Abstract Geometric Abstract Paintings

Minimalist geometric painting Opening Act 4 by Scott VanderVoort features bold black and cream shapes that create a striking interplay of form and negative space. Known for his refin...

4 carrés (Abstract Painting) Pigmented cement on foam panels. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the cons...

Acrylic on canvas. Unframed. The Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Artist/ School: Modern British contemporary Title: Geometric Abstract composition Medium: acrylic on canvas , unframed Canvas : 15.5 x 15.5 inches ...

ADDITIONAL PHOTOS OF THIS WORK WILL BE SENT UPON REQUEST: Jean Feinberg is a NY based artist whose wall constructions - paintings on found wood and paintings on painted plywood - ar...

Beautifully intricate piece from Sue's studio nestling above the Atlantic Ocean. Her paintings invite one into them and the eyes see the deep patterns she has woven. Oil on canvas

"Formula of Harmony" We can endlessly ask the Universe and the Cosmos for material wealth, health and well-being, but without spiritual wealth, everything worldly will sooner or late...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Post Dogmatist Painting on Panel, signed verso Art is 12 x 16 with frame approximately 13 x 17 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, paint...

"Health Formula" Human health is its main well-being. But a person is not only a Body, it is, first of all, a Spirit and a Soul. Therefore, the healing process cannot be considered solely as a treatment of the Body. There is an expression: "Physics needs physics." This suggests that if you have health problems, then you should definitely go to the doctor and use it to eliminate these problems at the physical level. But, eliminating the consequence - the disease, doctors will not eliminate the causes of its occurrence, since they are at the level of the subtle plane and are caused by damage to the energy shell of the sick person, leakage of vital energy or its transformation into negative. A person with such energy will “catch” any negativity rushing around and more often suffer from relapses and chronic diseases, accidents, depressive states, etc. Our ancestors knew about this and, using the methods of body treatment available at that time, for example, herbs, they also used symbols and signs to heal and close energy wounds, and as amulets for protection and prevention. That is why all clothes, utensils, furniture, houses, armor, etc. of our ancestors are decorated with appropriate symbols. The memory of the ancestors still lives in us, their strength and influence growing every day. How it works, science explains: the higher the frequency of waves in the space around a person and in himself, the healthier he is both emotionally and physically (about the Schumann resonance, changes in the structure of water under the influence of sounds, frequencies of the tertiary structure of the DNA helix, frequencies of brain waves in different emotions and states, etc. you can read on your own). How can the Health Formula help? - In a positive effect on both the physical state and the mental, managing the flow and direction of thoughts and the general condition of a person, maintaining the fire of life in all life situations. It balances the forces responsible for the proportions of the five main elements in the body, and, as a result, the functioning of all human systems and organs is normalized. For example, an excess of the elements of ether and air can cause nervous irritation, high blood...

Robert Glick (American, born 1950) "Mayor of Lyon" 2022 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom left of the painting. "Mayor of Ly...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, ...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

A modern abstract geometric oil painting by American female artist Irene Zevon who lived and worked in the Chelsea Hotel in the 1950's and 1960's.

This is a one of a kind original oil and resin painting by San Diego artist, Julia San Roman. Its dimensions are 30" x 12" x 1.5". It is unframed. A certificate of authenticity will ...

Illegibly signed, titled and dated verso. angular abstract geometric painting in a graffiti, street art stye.

This contemporary political painting, Mason Dixon Line, is a social critique of America and racism. Los Angeles-based Milan Tiff addresses issues of systemi...

Solo II Uldis Krauze (1958) 2005., Cardboard, author's technique, 64x45 cm

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Abstract geometric painting of triangular forms on a red and yellow field by artist Dan Allison in 2004. Artist Biography: Allison first made his mark on the art world in the late 1970's with his instantly recognizable aquatint etchings, created through a revolutionary, one-plate, three-color printmaking process the artist pioneered and refined while attending Sam Houston University in Huntsville, Texas. The artist earned a Bachelor of Fine Arts degree with an emphasis on printmaking from the university in 1978. In 2000 Allison turned his attentions to first establishing a printmaking studio, Texas Collaborative Arts, with an emphisis on the collaborative aspects between printer and artist and in 2007 established the Nau-haus art venue where he presented more than 60 exhibitions between 2007 and 2011 before moving to his present location in Houston's Upper Kirby Gallery district on Gallery Row, where the d. m. allison gallery...

Signed & dated Verso. 1965 Paul Reed in 1970. He favored “staining” untreated canvas. Paul Reed, the last surviving member of the Washington Color School, who explored the complexities of color and form in vibrant bio-morphic and hard-edge abstract paintings, died on Sept. 26 at his home in Phoenix. He was 96. His death was confirmed by his daughter, Jean Reed Roberts. Mr. Reed acquired his public identity as an artist when he was included, along with Gene Davis, Kenneth Noland, Morris Louis, Thomas Downing and Howard Mehring, in “The Washington Color Painters,” a landmark traveling exhibition that began at the Washington Gallery of Modern Art in 1965. All of the other painters had been shown, the year before, in “Post-Painterly Abstraction,” a 31-artist exhibition at the Los Angeles County Museum of Art organized by the critic Clement Greenberg in an effort to write a new chapter in the historic march of abstract art. Like his fellow Washington artists, Mr. Reed rejected the hot, gestural approach of Abstract Expressionism and explored color and abstract forms in a cooler mode. Working with diluted acrylic paint, in discrete series that methodically explored formal issues, he created luminous fields of color by letting the paint bleed into, or stain, untreated canvas. “I have a saying: Pollock dripped, Frankenthaler poured,” he told The Washington Post in 2011, referring to the artist Helen Frankenthaler. “Morris Louis poured. Howard Mehring sprinkled. I blot.” In his first stained series, “Mandala,” color radiated from a circular central image. The nearly 100 paintings in his “Disk” series, which he called “a matrix for exploiting color,” consisted of a central circle and two triangles positioned at the corners of the canvas. Over the next decade he moved to hard-edge geometric zigzags and stripes in the vertical “Upstart” series, color grids and shaped canvases that allowed for more complex experiments in form and color relations. He also made welded steel sculptures and, in the “Quad” series of the 1980s, collaged photographs. “Reed was, in a sense, the ‘little master’ of that first batch of Washington colorists,” the critic Benjamin Forgey wrote in The Washington Post in 1997. “He was a latecomer — he didn’t turn seriously to painting until he was in his mid-30s — but he never considered becoming anything other than an abstract painter. And when he was ready to show, in his early 40s, he was a very good abstract painter indeed.” Mr. Reed gave himself a more modest assessment in an interview with NPR last year. “I’m sort of low man on the totem pole of that group of six,” he said. Paul Allen...

Ettoja is one of the most prominent illustrators and street art creators in Lithuania. His work explores themes such as social issues, ecology, environmental protection, and the rela...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Robert W. Petrick - City Block Series #1 2021 Acrylic on canvas 40 x 30 x 1.5 inches East Village New York Geometric Abstract Stretched Painting Robert Petrick's paintings create ...

Robert W. Petrick - City Block Series #3 2021 Acrylic on canvas 40 x 30 x 1.5 inches East Village New York Geometric Abstract Stretched Painting Robert Petrick's paintings create ...

Pigmented cement on foam panels. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the construction and ship building ind...

'Night Roads' by Lori Poncsak is a striking abstract acrylic painting on a 48" x 60" canvas that mesmerizes with its intricate details and monochrome pale...

Prof. Richardson is the Chair of the Department of Art, he received his MFA degree from Washington University in St. Louis, and his BFA degree from the University of North Carolina, Chapel Hill. He joined the faculty at Maryland in 1978 and has maintained a professional focus on abstract painting and contemporary art theory. His work has been featured in 21 solo and over 100 group exhibitions in museums, galleries, and art centers in Washington, DC, New York, NY, Maryland, Virginia, North Carolina, West Virginia, Missouri, Ohio, Georgia, Minnesota, Illinois, Massachusetts, Pennsylvania, Tennessee, Texas, and internationally in Brussels, Russia, Jordan and Algiers. His work is currently represented by G Fine Art in Washington DC. Past gallery affiliations include Fusebox in Washington DC, and Baumgartner Gallery in DC and NY. Richardson has received numerous grants and awards for his work, including five Maryland State Arts Council Visual Arts Fellowships. Commissioned artwork is permanently installed at Ronald Reagan National Airport and Reston Town Center in Virginia. His work is held in numerous public and corporate collections, including the Hirshhorn Museum and Sculpture Garden (DC), the Corcoran Gallery of Art (DC), the Ackland Art Center (NC), the U.S. Department of State (Algiers), the District of Columbia Town Hall, Prudential Life (NY), IBM Corporation (DC), Richmond Federal Reserve Bank (VA), Washington Post Corporation (DC), Northrop-Grumman (VA), and Reston Town Center (VA). Richardson’s exhibitions have been reviewed in Art In America, Artforum International, ARTnews, NYArts Magazine, The Art Papers, The New Art Examiner, The Washington Post, The Washington Times, The Philadelphia Inquirer, The Baltimore Sun, The Richmond Times Dispatch, The El Paso Times, The Winston-Salem Journal, and The Washington City Paper, among others. Essays and monographs on his work have been published in many exhibition brochures and catalogues. An extensive interview with over 40 reproductions of his work can be found at the online curatorial project geoform. Richardson is an active visiting artist, lecturer, and juror at academic institutions and museums throughout the region and across the country. SELECTED GROUP EXHIBITIONS 2016 Resonance. Steven Cushner, W.C. Richardson and Robin Rose...

Acrylic on canvas. Unframed. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between foreground and background, center and edg...

Space Series 1 [2022] original Acrylic on Canvas Image size: H:80 cm x W:60 cm Complete Size of Unframed Work: H:80 cm x W:60 cm x D:3cm Frame Size: H:84 cm x W:64 cm x D:5cm Sold F...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Vincent Donato Roselli (b. 1995) is a self-taught artist from Staten Island, NY. Vincent works with a variety of mediums, favoring distorted brushes to manipulate plaster, beeswax, o...

Acrylic on paper. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, har...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Line Formation I [2022] original Acrylic on Canvas Image size: H:80 cm x W:60 cm Complete Size of Unframed Work: H:80 cm x W:60 cm x D:3cm Frame Size: H:84 cm x W:64 cm x D:5cm Sold...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Derived from photographs of subsistence craters formed in the aftermath of underground atomic tests, in the creation of Obar Bedrock, from the Bedrock Underground Tests series, I use...

Derived from photographs of subsistence craters formed in the aftermath of underground atomic tests, in the creation of Hybla Fair Bedrock, from the Bedrock Underground Tests series,...

Limited edition tile by artist Add Fuel. Edition of 16 Gel ink on ceramic; transparent PVC mount Signed and numbered by artist on back

Robert W. Petrick Recurring Composition, 2022 Acrylic on canvas 18" x 24" x 1” 2022 NYC, 2nd street studio This acrylic painting on canvas is gestural in nature, with a surreal ci...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Robert W. Petrick Mystic City, 2022 22x27x1” NYC, 2nd street studio This acrylic painting on canvas is gestural in nature, with a surreal cityscape feeling Robert Petrick's paintin...

Artist: Genaro Moreno, Venezuelan (1921 - 1991) Title: Kinetic Energy Year: 1981 Medium: Acrylic on Canvas, signed l.r. Size: 23 x 19 in. (58.42 x 48.26 cm)

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Red, white, and black abstract geometric wooden sculpture by Houston, TX artist Scott Woodard. Signed, titled, and dated by the artist at the back of the piece. Artist Biography: S...

“Structure Series #2” Version 2 2020 Acrylic, oil and chalk on canvas 14 x 24 x x .625 inches Robert Petrick's paintings create a link between the street culture of the East Villag...

This black and white abstract acrylic painting is inspired by the mid-century masters. Framed in a vintage gold frame, wired and ready to hang, 9.5 in. wide x 15 in. high

Abstract painter Paul Heald was born in Michigan in 1936. He moved to the West Coast and died in Washington in 2014. His body of work focuses on line and form abstract painting, usu...

Gregory Block's (US based) "Metro Denver" is an original, handmade aluminum can, carpet tack, and acrylic painting that depicts a monochromatic, silver grid of the city of Denver, Co...

"Cold Fusion 3" Stripe infusion Series 2017 acrylic on canvas 18X18" Signed, dated and titled on the reverse side Robert Petrick's paintings create a link between the street cultu...

Robert W. Petrick - City Block Series #4 2021 Acrylic on canvas 36 x 28 x 1.5 inches East Village New York Geometric Abstract Stretched Painting Robert Petrick's paintings create ...

Contemporary abstract geometric painting by artist Mark Byckowski. The work features horizontal lines with a variety of vivid colors of light yellow and orange painted against a black background. Each work in the series features a bright red line at the bottom right corner. Signed, titled, and dated on reverse. Currently unframed, but options are available. Artist Biography: Mark Byckowski was born March 18, 1957 in Chicago, Illinois. He remained in and out of the Chicago area until moving to Raleigh, North Carolina in 1990. In 2016 moved to Livingston, Texas where he currently resides. At an early age he began drawing, studying, and creating art which has continued throughout his life. His artwork has changed and evolved through different periods and styles that span for decades. In the early years he was influenced by traditional representational artists and illustrators, then impressionism, surrealism and the avant-garde of modernism captured his imagination. His artistic talent eventually led him to Northern Illinois University where he received Dean List Honors in Fine Art with an emphasis in studio painting. As a studio artist he has produced a body of work in a variety of media painting, drawing, sculpture, print making, and computer art also known as digital art. While in college the artist began searching for an original idea and style of his own. In 1979 when the first apple personal computers became available in the art department. He immediately knew the technology would eventually influence the direction of fine art in the future. It took time to learn how to program and explore the possibilities of computers as a new tool in the creation of art. Personal computers back then did not have the capabilities they have today and were not user-friendly. There were only two fine artists Mark Pinson and I working with computer technology back then. We worked on our own ideas and after completing the programs and turning them into paintings and drawings we collaborated and mounted a two-man exhibition. My first program was a series of interconnected images entitled “Concatenation” paintings and drawings created from the program were exhibited with Mark Pinson’s work entitled “Random” in a two- man show at The Holmes Center Gallery, Northern Illinois University on November 30, 1980. The second program entitled “Visual Music” the paintings and drawings exhibited in a one man show at The Recital Hall Music Building Gallery, Northern Illinois University on April 26, 1981. Followed by an exhibit sponsored by Illinois Bell, works on paper selected a drawing from the Visual Music series for “A New Generation of Artists” at The Lobby Gallery, 225 West Randolph Street, Chicago, Illinois, May 14 through June 12, 1981. The artist has participated in exhibitions dating back to 1974. The above exhibitions were selected because they marked a new beginning and direction in the artist’s work that continues to the present day. Other positions held in the Fine Art field include: 1984-1985- Austin Galleries, Michigan Avenue, Chicago, Illinois (Main Gallery) and other locations Fine Art Consultant / Gallery Director 1982-1984- Atlas Galleries, Michigan Avenue, Chicago, Illinois (Main Gallery) and other locations Fine Art Consultant / Assistant Gallery Director Artist Statement: Subject matter for computer art, painting, and drawing Mark S. Byckowski In 1979 searching for a for an original idea and style of my own I began looking for abstract ideas that I could program with a computer for a new a paintings series. I decided on an idea called “Concatenation” a series beginning from the original image undergoing a transformational change from the previous image connected in a linked series. Example: Image 1 is the original, image 2 changes image 1 by adding a new line, and image 3 changes image 2 by adding an additional new line. Continually changing the previous image by adding an additional line etc. In 1980 I began working on a new abstract idea that I could again program with a computer for a new painting and drawing series. The similarities between music and art intrigued me and began thinking about how I could create a visual representation of musical sound. In music notes are arrangements turned into compositions. In art color is also, arranged into compositions and both seek aesthetic rhythms and harmony. Depending on what notes or colors used can also, affect different emotions and moods. The Artists painting process Step one: Create the computer drawing. For years I have used Microsoft classic paint to create drawings. It allows me to arrange an aesthetic composition and select a color scheme in advance. I can make changes easily until I am satisfied. Step two: I build a custom stretcher frame with support bars and corner braces. Step three: Measure and Stretch the canvas onto the frame pulling the canvas and using a staple gun...

Sea glass teaches us that beauty can emerge from brokenness. It reminds us that flaws can be transformed into something exquisite, finding tranquility amidst chaos. Using the reminis...

Zigi Ben-Haim, Metal sculpture Hand signed and dated Zigi Ben-Haim, 1998 Untitled, patinated aluminum or steel, Dimensions: 6"h x 2"w x 2"d This listing is for 1. I have 2 similar ones available. Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an Iraqi-American-Israeli painter, collage artist and sculptor who lives and works in New York City and Israel. Ben-Haim unveiled his sculpture, Treasure the Green, in SoHo on Broadway. The project was sponsored by the SoHo Broadway Initiative and the New York Department of Transportation's Art Program. The sculpture is considered to be the first sculpture to receive permission to be installed on a bus bulb on Broadway. The sculpture was made to "emphasize the importance of nature in our lives," and stands as a reminder of "the importance of reconnecting with the pure nature of the green." The sculpture uses the symbol of the leaf, which has been a major icon of Ben-Haim's work for the past 30 years. It symbolizes nature and it is a metaphoric way of emphasizing nature and the surrounding environment. He is of the first generation of Israeli artists to develop large international followings like Yaacov Agam, Menashe Kadishman and Avigdor Arikha. Ben-Haim has received numerous grants and awards, including from Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvey Foundation Venice, Muestra Int. de Obra Grafica (Spain), and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in N.Y.C., the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum. Education 1972-74 M.F.A., San Francisco State University, San Francisco, California, USA. 1972-73 M.A., J.F.K. University, Orinda, California, USA. 1971 California College of Arts & Crafts, Oakland, California, USA. 1966-70 The Avni Institute of Fine Arts, Tel Aviv, Israel. Selected public collections Splendid Step (2003) next to the Tel Aviv Museum of Art Museum of Contemporary Art, Athens, Greece Columbia Museum of Art, Columbia, SC Israel Air Force Center Foundation, Tel Aviv, Israel NASA, Houston, Texas Bank Leumi USA, Fifth Avenue, New York, NY Pfizer Company Collection, New York, NY Reading Public Museum, Reading, PA Guggenheim Museum, New York, NY Haifa Museum, Haifa, Israel Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY New School, New York, NY University of Maryland, College Park, Maryland. Israel Museum, Jerusalem, Israel. Brooklyn Museum, Brooklyn, NY Malmö Museum, Malmö, Sweden. Jewish Museum, New York, NY Tel Aviv Museum of Art, Tel Aviv, Israel. Museum of Fine Arts, Ghent, Ghent, Belgium. National Gallery of Art, Washington D.C. Fine Arts Museum of Long Island, Hempstead, NY Buscaglia-Castellano, University Museum, Lewiston, NY Dan Eilat Hotel, Israel. International Paper Company, New York, NY World Bank, Washington D.C. Westminster Bank, New York, NY Israel Embassy, Washington D.C. Frederick R. Weisman, Los Angeles, CA. Rikers Hill Sculpture Park, Livingston, NJ Heckscher Museum of Art, Huntington, NY Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio Group Exhibitions Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...