Miniature Paintings

A finely detailed silhouette of a Victorian lady Attributed to Peter Skeolan (1815-1871) Portrait of a lady, profile to the right Watercolour with gold highlighting on paper/card 3¼...

Special offer only in this artwork of this series: 50% off from May 21 to May 28 only. This limited-time campaign highlights selected works from Currencies, the long-running series b...

Early 20th Century oil on board French fauvist landscape by Paul Guillaume. The painting is signed bottom left, Guillaume Paul, and presented in a patinated wood frame. This colourf...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower ...

"The Bridge upon the Sauceron at Nesles la Vallée (Val d'Oise), 1918" Maurice Walter Edmond de Lambert (French, 1873-1952) Oil on cardboard Signed and dated lower right 10 3/4 x 8 3/...

The scene is set with a quiet reverence—a simple golden bowl, brimming with the last treasures of the season. These are not just fruits; they are memories of sunlight, gathered and p...

Panagia Paramythia (Mother of Consolation) Artist: Oliver Samsinger. Technique: Egg tempera on gesso and wood, with 24‑karat gold leaf. Dimensions: 37 × 31 × 2.5 cm. Description of...

"Afloat" is an figurative Original Oil Painting by Contemporary Realist Megan Eisenberg. Made using high quality Gamblin oil paints on 3/4" hardwood panel.

A charming depiction of Snow in New York City with figures walking and taxis in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, whites, and burn...

Antique American impressionist landscape oil painting. Oil on canvasboard. Framed. Measuring: 12 by 15 inches overall, and 8 by 10 painting alone. In excellent original condition. H...

George Dannatt (1915-2009) Untitled, 2004 Image: 4.5 x 3.5 cm Frame: 21.5 x 19.5 cm George Dannatt’s long career as a painter and sculptor ended with the artist’s death in 2009 at ...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Lipstick Red background with thick use of paint. ...

French Impressionist 'en plein air' original painting by Maurice Mazeilie (French) oil painting on thin board, unframed stamped verso painting: 6.25 x 8.75 inches A delightful orig...

The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...

This piece is from my private collection of 20th Century -21st Century artists, many of which are from the School of Paris era. Pelayo produced this lithograph in colors. The Latin American spirit...

Esteban Vicente (1903-2001). Untitled, #36, 1955. Gouache on paper, image measures 8 x 11 inches, 16.5 x 19.5 inches framed. Signed, dated and numbered on verso. Excellent condition....

#5-3305a French Impressionist Style Landscape, on board signed by Thiollier set in a light-blue wood frame.Image size 10.5 H x 13.50 w

Impressionist pastoral scene of a quaint marine view of the docks and fishermen of the iconic fishing shack on Bearskin Neck located on Bradley Wharf in the harbor town of Rockport, ...

"M.Y. 3" by Mark Bradley Schwartz is an original oil on board depicting a brunette female in a contemplative pose. A native of Illinois, He began his professional life as a graphic designer and art director in St. Louis, Missouri and later moved to Southern California to further his design career. Although Schwartz’s career was successful, he wanted to pursue work of a more personally fulfilling nature. To reach these new goals Schwartz first attended life drawing classes at Associates in Art, in Sherman Oaks, California. He later studied at the California Art Institute in Westlake Village, California, where he received extensive training in drawing and painting the human figure from life. While studying with famed illustrator Glen Orbik...

Yana Beylinson's (US based) "Four Peonies" is an oil painting that depicts impressionistic pink flowers with vivid green leaves. Artist Bio: Yana is driven by a deep r...

Antique French impressionist landscape oil painting. Oil on canvas, lain to board. Framed. Signed. In excellent original condition. Handsomely framed in a period impressionist mo...

"Study of a Goat" Frans Lebret (Netherlands, 1820-1909) Oil on paper on wood panel 9 x 10 (13 1/2 x 14 1/4 frame) inches Initialled lower right This is a simply stunning and deeply ...

Coach and Four Horses By Philip Henry Rideout, British 1960-1920 Signed oil painting on board, framed framed: 7.5 x 12 inches board: 6 x 10 inches provenance: private collection, Eng...

Title: Outside Scene Medium: Oil on canvas Size: 12 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

Elena Degenhardt's "Ocean IV" is a poignant representation of the relentless and eternal spirit of the sea. Crafted in 2022, this exquisite original artwork measures 4 x 6 inches, rendered in soft pastel on paper, and comes elegantly framed in a custom 8 x 10-inch frame that complements the hues of the ocean's waters. Degenhardt's mastery in pastel techniques...

17th Century Italian Religious Painting Credited to Giovanni Battista Salvi Virgin Mary Period: second half of the 17th century Technique: oil on copper A beautiful, important pain...

Title: Blackstone Quay Sunlit Italy Landscape May 1998 Signed Watercolour Painting By Tony Herbert (1927-2024) Signed: Bottom left Medium: Watercolor on paper Size: 11 inches (height...

Pastel and watercolor drawing realized by Luciano Schifano in 1980s. Includes a contemporary wooden frame cm. 51x42. Very good condition.

Ekaterina Ermilkina’s original, abstract fine art paintings are created using a skillful combination of applying and removing oil paint with a palette knife on canvas. Her inspiratio...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with thick use of paint. It is hou...

"Distant Lights" by Dan Young is an original oil painting depicting warm lights from dwellings with a sunset backdrop. Dan Young was born in Denver, and grew up in western Colorado...

An acrylic and oil on heavy weight paper piece with bright use of color and texture. We are focused on the simplicity of beauty in the moment as Shaoul creates a translucent but very...

Dorothy Johnson Image Size: 12 x 16 Frame Size: 14.5 x 18.5 Medium: Oil "Prickly Pear"

Marie von der Osten (b.1856), Oil on canvas. A still life of apples in a brown paper bag. Well presented in a charming wooden frame with bead course to the inner window. Labelled ver...

Aaron E. Kilpatrick Landscape painter. Born in St Thomas, Canada on April 7, 1872. Kilpatrick was educated in the public schools of Winnipeg and moved to the U.S. in 1892. By 1907 he...

Title: "Spring Garden" Artist: Attributed to Rafael Durán Benet Technique: Oil on canvas board Dimensions (unframed): 13 x 16 inches Dimensions (framed): 14.6 x 17.7 inches Date of c...

Female Portrait by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back pencil drawing on artist paper, unframed measures: 8 high by 10 inches wide conditio...

Roy Newell Untitled, 1953 Signed and dated Roy Newell-1953 Oil on board 3 1/4 x 7 1/4 inches Provenance The Collection of Dr. and Mrs. Maximilian Le Witter Estate of the above Roy...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Hudson River School artist William Richardson Tyler's (1825-1896) "Lake George," is oil on canvas and measures 8 x 13 inches. The painting is signed at the lower center and signed an...

Dynamic California coastal scene by an unknown artist. The orientation of brushstrokes in this piece create a sense of movement in the trees and the grass, hinting at the way the win...

The Highland Loch British School, early 20th century signed with initials lower left corner oil on artists board, unframed board: 7 x 10 inches provenance: private collection, UK con...

Adriana van Zoest Neighbourhoodcat 13 x 20 cm Framed in a black wooden frame: 22 x 30 cm Oil paint on wood panel Dutch artist, painter, Adriana van Zoest, lives and works in Warmen...

Expressive black and white abstract, with scribbled linear patterns in the style of Jean-Michel Basquiat, by by Bay Area artist Michael Pauker (American, b.1957). circa 1977. Oil on canvas. Titled "Baldwin" and dated "Summer 77" on verso. Here he revisits a piece he did early in his carrier of the same title "Baldwin" in 1967. Unframed. Image size: 16"H x 12"W. “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby...

Pocket Small Clementine 4c is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to baroque ...

"Summer Reveries" captures a peaceful moment in a blossoming garden. The artist's emotions come alive through soft, flowing brushstrokes of oil on canvas, blending impressionism with...

Acrylic and ink on canvas.

This striking 19th-century painting signed "A. Malevolti 1877 Florence" is a fine example of the trompe l’oeil tradition, in which artists skillfully render imagery that "tricks the ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Provence Landscape, Panoramic View of a Riverside Vineyard Village by Louis Bellon (French 1908-1998) Signed lower right, dated 62 (1962) watercolour painting on paper, unframed meas...

Hunt Slonem's artistic trajectory has always been characterized by a deep exploration of spiritual themes. His use of repetition in form—particularly with his beloved bunnies—serves ...

Maggy Clarysse (1931-2011) Oil on thick card, unframed, 7 x 9.5 inches Signed Initials ...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: signed and dated 47' oil on board, unframed Size : 14 x 10.5 inches Double sided Provenance: private collection, France ...

Portrait realized by Franco Settimj in 1932. Oil on cardboard. Hand signed and dated lower right. Good condition except for some minor issing parts on edges.

I don’t want my relationship with anyone to be defined just by my decline. I wanna do more than just living, and maybe I wanna be Luminous, always radiating my inner light and warmth...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Autumn Parisian Street Scene signed oil on canvas, framed Framed: 13.5 x 15.75 inches Canvas: 9 x 11 inches Provenance: private collection, UK Condition: very good condition Descr...