, Richmond VA; Heriard Cimino Gallery in NOLA; and Lump Gallery, Raleigh, NC. She has received numerous awards, including two North Carolina Artists Fellowships, a Tennesse Individual Artist Fellowship, and an NEA Southern Arts Fellowship.
She was awarded a commission with MTA Arts and Design for two train stations in Brooklyn, which was fabricated in stainless steel. Last year she was commissioned to create a new work for Karen Brooks Hopkins, the Director of Brooklyn Academy of Music.
Her work is included in numerous public and private collections including the International Collage Center, Bucknell, PA; US Embassy, Kiev, Ukraine; Wellington Art Collection, Boston; City of Raleigh Municipal Art Collection, Raleigh, NC; North Carolina Museum of Art, Raleigh NC; MCI Corporation, Raleigh NC; Reynolds Industries, Winston-Salem, NC; Herman Miller, New York, NY; Bellevue Hospital Center, New York, NY; TRW, Cleveland, OH; American Hospital Corporation, Nashville, TN; First Nation Bank, Nashville, TN, among others.
She has participated in several artist residencies including Casa de Mateus, Vila Real, Portugal, and Studio Camnitzer, Valdottavo, Italy.
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Year: 1980
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Signature: Signed lower right
Edition: 295 This one: 230/295
Condition: Very good
Unframed
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Jean Marie Haessle was born in Buhl, Haut-Rhin, France. After living for a few years in Paris, he moved to New York City in 1967 where he still works and lives in his studio on Spring Street in Soho. Over the years, he had numerous shows in the US, New York, Miami, Texas and California, France and Italy (see the resume). In the mid-80’s he worked for a period in France (Paris, Lyon, and Cannes). In the late 90’s he worked in Mexico (San Miguel de Allende) where he had a one person show in 1997 in the Museo de Art in Queretaro. He had a survey exhibition of the last 30 years of his work at the Korean University Museum, Seoul, Korea in spring 2014 and a major one person show in the Namu Modern &Contemporary gallery in Seoul in September of the same year. In September 2016 he had a sold out show at the Wada Garou gallery in Tokyo, Japan. In recent years, he had numerous shows in Korea, Seoul and Busan as well as in Japan, Tokyo, Kyoto, and Osaka.
One-Person Exhibitions
2021 Mizuma, Kips Gallery New York, USA
2020 Shijimi Gallery and Wada Garou, Tokyo, Japan
Mizuma, Kips Gallery New York, USA
Keumsan Gallery, Seoul, Korea
2019 Mizuma, Kips & Wada Art, New York, USA
2018 Wada Garou, Tokyo, Japan
Superior Gallery, Gangnam Seoul Korea
2017 Foley Gallery, New York, USA
KOUDOURAN, Kyoto, Japan
2016 Wada Garou Gallery, Tokyo, Japan
2015 Soohoh Gallery, Korea
Kips Gallery New York, USA
2014 Paintings 1983 – 2013, Korea University Museum, Seoul, Korea
NaMu Modern & Contemporary, Seoul, Korea
2013 Wada Garou Gallery Tokyo, Japan
Keumsan Gallery, Seoul, Korea
2012 Hillwood Art Museum, LIU Post, NU USA
Gallery Wooduk. Seoul Korea
SOOHOH Gallery, Seoul, Korea
bcs Gallery, Long Island City, NY, USA
2011 Chantal Bamberger Galerie, Strasbourg, France
Whitelabs Gallery, Milan, Italy
Kips Gallery New York, NY USA
2010 David Richard Contemporary, Santa Fe NM, USA
Gallery AKA Space, Seoul Korea
Gallery One Tokyo, Japan
2009 Kips Gallery New York, NY USA
La Minoterie Penze, France
2008 Galerie Claire Gastaud, Clermont-Ferrand, France
Kips Gallery, New York, NY USA
2007 Kips Gallery, New York, NY USA
2000 Gallery Yvonamor Palix, Mexico DF Mexico
1997 Galerie Gastaud & Caillard, Paris France
Galerie Prebet, Roanne France
Galerie de la Tour, Altkirch France
Ecole des Beaux Arts de Metz, Metz France
Kunsthous Santa Fe, San Miguel de Allende Mexico
Museo de Art, Queretaro Mexico
Museo Regional de Tlaxcala, Tlaxcala Mexico
1996 Kim Foster Gallery, New York NY USA
Galerie Gastaud, Clermont-Ferrand France
1995 Kim Foster Gallery, New York NY USA
Galerie Gastaud & Caillard, Paris France
Center Europeen d'action Artistiques Contemporaines, Strasbourg France
Galerie Athisma, Lyon France
1994 Chateau du Grand Jardin, Joinville France
1993 Galerie Catherine Fletcher, Paris France
1991 Galerie Gastaud, Clermont-Ferrand France
Galerie Athisma, Lyon France
1989 FCI Institut, New York NY USA
Galerie Jade, Colmar France
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