Unknown

Miller, 'Still Life with Bottle, Newspaper, Pipe', Abstract Cubist Oil Painting

Circa 1940s - 60s

'Still Life with Guitar and Wine', oil on board, Berlin School (signed 'Demeyer'). Clearly inspired by the early cubist works of Gris, Braques and Picasso, each of whom created an ar...

'Still Life with Fruit', oil on board, by an artist with initials 'T.N.', from Berlin School (circa 1960s). A stunning, conceptual composition depicting a bowl with fruit on a table. The backdrop horizontal paint...

'The Artist's Studio' (l'Atelier), oil on board, by Louis Toncini (circa 1980s). Before the artist's death, he painted several views of his studio, or atelier. Like the others, this ...

'Still Life with Fruit', oil on board (1968), by Juliane Solignac. An engaging yet unusual artwork with vibrant colours, thickly applied with a painting knife. Nonetheless, through the thick paint there is an unfinished quality to the work leaving the impression that the raw canvas - or board in this case - is revealed. Some of the colour seems to have been scored on to the work with an artist's knife leaving lines and creating angles as in a cubist painting. There are layers of paint with no evident brush strokes. One may believe in this instance, Madame Solignac used this technique to create a visual effect which would deliberately have upset traditionalists. Be reminded that the Impressionists were criticised for creating patchy, incomplete works because there were strong notions about the correct way to paint in those days. Picasso once said, 'To finish a work is to kill it.' It is unsure how Mme Solignac would have felt about that. Regardless of this conjecture, the painting is colourful, compelling and rewards the viewer with a curious interest. The work is in fair vintage condition, newly framed with a linen slip. It is signed: 'Julian Solignac 68'. About the Artist: Juliane Solignac (born 1904). Regrettably, there is not much information available about the artist (including what year she may have died). She is referenced as a resident artist in Montmartre in the 1930s, one of only a handful of women in an otherwise sea of male names. In addition, Solignac is mentioned in both French and Dutch references as a creator of fabrics. These may have been more artistic 'tapis' which are hung on the wall like a painting. A Dutch museum references having one of her designs in their collection. Here is a quote from the magazine, 'COTE', Edition Nº 9 (March 2009): "Until 20 April, Pierre Frey is exhibiting 50 printed fabric works from their own collection dating from 1936 to today. Most were produced in liaison with artists like Jean Chatanay, Irène Rohr, Juliane Solignac, Rieffel Anossof, Janine Janet...

'Still Life on Black Background, oil on canvas (circa 1960s), by Edgar Stoëbel (1909-2001). In his inimitable style, artist Stoëbel's abstract still life with black background is a lively and colourful modernist work. This artwork has a powerful intensity of tone and colour which speaks to Stoëbel's very distinctive style but remains completely approachable and appealing. This is part of the post-war concrete abstract movement, or Constructive Art...

'From Now to Antiquity', oil on canvas, by Max Papart (circa 1950s). A delightfully curious painting very similar in subject and style to another he called 'the Artist's Workshop (1957)'. Perhaps this is another view of his atelier? There is a classical statue of a female figure. To the (viewer's) left of the statue appear the brushes and accoutrements of the artist. Further along may be the canvas on its easel. Although I have speculated about the painting's subject, Papart always believed that each painting has its own meaning and needed no interpretation from him. His paintings, in his own words, 'force the viewer to think, and it is for the viewer to respond to the art based on their own personal experiences (Rogallery). The artwork is in good overall condition having recently been cleaned by an art restoration specialist. It is also newly framed. The artist signed the work in the lower right hand. About the Artist: Max Papart (1911-1994), was born in Marseille, France and later moved to Paris where he learned the techniques of classic engraving...

Bela de Kristo Nature morte, circa 1956 Signed lower right Oil on board 19 5/8 x 11 3/4 inches Provenance: Alexander Kahan Fine Arts, New York Private ...

Stunning post-cubist and colorist still life oil on board painting by A. Rigollot (France, 20th Century). Colorist painting is characterized by the use of intense color, which become...

This incredible post-cubist and colorist still life oil on board painting was designed by A. Rigollot (France, 20th Century). Colorist paintings are characterized by intense color us...

This stylish abstract cubist oil on board painting with a monogram signature "M.J." is from a German artist (20th Century). The colorful painting features a stylized abstract composi...

This mesmerizing post-cubist and colorist abstract oil on board painting was designed by A. Rigollot (France, 20th Century). Colorist paintings are characterized by intense color use...

A. Rigollot (France, 20th Century) designed this superb post-cubist and colorist abstract oil on board painting. Colorist painting is characterized by intense color use, which become...