Fabrice de Villeneuve

“Blue car”

In good condition measures 48x24. Original oil on canvas unframed

Yolande Ardissone original oil painting on canvas . Condition is good measures 43x31. Some staining in the back of the canvas.

Renee Theobald original oil painting on canvas measuring 26x21. In good condition

This is an rare Gerald Poussin original 1999 mixed media on canvas . In good condition measures 50x50 . Unframed

Primary tonal painting with toy cars attached to the surface. The work is signed by the artist, Francis d'Estaing, in the bottom corner of the painting. The artist board is framed in...

Porsche sports car painting with oil and layered style on canvas. About the artist: Daniel Hilpert is the living testament that a career in finance need not be a borrower’s tale....

This print is currently featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has ...

After a long, successful career with the Eastman Kodak Company as a photojournalist and editorial photographer, Emile Dillon returned to painting in 1998. As a photographer he traveled the United States, Mexico, the Caribbean, and Europe. While he’d chosen the camera for his profession, he’d grown up with oil on canvas. His grandfather was the Harlem Renaissance painter Frank Joseph Dillon and a favorite uncle was the Latin American artist Felix Vargas. Dillon’s years behind the camera and days in Soho galleries inspired him to pursue Photorealism as a style. But instead of the landscape of the exotic which he’d experienced in his Kodak travels, he was fascinated by the humble diners, motels, and vintage signs which were vanishing from American towns and cities. To perfect his craft, he studied at the School of Visual Arts and the Art Students League in New York. In an article on his work in the July 2019 issue of American Art Collector magazine, Dillon comments on his subject matter. “Somebody’s got to save these things…These places may not exist anymore in the next 100 years.” Dillon’s favorite painting in this exhibition is Dunkin Donuts...