Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

ines smrz
Carved African Jungle Screen with Exotic Wild Animals Signed

1986

More From This Seller

View All
Bronze Statue Elephant and Her Calf by American Sculptor Dan Ostermiller
By Dan Ostermiller
Located in Rochester, NY
Poignant bronze sculpture of nurturing mother elephant and her calf. Rich brown patina with hints of verdigris. By American sculptor Dan Ostermiller. Signed and dated 1992. Casting n...
Category

20th Century Figurative Sculptures

Materials

Marble, Bronze

Running Horses Abstract Impressionist Oil Painting
Located in Rochester, NY
"Horses Running", a bold abstract impressionist oil painting with heavy impasto. By Sheila Hedricks. Oil on board. In a period hand...
Category

Mid-20th Century Impressionist Animal Paintings

Materials

Oil, Board

Summer Scene with Lily Pads and Canoe Painting by John J Inglis
By John Inglis
Located in Rochester, NY
Summer scene with lily pads. Watercolor on paper by John J Inglis. Signed. Early 20th century. Unfamed. Image area measures 7.75" x 5.75. John Inglis, o...
Category

Early 20th Century Impressionist Landscape Paintings

Materials

Paint

Chinese School Gouache Painting in Carved and Painted Frame circa 1940's
Located in Rochester, NY
Decorative Chinese school painting. Fine detail and painted with rich colors. In a wonderful carved frame painted in pastel blue.
Category

1940s Landscape Paintings

Materials

Paint, Gouache

17th Century Flemish Sculpture of a Religious Figure
Located in Rochester, NY
Antique carving of a saint or martyr. 17th century Flemish hardwood carving. Wonderful wear and rich color.
Category

17th Century Old Masters Figurative Sculptures

Materials

Wood

Antique Indonesian Sculpture
Located in Rochester, NY
Exotic carved teak sculpture. The sentinel with his sword drawn. 19th century architectural artifact.
Category

19th Century Figurative Sculptures

Materials

Wood

You May Also Like

Birds
By David Gerstein
Located in Buffalo, NY
An original one of a kind hand carved and painting wall sculpture by Israeli artist David Gerstein. David Gerstein is an Israeli painter and sculptor. He began as a figurative pai...
Category

1990s Pop Art Animal Paintings

Materials

Oil, Wood

Birds
$11,000 Sale Price
21% Off
Vapos #1
Located in Bozeman, MT
Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...
Category

2010s Contemporary Figurative Sculptures

Materials

Canvas, Glass, Wood, Mixed Media, Acrylic

Infernus #1
Located in Bozeman, MT
Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...
Category

2010s Contemporary Animal Paintings

Materials

Canvas, Glass, Wood, Mixed Media, Acrylic

White Raven II
By Dennis McNett
Located in Philadelphia, PA
"White Raven II" is an original hand-painted wall-hanging woodcarving by Dennis McNett (also known as Wolfbat) measuring 41”h x 50”w x 2”d. Please send us...
Category

21st Century and Contemporary Contemporary Figurative Sculptures

Materials

Acrylic, Wood

"Tigre vidente" art toy, three eyed tiger, pop art, mexican art, mask, nature
Located in Ciudad de México, MX
A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...
Category

21st Century and Contemporary Contemporary Figurative Sculptures

Materials

Resin, Paint, Spray Paint, Acrylic

"Tigre atacando" 1/20, mini sculpture, special edition, art toy, tiger, Mexican
Located in Ciudad de México, MX
A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...
Category

21st Century and Contemporary Contemporary Figurative Sculptures

Materials

Resin, Paint, Spray Paint, Acrylic

Recently Viewed

View All