Roy Yariv

Exit - Original Painting

2019

Step into a world where music and visual art converge in perfect harmony with Zahava Lupo's original acrylic on canvas, capturing the essence of summer in a symphony of color and for...

This Lead Shamir's original painting is a stunning visual representation of her multidisciplinary approach, where she utilizes a vast array of techniques and materials. This particul...

Uri Dushy's pop art piece stands out as a testament to his decades-long exploration of art's origins, blending artistic genres to forge provocative and captivating creations. This pi...

Daniele Fortuna's Venus sculpture is a captivating fusion of classical beauty and contemporary vibrancy, marrying the timeless elegance of ancient Grec...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Bauhau...

"Sixteen Sunset" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, and 70'...

Abstract Geometric Tile Pattern Op-Art in Blues and Silver - Acrylic on Canvas Geometric Op Art in blues and silver by an unknown artist. There are four distinct variations of a geo...

Signed, dated and titled on verso Original frame by the artist Provenance: Private Collection, Cleveland, Ohio; Acquired directly from the artist in 1980. Julian Stanczak's Sequential Chroma #4 (1980) is a striking example of Op Art—a movement known for its optical illusions and visual dynamism. Measuring 44 x 38 inches and rendered in acrylic on canvas, the work exemplifies Stanczak’s mastery of color relationships and geometric precision. The composition is meticulously constructed with a grid of squares that radiate an intricate interplay of hues, creating a mesmerizing visual effect. The painting’s title, Sequential Chroma #4, highlights Stanczak’s deliberate approach to exploring the sequential interaction of colors. The chromatic shifts within the grid seem to pulse, oscillate, and vibrate as the viewer’s gaze moves across the surface. This dynamic is not merely visual but psychological, as Stanczak’s careful modulation of tones creates a sense of depth and movement that defies the painting’s two-dimensional plane. The grid structure offers a sense of order, yet the gradation of color imbues the work with vitality and rhythmic energy. What makes this painting particularly compelling is its ability to engage viewers in an active experience. The eye is drawn into the grid’s center, where colors appear to intensify, then pulled outward as the edges subtly fade into cooler, darker tones. This shifting focus mirrors...