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Robert NatkinAbstract expressionist, geometric, large, pink, orange, blue, acrylic on canvas1984
1984
About the Item
Robert Natkin
The Stranger, 1984
Acrylic on canvas
84 x 72 inches
213.4 x 183 cm
RNa026
Celebrated as an unsurpassed colorist and for the beauty of his large-scale abstract works, Robert Natkin was a Chicago-born artist associated with the Color Field and Lyrical Abstraction painters. His hues are shamelessly seductive, whether deployed in vertical columns in his Apollo paintings, spread in gauzy veils in his Bath series, or strikingly textured in the Bern pictures. On his canvases, paint creates a seemingly infinite space in which iconographic details appear to hover or float through illusory depths.
Since 1957, Natkin’s work has been widely exhibited in museums and galleries in the United States and Europe. He had solo shows at the San Francisco Museum of Art, now known as the San Francisco Museum of Modern Art (1969); The Art Institute of Chicago (1975); the Hirshhorn Museum and Sculpture Garden, Washington, DC (1981); and The Aldrich Contemporary Art Museum, Ridgefield, Connecticut (1982). His work was featured in numerous group exhibitions, including at the Whitney Museum of American Art (1960), the Solomon R. Guggenheim Museum (1973, 1974, 1975, 1977, 1979 and 1980), and The Jewish Museum, New York (1982). During the 1970s he had five solo exhibitions at the esteemed André Emmerich Gallery, New York. In 1981, Harry N. Abrams published Robert Natkin, a lavishly illustrated 360-page monograph with text by noted British art critic Peter Fuller.
Robert Natkin’s work can be found in the collections of The Museum of Modern Art, Brooklyn Museum, Solomon R. Guggenheim Museum, and Whitney Museum of American Art, New York; the Los Angeles County Museum of Art; the Hirshhorn Museum and Sculpture Garden; the Carnegie Museum of Art and Carnegie Institute, Pittsburgh; the Museum of Fine Arts, Houston; the Art Institute of Chicago; and the Centre Pompidou, Paris, among others.
- Creator:Robert Natkin (1930-2010, American)
- Creation Year:1984
- Dimensions:Height: 84 in (213.36 cm)Width: 72 in (182.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:Seller: RNa0261stDibs: LU684315167472
Robert Natkin
Robert Natkin was born in Chicago on November 7, 1930 into a large family of Russian Jewish immigrants. In 1945 the family moved to Tennessee though soon returned to Chicago where Natkin would attend the Art Institute of Chicago (1948-1952). The museum’s collection of Post-Impressionist paintings, especially those of Pierre Bonnard and Henri Matisse and the whimsical abstractions of Paul Klee, were significant influences on the young artist. Natkin’s influences outside the art world included frequent trips to the Field Museum of Natural History where he was exposed to stylized Native American and Peruvian textiles. Introduced to Abstract-Expressionism in New York in 1952, Natkin was especially drawn to the works of Willem de Kooning who’s agitated marks he began to emulate though after returning to Chicago in 1953 he abandoned ties to action painting and began to form what would become his familiar color field abstraction motif. In 1957 Natkin, now married to fellow artist Judith Dolnick, opened the Wells Street Gallery which showed the works of like-minded Chicago artists including sculptor John Chamberlain and photographer Aaron Siskind as well as New York artists they admired. Due to limited patronage however this was a short-lived venture and, seeking greater opportunities, the couple moved to New York in 1959. Natkin continued to develop bold bright fields of color and texture in his paintings finding success among the Poindexter Galleries stable of up-and-coming artists. Immersed in New York’s dynamic art scene through the 1960s and 70s, Natkin continued to evolve his style through his Apollo series, Field Mouse series, and Intimate Lighting series which includes Remembrance is the Secret of Redemption, Forgetfulness Leads to Exile. Other series followed in a long and successful career. Natkin died in Danbury, Connecticut, on April 20, 2010. Robert Natkin has been the subject of numerous one-man exhibitions and has been included in many more group exhibitions. His work is in the permanent collections of dozens of national and international museums including New York’s Museum of Modern Art, the Art Institute of Chicago, the Los Angeles County Museum of Art, the National Gallery of Australia, and the Centre Pompidou in Paris. Additionally Natkin’s colossal 20 x 42 foot mural, executed in 1992, can be seen in the lobby of New York’s Rockefeller Center.
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