Andrew Geddes

A Portrait of a Brother and Sister

Provenance: Private Collection, New York, until 2022. Martín de Porres was born in Lima in 1579, the illegitimate son of a Spanish-American father, J...

Inscribed, upper left: “Miss Laura Keppel” Provenance: Commissioned from the artist and by descent in the Keppel family estate, Lexham Hall, Norfolk, to: Major Bertram William Arnol...

Provenance: Charles H. and Virginia Baldwin, Claremont, Colorado Springs, Colorado ca. 1907-1934; thence by descent until sold in 1949 to: Charles Blevins Davis, Claremont (renamed Trianon), Colorado Springs 1949 -until gifted in 1952 to: The Poor Sisters of Saint Francis, Trianon, Colorado Springs, 1952 until acquired, 1960, by: John W. Metzger, Trianon, renamed as the Trianon School of Fine Arts, Colorado Springs, 1960-1967; when transferred to: The Metzger Family Foundation, Trianon Art Museum, Denver, 1967 - 2004; thence by descent in the Metzger Family until 2015 Exhibited: Trianon Art Museum, Denver (until 2004) The present work is a spectacular jewel-like canvas by Amigoni, rich in delicate pastel colors, most likely a modello for an altarpiece either lost or never painted. In it the Madonna stands firmly upon a cloud in the heavens, her Child resting on a delicate veil further supported by a cloud, as he gently wraps his arm around his mother’s neck. From above angels prepare to lower flowers and a wreath, while other angels and seraphim surrounding the two joyfully cavort. Dr. Annalisa Scarpa, author of the forthcoming monograph on Jacopo Amigoni...

Appointed Portrait Painter to the Prince of Wales in Scotland in 1785, David Martin was the leading Scottish portrait painter of his generation. The artist is best known in the United States for his portrait of Benjamin Franklin, which is in the White House collection, Washington, D.C. The sitters depicted in this double portrait were the sons of the British diplomat Edward Finch-Hatton. George (1747-1823), later of Eastwell Park, Kent, is shown seated, reading an ancient charter or medieval manuscript...

“Aiyekooto (Insecure)” is a psychologically resonant painting that invites the viewer to reflect on the instability of truth in contemporary society. The Yoruba title Aiyekooto translates as “the world rejects truth” a fitting metaphor for an era defined by misinformation, curated identities, and performative honesty. At the center of the composition is a mysterious figure, partially obscured behind a sculptural, collar-like form, as though armored against scrutiny. A parrot, traditionally a truth-teller in Yoruba symbolism, perches on a branch nearby. But here, the bird becomes a subtle antagonist representing the overwhelming flood of conflicting information in our modern lives. The figure’s intense gaze, matched by surreal accessories like a lemon slice hat and hyper-stylized garment, suggests both elegance and caution. The mood is contemplative and charged a quiet but forceful critique of societal insecurity toward what is real, what is fabricated, and what we choose to believe. Orioye’s painterly skill, combined with his unique narrative approach, creates a work that is visually rich and conceptually deep. The balance of cultural symbolism, fashion surrealism, and psychological commentary makes this piece a timeless addition to any serious collection of contemporary African art. Why It’s Worth the Price: This is more than a portrait it’s a visual philosophy rendered in color, texture, and metaphor. Bukola Orioye...

Agnes Preston-Brame (Hungarian/American, XX-XXI), Portrait of a Bearded Man Holding a Martini, Oil on Canvas, 1984, signed and dated lower right, black frame. Image: 39.5" H x 29.25"...

Portrait of a Gentleman in Armour beside a Table with Helmut c.1685 Follower or circle of Johann Kerseboom (d.1708) This exquisite Grand Manner work, presented by Titan Fine Art, wa...

Youthful Thoughts Armand Point Oil on canvas, signed and dated 1889 lower left Image size: 18 1/4 x 25 3/4 inches (46.4 x 65.4 cm) Framed Provenance Private collection, France The p...