Denny Dent

Denny Dent John Lennon 92 Original Painting Museum Quality Beatles 53x69 Signed

1994

Vintage modernist portrait oil painting. Oil on board. Framed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, ready to hang and e...

Shuvaprasanna Bhattacharya - The Golden Flute - 12 x 12 inches (unframed size) Oil, Acrylic and Charcoal on canvas Inclusive of shipment in a roll form. One of the most popular seri...

Shuvaprasanna Bhattacharya - Golden Flute - 25 x 25 inches (unframed size) Acrylic & Charcoal on Canvas Should you wish to receive it framed and ready to hang it would measure approximately 31 x 31 inches and cost 500 usd to ship . One of the most popular series of the Master Artist, The Golden Flute is the artists more romantic rendition of Art. The iconic figures of Krishna, Radha, and Ganesha that found lyrical expression in the Icons series are modern representations and sophisticated idealizations of the same images in the popular media. Krishna is a cosmic musician, and the tune he creates by playing his transcendental flute is embodied with cosmic energy. When Krishna is depicted as being between the age of 5 and 8, it is always with his flute. Therefore, during this period, he is aptly called Murlidhara (murali means “flute,” and dhara means “hold”), signifying the one who holds the flute. He is never without it, whether he is with his mother, on the grazing grounds with his herd of cows, among his cowherd companions or roaming around on the Jamuna banks. Gopis lose their selves in this tune. For them, music becomes the voice of love, which is too passionate and secretive. Style : The city of Kolkata has always figured prominently in his work. His themes come from his personal interactions with its urban milieu - its sickness and sordidness, its violence and vulnerability and all that compounds its existential agony. Shuvaprasanna has depicted varying moods of the city and its people, its places, and all its facets that make the city distinctive. He doesn't merely portray reality as 'matter of fact' and his presentation of reality often has dream-like elements in it. In terms of technique, Shuvaprasanna boasts a precise, finely executed style that yields an unmistakable visual intensity. He works comfortably in an assortment of media, including oil on canvas, charcoal, and mixed media. About the Artist and his work : Born : In Calcutta, 1947. Education : Graduated from Indian College of Art (R.B. University, Calcutta) in 1969. Exhibitions : Shuvaprasanna has had several gallery and museum exhibitions, including at the Tao Art Gallery and at the Chawla Art Gallery, Square One Mall. Several works by the artist have been sold at auction, including 'ABODE' sold at Waddington's 'Fine Prints & Photography Auction...

Rabin Mondal - Couple ; Oil & Acrylic on Canvas 42 x 36 inches ; 2015 (unframed) ( Typically frames to be 48 x 42 inches with a 3 inch frame ) (Shipment will be in roll form) Style : Mondal`s works are mainly figurative. He paints in bold strokes and creates tableaux, whose themes are universal. The faces of his figures stare at you out of the canvas, strange and pensive, but also strong and defiant. Not yet beaten, surviving by sheer force of spirit. He mostly uses dense pigments in blacks and reds, with only occasional moss green and turquoise colors seeping through. About the Artist & his works : Born : Rabin Mondal (1929 – 2019) was born in Howrah, Kolkata. Education : 1959 : Completed his Art Appreciation Course, Ashutosh Museum, Kolkata University, Kolkata. 1956-58 : Attended Evening Classes, Indian College of Art and Draughtmanship, Kolkata. 1952 : Bachelor of Commerce, Vidyasagar College, Kolkata University, Kolkata. Art Career : The industrial belt of Howrah, with its inherent tendency towards violence, anguish and suffering influenced him deeply, and found its way into his works. So did ugly street battles fought by political parties. Mondal discovered that his artistic temperament was out of keeping with the hostile environment and situation. Besides a debilitating knee injury in his childhood created a sense of isolation in the artist, which also finds expression in his canvas. He says what saved him from sheer madness was his talent in art. In 1949, he joined the Vidyasagar College of Art in Kolkata. At that time, a festival of French artists was being held in the city. It exposed him to the works of French modernist artists. Prior to this, he had no exposure to the international art world. He was only familiar with different schools of Indian art, particularly the Bengal school. As a young painter, Mondal was attracted by Jamini Roy`s folk style and Rabindranath Tagore`s disquieting paintings and drawings. But the show by French artists was virtually a turning point in his artistic career. "This was like opening a window to an astounding, astonishing, unsuspected world," he says. This encounter with avant-garde Western art helped him to later incorporate elements from it in his own work. Art Works : Mondal worked out of his Howrah studio, churning out a series of "kings" and "queens" painted with oil on canvas. These are perhaps Mondal’s best known works, depicting tragic looking figures, seemingly suffering from paranoia and fear, yet ironically termed kings and queens. Some of the highlights of this series were the works Man Acting as King, King Being Appeased, King Making Confession, and King and his Assassin. Mondal also produced a series of "deities", which sometimes seem to merge thematically with his "queens". The artist’s deities are generally depicted with radiate crowns, whereas his kings and queens are not. Other favorite subjects of the artist were the brothel and the harem, which he depicted in canvases such as Event in Red Light Area and Orgy. For someone who hates all forms of pretentiousness, he has done a series of painting on queens and empresses. "Though they belong to the past, queens live in virtual isolation, and I feel sorry for them," he says. "It is this isolation that makes the queen, for me, a fascinating subject." One of the criticisms leveled against him is that his works are not pleasing to the eye. To which he replies, "Painting is for communication and not for decoration." Solo Exhibitions : Rabin has had several solo exhibitions:
 From 1961 - 1973, 1976, 1987, 1993 and 1999 he exhibited solo at various places in Kolkata. In 1974, 1977, 1982, 1983, 1987 and 1991 he showcased solo in several place in New Delhi. From 1978 - 1980 and in 1984 he had solo exhibitions at Birla Academy of Art and Culture in Kolkata. In 1980 he had a solo show at Max Mueller Bhavan, Mumbai. In 1989 and 1990 he exhibited solo in Mumbai. In 1993 he had a solo show at Jehangir Art Gallery, Mumbai. In 2014 - 2015 and 2016 he exhibited 'Kingdom of Exile: A Retrospective' at Delhi Art Gallery, Mumbai and at DAG Modern, New York. Group Exhibitions : He has participated in several group exhibitions:
 In 1955, 1969, 1970 - 1972, 1975, 1976, 1978, 1983, 1988, 1995, 1998 - 2002 and 2010 he participated in various group exhibitions in Kolkata. From 1963 - 1965, 1971, 1973, 1980 - 1982 and 1985 he exhibited in group shows at Lalit Kala Akademi in New Delhi. In 1964, 1969, 1994 and 1996 he took part in group exhibitions at All India Fine Arts and Crafts Society (AIFACS) and LTG Gallery in New Delhi. In 1968 and 1972 he participated in group exhibitions at Kala Bhavan, Santiniketan. In 1972, 1974, 1976, 1978 - 1980 and 1983 he took part in several group shows at Jehangir Art Gallery, Mumbai. From 1975, 1979, 1988, 1989, 1992, 1998, 2001, 2002, 2009 and 2010 he participated in multiple group shows in New Delhi, Mumbai, Kolkata, Bangladesh and Bangalore. In 1975 he took part in the 3rd Triennale in New Delhi. In 1984 he participated in the Tokyo Biennale, Japan. From 2003 - 2005, 2010 and 2011 he took aprt in Manifestations I - VI’ at...