Abstract Geometric Abstract Paintings

“Structure Series #2” Version 2 2020 Acrylic, oil and chalk on canvas 14 x 24 x x .625 inches Robert Petrick's paintings create a link between the street culture of the East Villag...

Introducing "Golden Days 02" - a geometric abstract painting on round canvas inspired by the luxurious gold gilding of Chinoiserie tableware. Embrace the essence of summer with delicate leaf patterns and heart shapes intricately woven into the design. Radiating beauty at 20cm in diameter and 1.5cm in depth, this piece is crafted with acrylics on round canvas, exuding elegance and charm. As Jenny Uglow once said, "We might think we are nurturing our garden, but of course it’s our garden that is really nurturing us." Reflect on the splendour of summer, with blooming gardens and nature's golden touch encapsulated in this artwork. Experience the allure of metallique acrylic paint, infusing this piece with a soft luster that captivates the eye. Dive into the world of "Golden Days 02" and let the beauty of nature's embrace inspire you. Golden Days 02 (2022) is signed on the back and includes my Certificate of Authenticity . Art © 2019-2025 Fuen Chin...

Acrylic painting on canvas, 2019. Signed, titled, dated verso. Framed. The artwork comes directly from the artist's studio. Dimensions: Height 29.13 in ( 74 cm ), Width 25.2 in ( 64 ...

Floating Colors - Abstract Geometric Composition in Oil on Canvas Abstract composition with bright colors by San Francisco artist Richard Turtletaub (American, b. 1959). Various sha...

Susan Kiefer The Ravages of Certainty Oil on Canvas Year: 2021 Size: 24x30x1.35in Signed by hand COA provided Ref.: 924802-1057 Though born and raised ...

David Collins earned a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions in New York, and has exhi...

b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of materials. Drawing inspiration from the B...

Confusion ritmique I no. 8/10 is one of a series of three different medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia...

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

Patrick Hughes (British, b.1939) Assemblage, c. 1970 Oil on floating panel 35.7/8 x 47.7/8 in. (90.8 x 121.3 cm.) Patrick Hughes is a British artist known as the creator of reverspe...

Robert Petrick's "Post Metro" is a fusion of meticulous geometry and bold abstract expression. From the artist's Ziggurat series, this piece is both timeless and contemporary, offeri...

Bold abstract geometric composition by Marc Foster Grant (American, b. 1947). Unsigned. but was acquired with a collection of other Grant pieces. No frame...

acrylic on raw canvas b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of materials. Drawing ...

Sand game 2 2023, canvas, oil, collage, 50x30 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art school, Latvian University, receiving a visual ...

Get in Gear - Geometric Abstract Expressionist Composition in Acrylic on Paper A bold abstract painting in red by California-based artist, Ricardo de Silva (American/Brazil, 20th C)...

Clifford Singer's Geometrical Clouds Series has evolved since 1974.

Clifford Singer worked with arcs and straight lines, collinear intersections during the 1980s.

Against a black background, textured like slate, white and gray shapes rise, layered atop one another. In the upper section, a white rectangle casts a shadow that intersects a first ...

Blue and purple toned surrealist still life with various shapes cut out of canvas adhered to the background canvas. Currently hung in a gold frame. Dimensions Without Frame: H 47 in x W 59 in x D .5 in. Biography: Paulo Laport...

This abstract painting by Roger Mudre is made with acrylic paint over mica powder and metal leaf on cradled birch panel. It features a large circle shape at the center of the composi...

Post Dogmatist Collage on Panel, signed verso Art is 6 x 6 with frame final outside is 20 x 18 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, paint...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

artist: Anastasia Aureum acrylic, oil on canvas one-of-a-kind 105x185cm Full size 110x190cm the painting will be shipped rolled without stretcher bars. In this vibrant a...

Cut-Up Paper I.5 (Abstract Painting) Acrylic on paper. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often re...

James Minden 51906 Holographic style painting- incised plastic and acrylic on wood panel 18 x 18 inches 2019 To get a sense of the holographic effect look at the video on that vime...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Bold abstract geometric composition, Little Boxes by Marc Foster Grant (American, b. 1947). Unsigned. but was acquired with a collection of other Grant pieces. No frame, but the edge...

Artist : Susan Kiefer Title : Love in the Elysian Fields Materials : oil on canvas Date : March 2020 Dimensions : 40" x 30" x 1.5" Though born and raised in Kansas City, a...

The Cut Space Series has been an ongoing painting and print series ranging from 2000 to present. It has involved the complex integration of linear space by use of parabolas, hyperbo...

Acrylic painting on canvas, 2020. Titled, dated and signed on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height 25.31 in ( 64,3 cm ), Width 25...

Introducing "Golden Days 01" - a geometric abstract painting on round canvas inspired by the luxurious gold gilding of Chinoiserie tableware. Embrace the essence of summer with delicate leaf patterns and heart shapes intricately woven into the design. Radiating beauty at 20cm in diameter and 1.5cm in depth, this piece is crafted with acrylics on round canvas, exuding elegance and charm. As Jenny Uglow once said, "We might think we are nurturing our garden, but of course it’s our garden that is really nurturing us." Reflect on the splendour of summer, with blooming gardens and nature's golden touch encapsulated in this artwork. Experience the allure of metallique acrylic paint, infusing this piece with a soft luster that captivates the eye. Dive into the world of "Golden Days 01" and let the beauty of nature's embrace inspire you. Golden Days 01 (2022) is signed on the back and includes my Certificate of Authenticity . Art © 2019-2025 Fuen Chin...

Sophie Dumont is a contemporary painter who explores the intersection between abstraction and landscape, blending energy and serenity. Her intuitive and subtle approach is inspired b...

This is a diptych of Dusk and Endless Fields. Endless Fields is a contemporary artwork by emerging artist and painter Fleur Park. Fleur Park's art is influenced by the push and pull...

Trio On Red Geometric Abstract Oil Painting Artist signed verso, oil on canvas 48x24 JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at school the most. Almost every drawing and panting were on display in his classroom. During his college years, in Vienna Austria, studying to become mechanical engineer, he continued to study art. His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where he finished his first small oil painting. Since then JARO painted on and off, until he opened his own studio in 1965 on East 4th Street in the Village. Here he created a series of well designed palette knife paintings in the style of abstract expressionism. JARO stretched off shaped canvases, making him one of the first artists working with these unique shapes. At the time JARO owned his own studio, he studied at the Art Students League 57th Street, New York.  Later in 1969, he studied in Woodstock for several years with John Pike, one of the foremost watercolorists in America, as well as, with Robert Angeloch...

Predominantly recognized as a self-taught painter, he also worked in architectural murals, sculptures, ceramics, prints and drawings. Vigas is one...

These geometric forms in space bring you to another dimension. Enhanced by the resin process, this acrylic painting opens a shiny window into ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

This diptych contains Pink Coastal Reflections alongside Coastal Reflections II. This diptych contains a sophisticated colour palette and considered use of negative space in her comp...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: This work was re-framed AFTER photography was completed. The frame seen in the photos was original, and has since been replaced with a solid maple floater, finished in a polyurethane clear coat (see other listings for an example of this frame). Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

pastel on raw canvas b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of materials. Drawing i...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

acrylic on raw canvas b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of materials. Drawing ...

GEOMETRIC ABSTRACT COLLAGE IN PINK Mixed media on wooden panel Size: 35 x 27 cm (including frame) A very unique original artwork constructed from discarded books (repurposed cloth c...

"After intuitively painting this piece, I noticed the dark blue shape in the centre of the painting reminded me of a cave. At the time, I was reading a book by my friend, the poet an...

Supersymmetry is a

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Designed by Mahesh sharma Year: 2022 Material: Metal, Resin, acrylic color, Indian bangles Artist uses mix of techniques to create a beautiful piece of art with blend of Indian handc...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 12 x 12 x 1.5 and it is Aerosol and Molding Paste on Birch Panel with UV Gloss Varnish. A certificate of authent...

acrylic on linen 45.5 x 45.5 x 5 inches b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are...

This contemporary political painting, The State of America, is a social critique of America and racism. Los Angeles-based Milan Tiff addresses issues of sys...

Inspired by Taoist teachings and meditations, 'Rose' feels alive with its concentration on red. Matuszewski creates meditative and harmonious color field paintings to invoke a sense ...

"Secrets of the Peaceful Atom" is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometr...

Artist: Dan Teis Title: Candy Stripes X Year: 1979 Medium: Acrylic on Canvas, Signed l.r. Size: 48 x 64 in. (121.92 x 162.56 cm) Frame Size: 49.5 x 65.5 inches

BOOM! mixed oils on panel 40 x 70 inches (unframed, raw wood sides) $14,500 Joe Ostraff is a professor of art at Brigham Young University. He received a BFA from Brigham Young Univ...

Abstract Yellow and Green (Yellow, Green and Black Tablescape Oil Painting) by New York School Painter and WPA artist, Lionel Gilbert Signed, lower left This horizontal painting was...

Studio Corner (Geometric Abstract Oil Painting in Yellow, White, Orange & Blue) by New York School Painter and WPA artist, Lionel Gilbert Mid century modern, abstracted still life pa...

José Pedro Croft (born 1957 in Porto) is a visual artist. Considered as one of the main representatives of the revival of Portuguese sculpture, he is widely known for his geometric s...

Silence in the city. 2018, canvas, oil, 60x90 cm Abstract cubist composition in earth colors Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, ...

Gian Piero Arzuffi, also known as G.P.A., "Labyrinths of the heart IV". Gian Pietro Arzuffi(G.P.A.), born in 1979, is a prolific and talented artist. Since his early school years, hi...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Abstract painting. Geometric style. Light wood frame. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman has painte...

Aharon Gluska (Israeli, b. 1951) Mixed Media Painting Markings & Inscriptions: Hand signed bottom right Date: Mid to late 20th century Frame: 26 X 33.75 Image: 23 X 30.75 Aharon Gluska (born 1951) is an Israeli–American painter. Gluska was born in 1951 in Hadera, Israel. He studied at the Académie des Beaux-Arts in Paris and Avni Institute of Fine Arts in Tel Aviv. Grants Gluska received grants from the National Endowment for the Arts and the Jackson Pollock- Lee Krasner Foundation. Awards Gluska was one of two winners along with Moshe Kupferman, of the 1996 Zussman Prize for artists dealing with the Holocaust, from the Yad Vashem museum, for his paintings of prisoners at Auschwitz based on photographs of them taken by their Nazi guards. Exhibitions: Bertha Urdang Gallery, NY, USA 1983 Aharon Gluska: Painting and Drawings 1985-1986 Bertha Urdang Gallery, NY, USA 1986 Group Exhibitions The Disciplined Spirit, Exit Art, New York, USA Artists: Nahum Tevet, Micha Ullman, Aaron Gluska, Jacob El Hanani, Moshe Kupferman, Gilad Ophir, Joshua Neustein, Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal, Menashe Kadishman, Yaacov Agam, Buky Schwartz, Michael Gross, Michael Gitlin, Benni Efrat, Pinchas Cohen Gan, Zigi Ben Haim, Avi Adler, Arie Aroch. Bertha Urdang Collector's Choice, Space for Modern Artists - Daphna Naor, Jerusalem Group Exhibition - Etched Voices, Yad Vashem, Jerusalem painting and sculpture. Artists: Jankel Adler, Avigdor Arikha, Gideon Gechtman, Menashe Kadishman, Marcel Janco, Samuel Bak, Moshe Gershuni, Ori Gersht, Osias Hofstatter, Zvi Aldouby, Mordecai Ardon,Yosl Bergner, Mikhail Grobman, Igael Tumarkin, Naftali Bezem, Beit Shturman Museum, Kibbutz Ein Harod Artists: Adi Nes, Gal Weinstein...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Robert W. Petrick Shadow City, 2022 acrylic on canvas 54x40x1.5 inches NYC, 2nd street studio Colorful geometric abstract acrylic painting on canvas. Robert Petrick's paintings create a link between the artist culture of the East Village, where he has lived for 31 years, and the power of symbols, geometry, and language. This work captures the excitement of the East Village in its color, shapes, energy and density. -- In 1984, Petrick stenciled two designs on walls along Avenue B. Capturing a moment in time, EXIST / EXIT and NOWHERE / NOW HERE were photographed and featured in Vogue magazine. The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn...

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow