3rd Version (Ben Patterson)

"Version 3" Original Oil painting, Fantasy World on Rock

2025

"Just One Lick" is a 2024 acrylic and oil painting on cotton canvas by 3rd Version (Ben Patterson), measuring 36 x 24 x 1 inches, with a framed size of 38 x 26 inches. The work is un...

Robin Hextrum's "Resting Place" is an original, handmade oil painting that features larger than life floral varieties and a Water bird floating on icebe...

Mark Harrison's (UK based) "Ham Rock" is an oil painting that depicts an arid landscape with clouds and towering rock formations. Sometimes they are silent epic landscapes of the D...

Patrick Maxcy's "Precognitive Dream" is an original, handmade acrylic painting that depicts squid and birds attached to a glass bottle filled with birdho...

Mark Bowers Yes, But Does it Float oil on linen 21.75h x 14.75w in 55.24h x 37.47w cm MJB004 Mark Bowers- Artist Statement With the depiction of landscape playing such a central role in the history of North American art, it seemed to offer many of the critical possibilities I was looking for, and it felt more and more like something I have always known. Something I could easily apply, stage, and manipulate as a diary. My work consists of small-scale highly detailed landscape paintings. They are inspired by the comfort, trepidation, and beauty found in the mundane Chicago Suburbs. I combine nature, decorative house wares...

A detailed realistic/surrealistic acrylic painting on canvas.

Eileen Murphy’s paintings on panels are a mirage of disparate memories. Lived experience, borrowed art historical footnotes, and imagery drawn from literary references swirl together and coalesce into shimmering sylvan scenes. Allusions to Patinir, Jacob von Ruisdael, Frederick Church, lines pulled from Rilke, and Murphy’s own personal history emerge deftly from the same brushstroke. The result is images that are simultaneously foreign and familiar, deeply intimate yet shared in a common vernacular. Murphy builds these compositions from layers of carefully applied oil paint, her brushstrokes growing increasingly specific and nuanced with each new stratum. Because she works on panel, the pigment is not absorbed into the material, but rather, sits atop the surface, the color remaining fully saturated. Without this anchoring effect, Murphy’s landscapes become lofty and voluminous, further intensifying their surrealist quality. Eileen Murphy has spent her life along the Hudson River and has lived in Brooklyn, NY for the last seventeen years. Her current paintings are based on the landscape of Columbia County...