Anthony John Gray

Surrealist , Modern Art , Spiritual Logic , Spiritualist Art

1987

This painting is artwork of Patrick Faure, Creator of Faurism. The painting is unframed, oil on canvas. About the Artwork: Wings of Fascism is a perfect example of Faurism, a styl...

This 2019 painting is from Patrick Faure’s Agnoiaphobia series. The painting is unframed, oil on canvas. About the Artwork: According to the Swiss psychiatrist, Carl Jung, kollektives Unbewusstes, or collective unconscious, refers to structures of the unconscious mind that are shared among beings of the same species. The human collective unconscious is populated by instincts and by universal symbols such as hell, water, the tree of life, or the concept of god. Jung states that the collective...

This painting is artwork of Patrick Faure, Creator of Faurism. The painting is unframed, oil on canvas. About the Artwork: Wings of Fascism is a perfect example of Faurism, a styl...

This 2019 painting is from Patrick Faure’s Agnoiaphobia series. The painting is unframed, oil on canvas. About the Artwork: “For ever and ever” is part of the doxology that falls...

This painting is artwork of Patrick Faure, Creator of Faurism. The painting is unframed, oil on paper. About the Artwork: ‘In this subtle instant when man looks back on his life, Sisyphus going back toward his rock, contemplates this chain of actions without links that has become his destiny’ Albert Camus tells us. Vir Absurdus captures this moment, when Sisyphus let the rock roll back down the hill and has the time to look at the Mediterranean shore. We can imagine that it is his love for the sea, for the world of the Mediterranean that he incurs the wrath of the gods. He looks on that shore that is forever forbidden to him and over which hand the clouds of Hades. He is turning into a rock himself. Having been so close to a rock for such a long time, one cannot but imagine that he is becoming rock himself, suggests Camus. The objects lose their meaning. The rock has turned into the five ball of a billiard set...

California artist Charles Houghton Howards Surrealist painting of a hand holding a green egg was painted in 1931. He was represented by the legendar...

Carmelo Niño Lechera, 2014 Oil on canvas 207 x 149 cm 81.4 x 58.6 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...

Contemporary figurative oil on board painting by Polish artist Mariusz Zdybal. It is a surrealistic female nude of woman sleeping. On the right side of the composition there is paint...

ZBIGNIEW WOZNIAK (b. 1952) Studied at the Academy of Fine Arts in Wroclaw, at the Department of Glass and Ceramics. He is involved in painting, graphics and artistic glass design. He...

ZBIGNIEW WOZNIAK (b. 1952) Studied at the Academy of Fine Arts in Wroclaw, at the Department of Glass and Ceramics. He is involved in painting, graphics and artistic glass design. He...