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Yvonne LammerichContour Detour No. 4 - colorful, abstract, pigmented plaster on board1982
1982
About the Item
Yvonne Lammerich has used a dynamic pattern, bold colours and geometric form to create this visually stunning contemporary piece. The ‘building block ’-like shapes—lines, triangles, squares, and architectural arches are made from pigmented plaster that plays with our perception of interior and exterior space. Rendered in a striking colour palette of black, yellow, orange, white and sky blue, the pattern seems to ‘rotate’ around an open center. One of a series of four.
“Here pictorial space, line and colour are co-existing in the making of an identity.” Yvonne Lammerich
"Lammerich has always been interested in patterns, but patterns understood through the sieve of a colour-sensibility and syntax that conserves its freshness, its originality and its dynamism." James Campbell, Galerie Clara Maria Sels, Düsseldorf
Yvonne Lammerich was born in Germany in 1946. She emigrated with her family to Canada in 1959. Lammerich attended the Ontario College of Art and also received a master’s in art history from Concordia University in Quebec. She furthered her studies and acquired a Ph.D. from the Université du Québec à Montréal. While pursuing her own art, she also taught at York University, OCAD University, the University of Lethbridge, and Zayed University in Dubai. Her work has been exhibited both nationally and internationally including at the Museum of Contemporary Canadian Art and is held in numerous private and public collections.
Yvonne Lammerich, AOCA, Ph.D. art history, born and raised in Germany, has lived in England, France, and Canada since the ’60s, and is a recipient of the Maria Stafford Mid-Career prize from the Canada Council. She has exhibited nationally and internationally since the 1980s, including the first Quebec Biennale, MOCCA-Museum of Contemporary Canadian Art, the Southern Alberta Art Gallery, and The Nunnery, London UK. Recent solo exhibitions include Occurrence Centre d’art contemporain and Hangar 7826/art actuel, both in Montreal. Lammerich has written extensively on art, and her own artwork has been reviewed nationally and internationally, including Parachute Magazine and Art Press. Recent projects include a public art project in Suzhou and an exhibition in Shanghai (2016) as well as participation in the Bonavista Biennale (2019). Her work is in museums, corporate and private collections. The exhibition project Voices: artists on Art, co-authored with Ian Carr-Harris, has been presented at Artport, Toronto, the SAAG, Lethbridge AB, and Zayed University UAE. The hardcover comprehensive catalogue “Voices: artists on Art” was published in the fall of 2020 and represents 51 visual artists across Canada and can be purchased at the National Gallery.
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