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Elaine KazimierczukTackley Revisited, original painting, contemporary, abstract, landscape2024
2024
About the Item
This is an interpretation of a verge along a quiet country lane leading to the delightful village of Tackley on the edge of the Cotswolds. Such a profusion of wildflowers, they just had to be painted. The energy that flows through this series of panels creates an immersive effect, bringing the outside in and filling the room with bright colour, greens, yellows, reds and pinks. In a large room, the three panels create a piece three metres wide, or wider depending on spacing. In a smaller room, especially one with few windows, the panels would look stunning if placed on three separate walls. This piece is the left panel of the triptych. It is available separately, or together with the middle panel as a pair to create a diptych, or, of course as the full triptych.
Additional information:
Acrylic paint, Oil Crayon, Oil Paint on Canvas
100 H x 100 W x 3.8 D cm (39.37 x 39.37 x 1.50 in)
Sold unframed
Image size:
Height: 100cm (39.37 in)
Width: 100cm (39.37 in)
Complete size of unframed painting
Height: 100cm (39.37 in)
Width: 100cm (39.37 in)
Depth: 3.8cm (1.50 in)
Artist biography:
Elaine Kazimierczuk artist paints original art and is available to buy online and in our art gallery.
Elaine Kazimierczuk studied chemistry at university and taught for many years before becoming a professional artist. She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball, with whom she collaborated on many major commissions. She is a trustee of Midlands-based Ice-age Archaeological Insights and produces visual interpretations of prehistoric people and their environment. In addition to the demand for her landscapes, there is a growing clientele for her portraiture. She has been shortlisted for the 2016 BP National Portrait Award.
Many of Elaine Kazimierczuk’s works are based on interpretations of intimately-known localities, frequently, but not exclusively, in her native Nottinghamshire. In her semi-abstract studies of meadows, trees and hedgerows, she achieves a tension between looseness and control, which enables her to convey that intricate assembly of wild beauty. Frequently working on a red ground, which resonates with the vibrant overpainting, she adopts a bold approach, so that there is an evident freedom, just short of capriciousness, either of hand or eye, in the brushwork. Her works represent the ordered chaos of the natural world with energy and vitality. Elaine Kazimierczuk has recently been awarded the Mary Moser Prize for 2018. This is an Oxfordshire Art Weeks prize awarded to a person who has changed career and taken up art professionally later in life.
- Creator:Elaine Kazimierczuk (Polish)
- Creation Year:2024
- Dimensions:Height: 39.38 in (100 cm)Width: 39.38 in (100 cm)Depth: 1.5 in (3.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:Seller: Wychwood Art Gallery1stDibs: LU632315641682
Elaine Kazimierczuk
Elaine Kazimierczuk artist paints original art and is available to buy online and in our art gallery. Elaine Kazimierczuk studied chemistry at university and taught for many years before becoming a professional artist. She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball, with whom she collaborated on many major commissions. She is a trustee of Midlands-based Ice-age Archaeological Insights and produces visual interpretations of prehistoric people and their environment. In addition to the demand for her landscapes, there is a growing clientele for her portraiture. She has been shortlisted for the 2016 BP National Portrait Award. Many of Elaine Kazimierczuk’s works are based on interpretations of intimately-known localities, frequently, but not exclusively, in her native Nottinghamshire. In her semi-abstract studies of meadows, trees and hedgerows, she achieves a tension between looseness and control, which enables her to convey that intricate assembly of wild beauty. Frequently working on a red ground, which resonates with the vibrant overpainting, she adopts a bold approach, so that there is an evident freedom, just short of capriciousness, either of hand or eye, in the brushwork. Her works represent the ordered chaos of the natural world with energy and vitality. Elaine Kazimierczuk has recently been awarded the Mary Moser Prize for 2018. This is an Oxfordshire Art Weeks prize awarded to a person who has changed career and taken up art professionally later in life.
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