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Curtis KuligCurtis Kulig Love Me on Canvas (Yellow and Red)2011
2011
About the Item
Curtis Kulig, Love Me on Canvas (Yellow & Red), 2011:
This one of a kind ’Love Me' painting is impossible to overlook. An expressionist yellow background combined with Kulig's iconic red tag, encapsulates this grand gesture of the artist in its highest form. The repeated quality of 'Love Me', varying in size and placement, asks one to explore the very nature of love in its many forms. Drawing from the most personal of all yearnings, Kulig's ‘Love Me’ was originally written world-wide in public spaces, to much notoriety, as a declaration of human connection.
Medium: Oil and Acrylic on Canvas.
Edition: One of a Kind. Each Love Me is individually handwritten.
Dimensions: 96 x 60 inches (243.8 x 152.4 cm).
Hand-signed on the verso.
Provided directly by artist.
Please inquire about shipping options.
This work is currently being stored unstretched. Please allow additional time for stretching.
More on Curtis Kulig:
Artist Curtis Kulig lives and works in New York City where he first gained notoriety with his signature manifesto 'Love Me'. His work is a celebration of humanity in a voice that ranges from the poignant to the playful through a wealth of mediums: rich canvases, scintillating neon, 16mm films, typewritten poems, and ubiquitous prints; in cities ranging from New York to London, Istanbul to Los Angeles, Tokyo to Berlin.
As a painter, photographer and illustrator, Kulig has collaborated with Colette, DKNY, Pendleton, Vans and Uniqlo among others, making him internationally distinguished in both the fine art and commercial domain.
Curtis has been featured in the New York Times, Wall Street Journal, Vanity Fair, and contributes regularly to charities including Free Arts, Art of Elysium and Hilarity for Charity.
Related Categories
Kaws. Jose Parla. Yellow & Red. Street Art. Pop Art. Shepard Fairey. Retna. New York artists. Graffiti art.
- Creator:Curtis Kulig (1981, American)
- Creation Year:2011
- Dimensions:Height: 96 in (243.84 cm)Width: 60 in (152.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU35437931542
Curtis Kulig
Curtis Kulig (b. 1981), lives and works in New York City where he first gained notoriety with his signature manifesto 'Love Me'. His work is a celebration of humanity in a voice that ranges from the poignant to the playful through a wealth of mediums: rich canvases, scintillating neon, 16mm films, typewritten poems, and ubiquitous prints; in cities ranging from New York to London, Istanbul to Los Angeles, Tokyo to Berlin. As a painter, photographer and illustrator, Kulig has collaborated with Colette, DKNY, Pendleton, Vans and Uniqlo among others, making him internationally distinguished in both the fine art and commercial domain. He has been featured in the New York Times, Wall Street Journal, Vanity Fair, and contributes regularly to charities including Free Arts, Art of Elysium and Hilarity for Charity.
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Jean-Michel Basquiat hand-painted sweatshirt 1979/1980
By Jean-Michel Basquiat
Located in NEW YORK, NY
Jean-Michel Basquiat (untitled), 'MAN MADE Sweatshirt', c. 1979:
Basquiat produced this rare original hand-painted sweatshirt (among others, with only few known to have survived) for the purposes of selling these on his own and through the historic downtown fashion boutique, Patricia Field’s. Basquiat was captured wearing a similar example in the well publicized 1979 photo, 'Basquiat Dancing at The Mudd Club' by Nicholas Taylor of Gray. This double-sided work notably features Basquiat’s ‘MANMADE’ tag - Basquiat’s alias after he took to the streets to declare “SAMO is Dead”.
The work is further highlighted by Basquiat’s ‘BAD’ motif - uniquely paralleling his consideration to naming his band, ‘Bad Fools’ prior to Gray. In trademark Basquiat style, we also find the vertically spaced ‘E’ on both sides of the piece, as well as dashed lines which would appear in many of the artist’s Anti-Product cards, early drawings and more. The work emanates directly from the collection of world renowned author Lucy Sante (formerly Luc Sante). As it is well publicized, Basquiat worked with Sante in 1979/80 on the downtown-art scene publication, ‘Stranded’ (New York, 1980).
Medium: Acrylic on cotton sweatshirt (double-sided artwork). Executed circa 1979/1980.
Dimensions: 16.5 x 22 inches (outstretched cuff to cuff: 50 inches & sleeve length: 18 inches).
Condition: In good overall vintage condition. Bright well-preserved colors; some minor discoloration in several areas due to normal age related wear and use; scattered stains located on the hem, inner arm area(s) and cuffs; scattered minor pilling; loose thread on the reverse of hem. Basquiat's artwork throughout remains fully intact.
Unique. One of a kind. Signed ‘MANMADE’ and numbered 5/100 on the reverse.
Provenance: Gifted by Basquiat to Lucy Sante; obtained directly from the former. Sante's relationship to Basquiat is well documented in three publications (see below literature/references for more). Accompanied by a letter of provenance from Sante.
Literature/References:
-'Boom for Real: The Late Teenage Years of Jean-Michel Basquiat,' by Sarah Driver - this 2018 documentary features an in-depth section devoted to Basquiat's 'Man Made' clothing, featuring an interview with designer Patricia Field & artist Kenny Scharf.
- 'Basquiat Before Basquiat' (MCA Denver; see Sante, p.40-43 ).
- 'Stranded' issue four index (Spring 1980). Basquiat's identity is confirmed as 'Man-Made' midway on page.
- 'Zeitgeist: The Art Scene of Teenage Basquiat' (Howl Arts 2018; essay: 'Stranded' by Lucy Sante).
- 'An Intimate Look at Jean-Michel Basquiat's Early Days' by Lucy Sante (Village Voice 2/8/17).
-'Man Made by Basquiat' (MinnieMuse) May 2019.
-'Exploring Jean-Michel Basquiat's 1970's Clothing Collection, 'Man Made.'' Vice Magazine, May 2019.
- ‘The Jean-Michel Basquiat Reader’ (Moore pg. 334) discusses Basquiat’s Man Made painted clothing.
- 'Basquiat Dancing at The Mudd Club' photograph by Nicholas Taylor of Gray (Basquiat wears a similarly painted sweatshirt).
Basquiat’s use of ’MAN MADE', see:
- Glenn O'Brien "Graffiti '80;" High Times, June 1980 (p. 53-54); "Jean-Michel Basquiat who is known to many as SAMO, had changed his alias to Man Made".
- Jean-Michel Basquiat: 1981, the Studio of the Street (Diego Cortez; 2007 p. 80).
- The Last Time I Saw Basquiat (NYR Daily 9/3/16; essay by Lucy Sante).
- Basquiat: Boom For Real (Barbican; Nairne, Buchhart & Johnson p.26).
- Sotheby's S2 Catalog & Sale, "Man Made" (May 2013).
Intertextual References:
Basquiat's 'BAD' motif further appears in the following 1979 works:
- "Stupid Games, Bad Ideas" (color xerox; see Basquiat: Boom For Real pg. 108).
- Basquiat (untitled) "Test Pattern" (original drawing and xerox; see Basquiat: Boom For Real pg. 147).
- Basquiat (untitled) "Gumby Is Bad" t-shirt (worn on camera by the artist at Canal Zone...
Category
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Materials
Acrylic
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About The Artist
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Category
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