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Rick Rivet
Above the Beach 9 - colourful, animal, indigenous, figurative, acrylic on canvas

2022

$6,500
£4,993.71
€5,737.71
CA$9,143.06
A$10,271.81
CHF 5,367.04
MX$125,372.28
NOK 68,145.71
SEK 64,144.83
DKK 42,816.96

About the Item

Rick Rivet’s powerful series of contemporary paintings called Above the Beach is designed to address the environmental threats against the Arctic. Pollution, climate change, the oil and gas industry, mining—all have had a profound effect on the indigenous way of life in the polar regions. The Metis artist has acquired an international reputation for his artwork which often offers a poetic, spiritual and historically relevant view of indigenous and Western cultures. Using his characteristic expressive brushstrokes Rivet portrays a large sperm whale at the bottom of the canvas; the shallow waters of the ocean swirling above it. The colour palette is symbolic—the red line signifies pollution, the white lines represent the different paths taken and the green the renewal of life. The ocean is rendered in bright yellow, turquoise and orange. "When I was growing up in the North, I thought that animals were no less important than other life forms in the cosmos." Rick Rivet Richard James Rivet was born in Aklavik in the Northwest Territories in a Metis family. He grew up on the land and his family lived by trapping, hunting and fishing. Rivet has four degrees from three universities. He completed his MFA at the U. of Saskatchewan in 1989 and began creating art full-time. Rivet has been the recipient of more than twenty awards, scholarships and bursaries including a Fellowship from the Eiteljorg Museum in Indianapolis, and the Andy Warhol Foundation Fellowship Residency Program for the Heard Museum in Phoenix. His work is held in private, corporate, and public collections in Canada and the US.
  • Creator:
    Rick Rivet (1949, Canadian)
  • Creation Year:
    2022
  • Dimensions:
    Height: 42 in (106.68 cm)Width: 47.5 in (120.65 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Bloomfield, CA
  • Reference Number:
    1stDibs: LU29114123902

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Above the Beach - colourful, animal, indigenous, figurative, acrylic on canvas
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Above the Beach No 5 - blue, green, abstract landscape, acrylic on canvas
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Above the Beach No 5 is a part of a series in which Rick Rivet is probing the environmental crisis in Arctic regions. The polar territories of Canada are under serious and imminent threat resulting from pollution, global warming, and poor resource management. Sport hunting is depleting animal resources that local populations need to survive, global warming is melting the polar icecaps threatening polar bear populations, and lead pollution is resulting in poisonous biomagnification levels in some sea animals while plastic pollution is trapping and suffocating others. The major degradative pollution began in the 1950s from nuclear testing which introduced radioactive isotopes produced by nuclear fission into plant and animal life, the effects of which are lethal and long-lasting. The melting resulting from global warming has increased to such a degree that the previously, and notoriously, challenging Northwest passage has opened wide now allowing tourist ships to glide through, further contributing to oil pollution and environmental wear and tear. The red horizon line in Above the Beach No 5 sketching the intersection of the land with the sky demarcates the pollution that is penetrating every pore of our environment. The snaking cream-coloured lines in the foreground indicate the different paths taken, the journeys that were cut short, the short-sighted policies that taxed the land and fell flat leaving no solutions, the hunting paths, the lack of direction and clear vision. Nevertheless, this painting is not about doom it is about hope. The shock of bright green grass edging the bottom is flecked with yellow from the radiating sun. The sun, high in a cold blue arctic sky, is twice hallowed by a glow of white suggesting reverence for its ability to regenerate life and for us to carry forward together if we build a sustainable and long-sighted path together. Richard James Rivet was born in the remote area of Aklavik in the Northwest Territories of Canada in 1949. His early years were spent growing up in the delta in a Metis family which made their living by trapping, hunting and fishing. Of Metis background, Rivet's Indigenous roots, and his experience in growing up in Canada's North, have been important factors in his development as an artist. Since 1989, Rivet has worked fulltime on his artwork, mainly concentrating in acrylic painting, mixed media and collage on canvas, with some drawing. Influences in his artwork are varied and derive from Shamanistic imagery of ancient peoples the world over (North American Indian, Inuit, Australian Aborigine, Norse, Oceanic, Siberian). Equally influential are Western and contemporary influences from various artists and art movements (such as: Edvard Munch, German Expressionism, Abstract Expressionism, Antoni Tapies, and Paterson Ewen...
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