Rodent Animal Paintings

Naomi Jones's richly patterned realistic paintings focus on the preservation of vulnerable wildlife. Jones finds catharsis in painting soulful animals. Portraits of vulnerable specie...

This whimsical oil painting by Marina Dieul, titled "Souris a la fenêtre 15," created in 2024, features an endearing portrait of a mouse peering out from a window with charming red a...

Marina Dieul's "Souris 35, 2023" is a primary market, handmade original oil on panel artwork, notable for its trompe l'oeil technique that seamlessly blends the painting with the act...

Naomi Jones's richly patterned realistic paintings focus on the preservation of vulnerable wildlife. Jones finds catharsis in painting soulful animals. Portraits of vulnerable species native to the North American landscape are painted with an illustrative sensitivity, reminding the viewer to appreciate the delicate balance of nature. Jones tries to make such wildlife, frequently living on the edges of homes and gardens, visible through paintings set among vividly patterned backgrounds. This original 36-inch square acrylic painting of a rabbit is wired and ready to hang. The sides of this artwork are painted and it does not require framing. It is signed by the artist on the front. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Jones is inspired by Georgia O’Keefe’s attention to the natural world and Frida Kahlo’s narrative approach to painting. She is also inspired by the patterns of William Morris and has found them to be rich resources of inspiration for her lively backgrounds. Naomi Jones lives in Greensboro, North Carolina, a city known for creative activism, ecological conservation, and an artistic approach to civic spaces. Her original artworks have been exhibited and collected throughout the US. REPRESENTATION Artspace Warehouse, Los Angeles, CA GROUP EXHIBITIONS 2019-23 Artspace Warehouse, Los Angeles, CA 2019 Platypus & Gnome, Wilmington, NC 2018 Scuppernong Books, Greensboro, NC 2018 Hirsch Wellness, Revolution Mills, Greensboro, NC 2018 Greensboro Project Space, Greensboro, NC SOLO EXHIBITIONS 2018 “I Spy: Art by Naomi Jones,” Art In Bloom...

A well-painted and fun picture of a feeding pig. Oils on canvas The artist painted animal subjects like this with a great deal of skill, giving his animals life and character. He ...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Carrie Goller's (US based) "Thelonious" is an original, handmade mixed media and encaustic painting that depicts a portrait of a chipmnunk. This piece is unframed yet ready to hang. ...

Photorealist oil painting by Manon Cleary (1942-2011). Painting is signed on reverse Manon Cleary and titled Unicorn #3. Manon Cleary had a remarkable ability to draw and paint with photographic fidelity, but she was also known as a charismatic teacher at the University of the District of Columbia and as a free spirit whose exuberant life may have been her most enduring work of art. Since the 1970s, Ms. Cleary had been at the center of a group of artists in Adams Morgan. She exhibited her meticulous artwork throughout the city and around the world, but she also became known for her striking presence, her colorful love life and the rats she kept as pets. As an artist, Ms. Cleary borrowed classical techniques from her deep study of Renaissance masters to create paintings and drawings memorable for their frank realism and sometimes disturbing themes. In addition to her many nude self-portraits, Ms. Cleary made erotically charged paintings of flowers. She took inspiration from a painful personal history in a series of works depicting the terror of rape and, in later years, of not being able to breathe without mechanical assistance. Critics considered her a leading figurative artist of the photo-realist school, in which painters render their subjects with camera-like precision. In fact, Ms. Cleary occasionally won awards for photography when adjudicators didn’t realize her works were free-hand creations. She was “widely acknowledged to be among the best, if not the best, of the city’s figurative painters,” Washington Post critic Michael O’Sullivan wrote in 2006. “There is a tension between the cool, clinical detachment of photography and painting’s warm idealization of form.” Ms. Cleary exhibited her art in galleries and museums from Moscow to Paris to Hickory, N.C., but Washington was her home for the past 42 years. In 1974, she settled in the decrepit Beverly Court apartments on Columbia Road NW, where a coterie of artists soon grew up around her. She painted her walls purple, and her fourth-floor apartment — even with the pet rats — became something of a bohemian salon. “She was a star,” painter Judy Jashinsky told the Washington City Paper in 2004. “She was stunning, beautiful; long, brownish–black hair; real thin; wore . . . little sundresses and sandals. She was just very cool, and there was always a crowd around her.” Ms. Cleary had a long list of male admirers, including several whose confrontational attempts at “performance art” led to their arrests. She had a brief marriage in 1981 to a Danish artist known as Tommy — “just Tommy,” Ms. Cleary said — whom she divorced in less than a year. As a kind of graphic homage to her various lovers, Ms. Cleary made a series of intimately revealing portraits that were featured years later on the HBO program “Real Sex.” She met her second husband after a gallery opening in Baltimore. By way of introduction, Kijek, a dancer, stripped naked at a crowded party, walked up to Ms. Cleary and said, “Wouldn’t you like me to pose for you?” They were married in 2001. In spite of her unconventional life, Ms. Cleary was more than a mere provocateur. After a day of teaching at UDC, she would return to her studio, with its windows painted over to block out sunlight, and work late into the night, with a bottle of Dr Pepper at her side. She took nude photographs of herself from every angle, then painstakingly created lifelike images that seemed alive with the warmth of human flesh. After studying in Rome in her youth, she developed what she called “an obsession” with Caravaggio, an iconoclastic painter who lived from 1573 to 1610. She often copied paintings at the National Gallery of Art and, in her own work, blended Renaissance styles with a distinctly modern sensibility. Manon Catherine Cleary was born Nov. 14, 1942, in St. Louis. Her father was a doctor, and her identical twin sister, Shirley...

Carrie Goller's (US based) "Moses" is an original, handmade watercolor painting that depicts a portrait of a rabbit This piece is unframed yet ready to hang. Born and raised on Wa...

Mountain Hares by Ben George Powell, British contemporary artist signed and inscribed verso acrylic on board, unframed board: 12 x 16 inches provenance: private collection of this ar...

Wonderful English late 20th century Field Mouse in a landscape. Signed and dated 1981 Chris Howells was born in 1947 and passed away in 2013. He studied Graphic Design at Stourbrid...

Claudia Griesbach-Martucci's "Harvest Dreams" is an original, handmade oil painting that depicts a field mouse standing on a small jack o'lantern as ...

This piece, "Sunny Bunny", is a 10x10 oil painting on board by artist Leslie Peck featuring a beautiful rabbit sitting amongst lush green Grass. The rabbit faces away from the viewer...

Photorealist oil painting by Manon Cleary (1942-2011). Painting is signed on reverse "Cleary". Painting is stretched on aluminum stretcher and dates to the 1990s. Manon Cleary had a remarkable ability to draw and paint with photographic fidelity, but she was also known as a charismatic teacher at the University of the District of Columbia and as a free spirit whose exuberant life may have been her most enduring work of art. Since the 1970s, Ms. Cleary had been at the center of a group of artists in Adams Morgan. She exhibited her meticulous artwork throughout the city and around the world, but she also became known for her striking presence, her colorful love life and the rats she kept as pets. As an artist, Ms. Cleary borrowed classical techniques from her deep study of Renaissance masters to create paintings and drawings memorable for their frank realism and sometimes disturbing themes. In addition to her many nude self-portraits, Ms. Cleary made erotically charged paintings of flowers. She took inspiration from a painful personal history in a series of works depicting the terror of rape and, in later years, of not being able to breathe without mechanical assistance. Critics considered her a leading figurative artist of the photo-realist school, in which painters render their subjects with camera-like precision. In fact, Ms. Cleary occasionally won awards for photography when adjudicators didn’t realize her works were free-hand creations. She was “widely acknowledged to be among the best, if not the best, of the city’s figurative painters,” Washington Post critic Michael O’Sullivan wrote in 2006. “There is a tension between the cool, clinical detachment of photography and painting’s warm idealization of form.” Ms. Cleary exhibited her art in galleries and museums from Moscow to Paris to Hickory, N.C., but Washington was her home for the past 42 years. In 1974, she settled in the decrepit Beverly Court apartments on Columbia Road NW, where a coterie of artists soon grew up around her. She painted her walls purple, and her fourth-floor apartment — even with the pet rats — became something of a bohemian salon. “She was a star,” painter Judy Jashinsky told the Washington City Paper in 2004. “She was stunning, beautiful; long, brownish–black hair; real thin; wore . . . little sundresses and sandals. She was just very cool, and there was always a crowd around her.” Ms. Cleary had a long list of male admirers, including several whose confrontational attempts at “performance art” led to their arrests. She had a brief marriage in 1981 to a Danish artist known as Tommy — “just Tommy,” Ms. Cleary said — whom she divorced in less than a year. As a kind of graphic homage to her various lovers, Ms. Cleary made a series of intimately revealing portraits that were featured years later on the HBO program “Real Sex.” She met her second husband after a gallery opening in Baltimore. By way of introduction, Kijek, a dancer, stripped naked at a crowded party, walked up to Ms. Cleary and said, “Wouldn’t you like me to pose for you?” They were married in 2001. In spite of her unconventional life, Ms. Cleary was more than a mere provocateur. After a day of teaching at UDC, she would return to her studio, with its windows painted over to block out sunlight, and work late into the night, with a bottle of Dr Pepper at her side. She took nude photographs of herself from every angle, then painstakingly created lifelike images that seemed alive with the warmth of human flesh. After studying in Rome in her youth, she developed what she called “an obsession” with Caravaggio, an iconoclastic painter who lived from 1573 to 1610. She often copied paintings at the National Gallery of Art and, in her own work, blended Renaissance styles with a distinctly modern sensibility. Manon Catherine Cleary was born Nov. 14, 1942, in St. Louis. Her father was a doctor, and her identical twin sister, Shirley Cleary-Cooper, is an artist in Helena, Mont. She was a 1964 graduate of Washington University in her home town and, for the rest of her life, was proud of having been a member of the Pi Phi...

Winter Hare by Jennifer Jokhoo [2021] limited_edition Linocut Edition number 14 Image size: H:11.5 cm x W:12 cm Complete Size of Unframed Work: H:15.5 cm x W:16 cm x D:.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look 5 layer linocut printed with eco friendly safe wash printing inks on Fabriano paper. Inspired by country walks with our dog during winter and my love of the British wildlife. Berries are in abundance in early Winter, my favourites are: rosehips, hawthorn, Ivy and Yew. I enjoy watching the yellow star like umbel flowers...

Born in Transylvania, Romania and of Hungarian origin, Paula Urzica lives and works in London, England. She is known for her hyperrealist paintings depicting large-scale macaroons.

About the Artist: Marina Dieul was born in France. She showed great interest in painting and drawing from an early age, and her family encouraged her vocation. In early 2000, she m...

Patricia Traub (b. 1947, Allentown, PA) is a graduate of the Pennsylvania Academy of the Fine Arts and the York Academy of the Arts. She continued her studies in Paris at the Académi...

Patricia Traub (b. 1947, Allentown, PA) is a graduate of the Pennsylvania Academy of the Fine Arts and the York Academy of the Arts. She continued her studies in Paris at the Académi...

About the Artist: Marina Dieul was born in France. She showed great interest in painting and drawing from an early age, and her family encouraged her vocation. In early 2000, she m...

Venture into the wild beauty of the Southwest with Lindsey Kustusch's "Summer in the High Desert," an original 2023 oil painting on a 30 x 60 x 1.50-inch wood panel. This expansive p...

About the Artist: Marina Dieul was born in France. She showed great interest in painting and drawing from an early age, and her family encouraged her vocation. In early 2000, she m...

Allison Leigh Smith's "Desert Sage" (2021) is an original oil painting on aluminum, measuring 24 x 24inches. This captivating circular artwork feat...

Oil painting by Henry Grant “A Woodland Warren”. Henry Grant flourished 1868 – 1916. Painter of society portraits and landscapes with animals and still – life. Represented in many pu...

11" x 14" Unframed Original - Oil on Canvas Hand Signed by Mariko Ando 2023

12" x 12" Unframed Original - Oil on Canvas Hand Signed by Mariko Ando 2023

By Jean Singer 12" x 16" Oil on Canvas Framed Size: 18" x 22"