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Sangeeta ReddyAbstract Expressionist Color Field Painting Indian Artist Sangeeta Reddy1985
1985
About the Item
image is 21 X 21 inches; frame: 30 X 30 inches
Born in 1955, Hyderabad, India, painter and writer Sangeeta Reddy migrated to the United States in 1978 and continued her studies in art. Currently she maintains a studio on Santa Fe Dr. in Denver, Colorado and Hyderabad, India, dividing her time between the two. She has been represented by various galleries in Aspen, Denver, New York, New Delhi, Chennai and now, Hyderabad since the beginning of her 26 year career.
Sangeeta has lived and breathed the arts from a very young age – her maternal grandmother was a contemporary of the classical vocalist Kesarbai Kerkar, her grandfather a connoisseur of the arts. Steeped in music, her mother was one of the first disciples of the late Pandit Ravi Shankar. Her late father was a pictorial photographer who co-founded the Hyderabad Photographic Society. Sangeeta chose to follow her own path into the visual and literary arts.
With seven years of undergraduate work in fine art in India and the US, and a bachelor’s from Bombay University in English literature and Philosophy, in 1985, Sangeeta’s work has developed into a highly individual style of mixed media abstract expressionistic paintings and monotypes on both canvas and paper. The deconstructed calligraphy and vibrant and nuanced color ever present in her work gives the work the flavor of India in concert with a western restraint.
Known primarily for her mixed media collages on paper and canvas, her abstract work was conceived from a challenge to visually parallel Sankara’s idea of Brahman in Advait philosophy and has now evolved into a formal language of deconstructed Devanagari calligraphy. Her artistic influences range widely from Indian weaving and textiles to Vincent Van Gogh, Paul Cezanne and Pablo Picasso (who were introduced to her at a very young age by her father’s interest in Western art), to her discovery (while studying in the US) of the Taos School of landscape painters as well as the Abstract expressionist painters, painters, in particular, Mark Rothko and Willem De Kooning, Robert Motherwell, Antoni Tapies and Richard Diebenkorn.
After having worked for 28 years in an abstract expressionist manner, her latest series of paintings are based on the rock formations of the Colorado Plateau. She was first Inspired By Abstract Expressionists like Barnett Newman, Mark Rothko, Clyfford Still, Ray Parker, her style evolved into abstract expressionism and color field painting, Since moving to the US she has become familiar with some of the artistic giants – Georgia O’keeffe, Maynard Dixon, Ernest Blumenschein, Victor Higgins and John Marin, much later of the Group of Seven and of Regionalism. The mountains and plains, canyons and stretches of sky, pinion, sage and cottonwoods. Mostly they were in the form of small plein air works in pastel, charcoal or water color, or drawings from memory or photographs that were more reductive and expressionistic. She has also worked in monotype techniques and in collage.
SELECTED EXHIBITIONS
Recent Shows:
2016 Fractured Landscapes of the West, BMOCA, Boulder, CO
2014 Erasing Borders 11th Annual Exhibition of Contemporary Indian Art, Queens Museum, NYC
2014 LA Artcore, Los Angeles
2013 Shrishti Art Gallery, Hyderabad, India
2013 Erasing Borders 10th Annual Exhibition of Contemporary Indian Art, 2012 Erasing Borders 9th Annual Exhibition of Contemporary Indian Art, Art Crossings, Queens, the Bronx school for the Arts, New York and Art6, Richmond, Virginia.
2011 “IAAC Erasing Borders: 8th Annual Exhibition of Contemporary Indian Art”, Queens Museum of Art, Queens, New York, Aicon Gallery, NYC, Charles B. Wang Center, Stony Brook and Jorgenson Center,
2011 The William Havu gallery, Denver, Colorado
2009 15th Street Gallery, Boulder
2009 Retrospective, Rocky Mountain Women’s Institute, Denver
2009 Apparao galleries, Bangalore
2008 Triveni, New Delhi
2008 Apparao Galleries, Chennai
2008 David Floria Gallery, Aspen
Selected shows
2008 Solo show – monotypes at Apparao Infinity, Chennai
Triveni, New Delhi, India
2008 Loveland Museum, Loveland, CO
2007 “The Image of Words” Art Students League, Denver, CO
2006 Summer Art Market Art Students League, Denver, CO
RMWI Showcase, Emmanuel Gallery, Denver, CO
2003 Solo, Shrishti Art Gallery, Hyderabad India
2002 Walker fine Art, Denver, CO
Artist Asia, Denver, CO
1996 One person show, The Gallery, Madras, India
1995 One person show, Gallerie Ganesha, New Delhi, India
1994 Sediment and the Human Spirit, Mackey Gallery, Denver, CO
Paintings and Drawings, Colorado Gallery for the Arts, Littleton
1993 Group Show, Mackey Gallery
Pastel Show, Alpha Gallery, Denver, CO
1992 One Person Show, Shrishti Gallery, New Delhi
Landscape Show, Alpha Gallery
1991 “The West is One”, One West Contemporary, Fort Collins, CO
1990 Contemporary Color, Gensler & Associates, Architects, Denver
Mantras across Cultures – solo, Lincoln Center, Fort Collins
1989 “Secret Gardens” Alpha Gallery
1988 “Mystic Echoes”, Alpha Gallery
1987 Chicago Art Fair, the Denver Regional Art Expo, Alpha Gallery
REVIEWS
KYLE MACMILLAN Denver Post: 2011
“…she displays meticulous technique and an innate feel for color, texture and mark making…”
JENNIFER HEATH Rocky Mountain News:
“Reddy’s large handsome abstract paintings, with their collaged, patched canvases and their weathered metallic patinas are like fragmented relics of antiquity, of memory and experience in explosive gestures that dazzle the eye. Traditional Indian art is figurative, iconographic and narrative. Reddy’s work easily recalls Indian weaving and color, but she makes giant, deliberate strides away from representationalism, retaining the spirit rather than the form of her heritage.”
STEVEN ROSEN Denver Post:
“Laying pieces of canvas atop her paper collage-style and painting with a sometimes-thick, sometimes smooth style, Sangeeta Reddy makes attractive, non-representational painting. But then she does something special–she adds Sanskrit text to her work as a design element. At times, there are hints of Asian architecture in her paintings’ curves and crescents. Seeing the beautiful “Dark Tablet, with its white space in the middle of a busily colorful composition, is like being handed the Ten Commandments.”
JILL JONES The Coloradoan:
“Her work gives a sense of spirituality, a suggestion of religious icons. There is a great sense of inner light.” (Quote from Roslyn Spencer)
LEKHA J. SHANKAR Hindustan Times (New Delhi, India):
“In the painting, ‘Energy of Darkness’ …energy emanates in the rich colours and the undulating Devanagari Script Her paintings glint and glow with feeling…retain a certain profundity of expression.”
SHUBRA MAZUMDAR City Scan (New Delhi, India):
“Her abstract concepts have a strong Indian basis and naturally evoke a sort of loose affinity instead of any feeling of alienation in the viewers’ minds….the paintings have their links in an innate love of colour that always captivates the Indian psyche…Calligraphy…finds a unique place in her works…acquires a universal communication channel through art.”
KESHAV MALIK The Sunday Times of India:
“She is seen concentrating on a body of work in which colour becomes progressively pure and the compositions precise…By a persistent analysis of line and plane, (she) succeeds in building up an architectonic structure…”
- Creator:Sangeeta Reddy (1955, Indian)
- Creation Year:1985
- Dimensions:Height: 30 in (76.2 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214305282
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View AllAbstract Expressionist Color Field Painting Indian Artist Sangeeta Reddy
Located in Surfside, FL
Born in 1955, Hyderabad, India, painter and writer Sangeeta Reddy migrated to the United States in 1978 and continued her studies in art. Currently she maintains a studio on Santa Fe Dr. in Denver, Colorado and Hyderabad, India, dividing her time between the two. She has been represented by various galleries in Aspen, Denver, New York, New Delhi, Chennai and now, Hyderabad since the beginning of her 26 year career.
Sangeeta has lived and breathed the arts from a very young age – her maternal grandmother was a contemporary of the classical vocalist Kesarbai Kerkar, her grandfather a connoisseur of the arts. Steeped in music, her mother was one of the first disciples of the late Pandit Ravi Shankar. Her late father was a pictorial photographer who co-founded the Hyderabad Photographic Society. Sangeeta chose to follow her own path into the visual and literary arts.
With seven years of undergraduate work in fine art in India and the US, and a bachelor’s from Bombay University in English literature and Philosophy, in 1985, Sangeeta’s work has developed into a highly individual style of mixed media abstract expressionistic paintings and monotypes on both canvas and paper. The deconstructed calligraphy and vibrant and nuanced color ever present in her work gives the work the flavor of India in concert with a western restraint.
Known primarily for her mixed media collages on paper and canvas, her abstract work was conceived from a challenge to visually parallel Sankara’s idea of Brahman in Advait philosophy and has now evolved into a formal language of deconstructed Devanagari calligraphy. Her artistic influences range widely from Indian weaving and textiles to Vincent Van Gogh, Paul Cezanne and Pablo Picasso (who were introduced to her at a very young age by her father’s interest in Western art), to her discovery (while studying in the US) of the Taos School of landscape painters as well as the Abstract expressionist painters, painters, in particular, Mark Rothko and Willem De Kooning, Robert Motherwell, Antoni Tapies and Richard Diebenkorn.
After having worked for 28 years in an abstract expressionist manner, her latest series of paintings are based on the rock formations of the Colorado Plateau. She was first Inspired By Abstract Expressionists like Barnett Newman, Mark Rothko, Clyfford Still, Ray Parker, her style evolved into abstract expressionism and color field painting, Since moving to the US she has become familiar with some of the artistic giants – Georgia O’keeffe, Maynard Dixon, Ernest Blumenschein, Victor Higgins and John Marin, much later of the Group of Seven and of Regionalism. The mountains and plains, canyons and stretches of sky, pinion, sage and cottonwoods. Mostly they were in the form of small plein air works in pastel, charcoal or water color, or drawings from memory or photographs that were more reductive and expressionistic. She has also worked in monotype techniques and in collage.
SELECTED EXHIBITIONS
Recent Shows:
2016 Fractured Landscapes of the West, BMOCA, Boulder, CO
2014 Erasing Borders 11th Annual Exhibition of Contemporary Indian Art, Queens Museum, NYC
2014 LA Artcore, Los Angeles
2013 Shrishti Art Gallery, Hyderabad, India
2013 Erasing Borders 10th Annual Exhibition of Contemporary Indian Art, 2012 Erasing Borders 9th Annual Exhibition of Contemporary Indian Art, Art Crossings, Queens, the Bronx school for the Arts, New York and Art6, Richmond, Virginia.
2011 “IAAC Erasing Borders: 8th Annual Exhibition of Contemporary Indian Art”, Queens Museum of Art, Queens, New York, Aicon Gallery, NYC, Charles B. Wang Center, Stony Brook and Jorgenson Center,
2011 The William Havu gallery, Denver, Colorado
2009 15th Street Gallery, Boulder
2009 Retrospective, Rocky Mountain Women...
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Abstract Mixed Media Torn Paper Collage Pop Expressionist Painting
By Ronald Ahlstrom
Located in Surfside, FL
American Artist 1922 – 2012
Served his country as a Sergeant in World War II, both stateside and in the Philippines. After the war, native Chicagoan Ronald Ahlström graduated from the School of the Art Institute, He became a prominent Abstract Expressionist collage assemblage maker working in a style similar to some of the New York school assemblage artists such as Robert Goodnough. Utilizing cutout letters in a concrete poetry style. He frequently exhibited his collages and paintings in the Chicago and Vicinity exhibits of the 1950s and 1960s. He worked as the curator of the Tacoma Art Museum in Tacoma WA during the early 1960s. He showed at Exhibition Momentum in the ’60s, and was selected for the Corcoran Biennial. Together with his colleagues and fellow-abstractionists Robert Nickle, Morris Barazani, Harry Bouras, George Kokines, and George Waite, he exhibited at McCormick Place in an independently produced survey of contemporary Chicagoans, circa 1962, under the banner 12 Chicago Artists. An adept and sensitive painter, Ahlström’s most personal work is as an abstract expressionist collage maker. Using strips of paper, sometimes weathered and beaten into rough hewn surfaces, he creates immaculately layered, lively, gestural compositions. He was the recipient of many art awards and prizes throughout his long career. His works are part of numerous private, corporate and museum collections. His work was published in many national and international art publications including Who's Who in America and Who's Who in American Art. he taught art at both high school and college level. His other passions included history, literature and music. He was an accomplished base fiddle and guitar player and often played professionally in clubs during the late 1940s and 1950s. In 1958, he was awarded the William H. Bartels Prize of five hundred dollars at the Art Institute of Chicago.
Education:
Art Institute of Chicago
University of Chicago
DePaul University
Exhibitions:
Art Institute of Chicago Annuals,
Corcoran Biennial in Washington DC,
12 Chicago Artists
50 Chicago Artists
European Exhibit at the US Information Agency
Collage and Construction, Hyde Park Art Center, Chicago
Tacoma Art Museum, Washington
Henry Gallery, University of Washington, Seattle
50th Northwestern Annual, Seattle Art Museum,
Chicago Invitational, University of Illinois
One Man Exhibits:
Rockford College, Rockford Il.
Barat College, Lake Forest Il.
Rodger Wilson Gallery, Chicago, Il.
Touchstone Gallery, New York, NY.
Joseph Faulkner, Main Street Galleries, Chicago, Il.
Zriny Galleries, Chicago Il.
Awards:
Clyde Carr Prize, Art Institute of Chicago
William H. Bartels Prize, Art Institute of Chicago
James Broadus Clark Prize, Art Institute of Chicago
Alumni of Art Institute Prize
Singer and Sons Prize, Navy Pier, Chicago
Abel Fagan Prize, Festival of Fine Arts, Lake Forest, Il.
Ford Foundation Purchase Prize, Seattle, Wa.
Collections:
Art Institute of Chicago
Barat College
Tacoma Art Museum, Wa.
Phibrook Art Center, Tulsa, Ok.
Blue-Cross Collection, Chicago, Il.
Atlantic Richfield Collection
Illinois Bell Telephone Collection
Container Corporation of...
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20th Century Abstract Expressionist Mixed Media
Materials
Paint, Paper, Mixed Media
Abstract Mixed Media Torn Paper Collage Pop Expressionist Painting
By Ronald Ahlstrom
Located in Surfside, FL
American Artist 1922 – 2012
Served his country as a Sergeant in World War II, both stateside and in the Philippines. After the war, native Chicagoan Ronald Ahlström graduated from the School of the Art Institute, He became a prominent Abstract Expressionist collage assemblage maker working in a style similar to some of the New York school assemblage artists such as Robert Goodnough. Utilizing cutout letters in a concrete poetry style. He frequently exhibited his collages and paintings in the Chicago and Vicinity exhibits of the 1950s and 1960s. He worked as the curator of the Tacoma Art Museum in Tacoma WA during the early 1960s. He showed at Exhibition Momentum in the ’60s, and was selected for the Corcoran Biennial. Together with his colleagues and fellow-abstractionists Robert Nickle, Morris Barazani, Harry Bouras, George Kokines, and George Waite, he exhibited at McCormick Place in an independently produced survey of contemporary Chicagoans, circa 1962, under the banner 12 Chicago Artists. An adept and sensitive painter, Ahlström’s most personal work is as an abstract expressionist collage maker. Using strips of paper, sometimes weathered and beaten into rough hewn surfaces, he creates immaculately layered, lively, gestural compositions. He was the recipient of many art awards and prizes throughout his long career. His works are part of numerous private, corporate and museum collections. His work was published in many national and international art publications including Who's Who in America and Who's Who in American Art. he taught art at both high school and college level. His other passions included history, literature and music. He was an accomplished base fiddle and guitar player and often played professionally in clubs during the late 1940s and 1950s. In 1958, he was awarded the William H. Bartels Prize of five hundred dollars at the Art Institute of Chicago.
Education:
Art Institute of Chicago
University of Chicago
DePaul University
Exhibitions:
Art Institute of Chicago Annuals,
Corcoran Biennial in Washington DC,
12 Chicago Artists
50 Chicago Artists
European Exhibit at the US Information Agency
Collage and Construction, Hyde Park Art Center, Chicago
Tacoma Art Museum, Washington
Henry Gallery, University of Washington, Seattle
50th Northwestern Annual, Seattle Art Museum,
Chicago Invitational, University of Illinois
One Man Exhibits:
Rockford College, Rockford Il.
Barat College, Lake Forest Il.
Rodger Wilson Gallery, Chicago, Il.
Touchstone Gallery, New York, NY.
Joseph Faulkner, Main Street Galleries, Chicago, Il.
Zriny Galleries, Chicago Il.
Awards:
Clyde Carr Prize, Art Institute of Chicago
William H. Bartels Prize, Art Institute of Chicago
James Broadus Clark Prize, Art Institute of Chicago
Alumni of Art Institute Prize
Singer and Sons Prize, Navy Pier, Chicago
Abel Fagan Prize, Festival of Fine Arts, Lake Forest, Il.
Ford Foundation Purchase Prize, Seattle, Wa.
Collections:
Art Institute of Chicago
Barat College
Tacoma Art Museum, Wa.
Phibrook Art Center, Tulsa, Ok.
Blue-Cross Collection, Chicago, Il.
Atlantic Richfield Collection
Illinois Bell Telephone Collection
Container Corporation of...
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Materials
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Large Abstract Expressionist Taiwanese Painting Chihung Yang Chinese Art
Located in Surfside, FL
Chihung Yang
American (b. 1947)
Untitled (Black and Brown Composition) (1986)
Mixed media (acrylic, pastel) on paper
Hand signed lower right
Sheet 38 x 50 inches, frame dimensions: 45 x 57 x 2 inches, wood frame with glazing
Provenance:= From a Corporate Art Collection
Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 1947) Taiwanese-American artist.
Yang Chi-hung was born on 25 October 1947, in Chungli, Taiwan. He developed an interest in art in early childhood, and found inspirations to pursue an artist career after reading Lust for Life – The Life of Vincent van Gogh, translated by poet Yu Kuang-chung, in junior high school. Between 1965 and 1968, he attended the National Taiwan College of Art, developing a sound foundation in oil painting under the tutelage of famous Taiwanese artists of the Japanese Colonial period, such as Liao Chi-chun, Li Mei-shu and Yang San-lang. Meanwhile, he actively attended events organized by the modern art groups of Taiwan, namely the Fifth Moon Group and Ton Fan Group, only to find himself both intimidated and dissatisfied with the then relatively conservative art environment in Taiwan. In 1979, he emigrated to the United States of America with his wife, Jane, and their son, Daniel. His pioneering works soon landed him the “Outstanding Asian-American Artist” award. The concept and style of abstract expressionism as represented by the works of Jackson Pollock in the 1950s had great impact on Yang’s work. With the sense of nihilism that gave rise to abstract expressionism in the post-war period, artists no longer clamored to depict the external environment, but rather chose to focus on their own inner experience. Yang Chihung embraced this spirit about the early 1990s when his style turned abstract. In 1984–85 and again in 1985–86, he was twice awarded a year's residency at The Clocktower Studio in New York City by MoMA P.S.1.
In 2013, Yang, along with Xu Bing, Zhang Huan, and Li Chen, were the four artists featured in the Discovery Channel Asia documentary series, Chineseness, a multi-series production that focused on postwar Chinese contemporary artists.
He is of the generation of artists such as Chen Tingshi, Liang Yifeng, Yang Yuyu, Pang Jiun, Yinhui Chen, Jui-Ling Hung, De-Jinn Shiy, Yong-ik Cho, Wan Chuan Chang, Kuosung Liu, Sanlang Yang, Chetsai Shen, Fu-sheng Ku, Chunxiang Zhao, Ming Ju, Ming-Che Huang, Jiutong Liu, In-Ting Ran, George Chann, Yi Hong, Tzu-Chi Yeh, Max Liu, Yi-Hsiung Chang, Che Chuang
Awards and recognition
1989, Outstanding Asian American Artist Award, by Governor of New York
1984–1986, MoMA P.S.1 National Studio Program, Residency at Clocktower Studio, New York
SELECTED GROUP EXHIBITIONS
1969 Contemporary Young Artists Exhibition, U. S. I. S. Lincoln Center, Taipei, Taiwan
1974 Asian Contemporary Art Exhibition, Ueno Museum of Art, Tokyo, Japan
1977 10 Chinese Leading Artists, Metropolitan Museum of Art, Tokyo, Japan
1978 Contemporary Chinese Art from Taiwan, Hong Kong Arts Centre, Hong Kong
1978 International Exhibition of Prints, National Museum of Modern Art, Seoul, South Korea
1979 6th British International Print Biennial, Bradford Art Galleries and Museum, England
1980 4th Miami International Print Biennial, Metropolitan Museum Coral Gables, Florida
1982 Summer Invitational, Susan Caldwell Inc, New York City
1982 Four Artists, SoHo Center for Visual Artists, New York City
1983 New Acquisitions and Trustee's Choice, The Aldrich Museum of Contemporary Art,
1983 Cleveland (UK) 6th International Drawing Biennale, Middlesbrough Art Gallery, England
1983 Dreams Demons Madness, Alternative Museum, New York City
1984 Rambunctious, Siegel Contemporary Art, New York City
1984 Invitational Painting Exhibition, Part II: Eight Imagist Painters, Siegel Contemporary Art, NYC
1984 Salvo, Ruth Siegel Ltd, New York
1984 Modern Art, Ted Greenwald Gallery, New York City
1985 Exotica, Paintings and Works on Paper, Stephen Rosenberg Gallery, New York City
1985 The Art of the 1970s and 1980s, Aldrich Museum of Contemporary Art, Ridgefield, CT
1985 Large Figurative Drawings...
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