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Framed 19th Century Oil - Mr Arthur Whieldon & His Dog

19th Century

A charming mid-19th century hunting scene depicting guns and their dogs lined out across a landscape, ready for any oncoming game. Well presented in a distressed gilt effect frame wi...

A charming late 19th century oil painting depicting two gentlemen fishing in an idyllic river location. The composition has been well presented in a contemporary gilt frame with inte...

A charming portrait of a well-dressed gentleman seated beneath autumn foliage, with his faithful dog at his feet. A church can be seen in the distance. Handsomely presented in a gilt...

A charismatic portrait depicting a hunter on the trail, paused, hand out in hesitation as he strains to hear something in the underbrush. Unsigned. Presented in a distressed gilt fra...

Decorative, antique oil painting, dog portrait, 19th century, signed and dated. Dimensions including frame.

An antique American folk art painting in its original period frame. Featuring a man walking his dogs in the woods with a stunning s...

An English oil on canvas painting from the late 19th century depicting a boy sitting with his dog, in antique giltwood frame. Created in England during the last quarter of the 19th c...

An oil painting of two rustic dogs fighting over a piece of food. It is painted on an oak panel. Signed top left. The signature is a bit faded, it's a monogram J.S. by Joseph Stevens. He often signed with a monogram. In a gilded frame frame with gesso moldings. Dimensions frame: 41 x 47 cm Dimensions painting: 17 x 23 cm. Joseph Stevens is the older brother of the very well-known artist Alfred Stevens. In the book 'The Belgian Art Book' by J. de Geest, it is written that Joseph Stevens has given a new dimension to painting animals. Joseph Stevens is an early representative of realism and social art. While Eugene Verboeckhoven has royal dogs pose on a beautifully embroidered cushion, Joseph Stevens already has an eye for the dark side of animal existence: exploitation by man, who in turn is a victim of society. His first successful painting, Brussels in the morning, shows how miserable dogs and poor people suffer the same fate. In the Sandman, Stevens shows a joint effort of man and dog, in which the viewer cannot ignore the social conditions: exhausting labor at dawn in some suburb. The gray sky and monochromy of the suburb add to the sinister atmosphere. Joseph Stevens was one of the first artists to take the urban proletariat as his subject. Stevens enjoys a very high reputation in his Parisian years. His brother Alfred writes: 'I am of this time, but you, Joseph, you are of the race, and thus you are of all times.' French critics agree. Stevens' works are a source of inspiration for the literature of the time. For example, Beaudelaire writes a poem about Stevens' dogs. Joseph Edouard STEVENS. Belgium, 1819-1892 Stevens was a painter, etcher and engraver. Brother of the gifted painter Afred Stevens. Education at the Academy in Brussels (1834-1835). Debuted at the Salon in Brussels in 1842. Continued his career in Paris in 1852. He was primarily the painter of canvases depicting domestic animals (dogs, monkeys, horses), sometimes in curious, even idiosyncratic situations, and far from romanticism. This realism, of which he was one of the pioneers, earned him the interest of critics and intellectuals. His approach was defined by this contemporary realism that eschewed idealized depictions of animals as heroic emblems of nobility. Rather, Stevens emphasized the ordinary animals of everyday life, with a particular focus on working dogs, stray dogs and all of the mutts that wandered the streets of Brussels. Museums and public collections, including' Royal Museum of Fine Arts Brussels, Ghent, Hamburg, Paris, Musée du Louvre, Rouen, Musee des Beaux-Arts. Stuttgart, State Gallery. King Leopold...