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Cintia García
Yellow Blue Clash, Painting, Acrylic on Canvas

2020

$3,710
£2,821.29
€3,254.22
CA$5,197.03
A$5,816.50
CHF 3,037.12
MX$70,961.70
NOK 38,552.29
SEK 36,583.75
DKK 24,301
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About the Item

Acrylic ink on linen. Inspired on Mark Rothko's floating shapes. Her elaborate and often repetitive patterns create moments of tension and release as they lead the viewer across the canvas. Cintia García allows elements of chance to dictate the composition of the painting. She begins each work by tracing paint directly onto the canvas. From there, her process is highly technical and laborious, as she covers the surface of the work with straight networks of line and shape. García has described his abstract paintings as “mind-maps”—visual representations of his emotional state while working on a given piece. He does not predetermine the composition of a work, but rather allows visceral tics and emotional compulsions to guide his painting. It is a meditative, intensely physical process. ‘I have to wait for the right moment to draw some lines,’ she has said. ‘Sometimes it takes days and weeks to find the right state of mind. My breathing needs to be absolutely under control.’ The work ressembles a clash of tectonic plates, exposing a powerful tension of layers and a crack. NOTE: This artwork is shipped in a tube. :: Painting :: Expressionism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Location: signed on the reverse of the canvas or paper :: Canvas :: Diagonal :: Original :: Framed: No
  • Creator:
    Cintia García (Argentinian)
  • Creation Year:
    2020
  • Dimensions:
    Height: 47.2 in (119.89 cm)Width: 47.2 in (119.89 cm)Depth: 0.1 in (2.54 mm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Yardley, PA
  • Reference Number:
    Seller: 1148321stDibs: LU80217454482

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All this series is about how the colour floods the upper space of the support, the line becomes a pure chromatic manifestation, it ceases to be the object to become a medium. The lower white field balances the outburst of colour and the white lines which figured in my previous works, here, they disappear. Each artwork has many layers of color and nuances, twenty layers average or above. The name of series is SLIDING COLORS because the large-scale brush slides from the top down of the paper. Cintia Garcia...
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