B. Cory Kilvert

Satyr and Pan, Life Magazine Cover

1923

Cover of The Elks Magazine May 1935 Caption: "With a hey and a ho, and a hey nonino,. Sweet lovers love the Spring -- Shakespeare." Walter Beach Humphrey specialize...

Medium: Oil, Ink and Gold Leaf on Paper Dimensions: 15.00" x 12.00" Signature: Signed Lower Center The present work was published as the cover of the December 2nd, 1899 issue of Lif...

Medium: Gouache and Watercolor on Paper Signature: Signed Lower Right Cover of American Weekly Magazine, June 20, 1954

Country Gentleman, Magazine Cover, June 21, 1924 Joseph Francis Kernan was a sportsman all of his life and the majority of his subjects featured, as he described it, "the human side of outdoor sports, hunting, fishing and dogs." These were the ideal subjects for magazine covers and his work appeared on all of the major - and some minor- magazines, including The Saturday Evening Post, Collier's, Liberty, The Country Gentlemen, Capper's Farmer, The Elks, Outdoor Life, and The Associated Sunday Magazines. His work was also commissioned for calendars, and advertisers such as Fisk Tires, International...

Pietro Bianco Bortoluzzi, known as Pieretto Bianco (Trieste 1875 - Bologna 1937) - Satyr and Nymph. 50.5 x 50.5 cm without frame, 57.5 x 57.5 cm with frame. Oil on cardboard, in a ...

This artwork titled "The Beginning of the end" c.1990 is a color lithograph by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 49/300 in pencil by the ...

"Lifting Soul" is an idea of a Faun playing a flute. He is playing a personal song for you anytime you need. Painting size is 11x15 inches canvas mounted on board. Varnished: Sho...

Aaron Bohrod Faun and Fawn, 1984 Signed lower right Oil on gesso board 16 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life, which comprised most of Bohrod's early work. Under Sloan's tutelage, Bohrod came to subscribe to the belief that painters should find the subjects of their art in the immediate world around them. These paintings emphasized architecture unique to north Chicago and featured Chicagoans engaged in such everyday activities as working, playing or going to the theatre. The romantic aspect was conveyed by the use of misty colors, and the realism by attention to detail. In 1936, Bohrod won the Guggenheim Fellowship award in creative painting...