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Dylan LloydGarden Study II 2025, original painting, contemporary painting, nature2025
2025
About the Item
Garden Study 2022 is an original macro style realist painting by Dylan Lloyd, presenting a close up view of a wild garden in bloom. With beautiful blue purple and white flowers dotted around the foreground and a hazy blue background.
ADDITIONAL INFORMATION:
Oil painting
42H x 36W x 3.5 D cm
Sold framed
Image size:
Height: 30cm
Width: 24cm
Framed Size:
Height: 42cm
Width: 36cm
Depth: 3.5cm
ARTIST BIOGRAPHY:
Dylan Lloyd was born in Gravesend, Kent in 1972 and studied Fine Art at Falmouth School of Art. His studio and garden are located on the Isle of Portland in Dorset. Garden’s have been the major focus for his work for 15 years. His paintings are a documentation of growth, change and development of the direct world around him. Their connection with photography is important; the exaggerated depth of field and pixilated elements of the work are reminiscent of photography and carry associations with the recording of time and history. The seemingly exaggerated photographic surface is balanced with a painterly response that suggest a lasting memory of a place rather than merely direct representation. Dylan’s interest in gardens and plants extend to design, film and photography and he has produced work in response to his own garden as well as other contemporary and traditional gardens across the south of England and northern France.
- Creator:
- Creation Year:2025
- Dimensions:Height: 14.18 in (36 cm)Width: 16.54 in (42 cm)Depth: 1.38 in (3.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:Seller: Wychwood Art Gallery1stDibs: LU632316202842
Dylan Lloyd
Dylan Lloyd was born in Gravesend, Kent, in 1972 and studied Fine Art at Falmouth School of Art. His studio and garden are located on the Isle of Portland in Dorset. Gardens have been the major focus for his work for 15 years. His paintings are a documentation of growth, change and development of the direct world around him. Their connection with photography is important; the exaggerated depth of field and pixelated elements of the work are reminiscent of photography and carry associations with the recording of time and history. The seemingly exaggerated photographic surface is balanced with a painterly response that suggests a lasting memory of a place rather than merely direct representation. Lloyd’s interest in gardens and plants extend to design, film and photography and he has produced work in response to his garden as well as other contemporary and traditional gardens across the south of England and northern France.
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