Figurative Paintings

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Byron Browne was an important American modernist painter. Ink, tempera, and crayon on paper Signed and dated lower right.

Watercolor on paper executed by German-American artist Richard Veenfliet "My Old Kentucky Home" references one of the ballads written by American composer Stephen Foster in 1852.

Water has been the backdrop to the significant events in my life. The reconstruction of radiant moments that exist in memory define the images I choose to paint, of swimming in the ...

Paul Wadsworth is one of the UK’s leading exponents of Expressionist paintings. His pieces are heavily worked with layers of richly applied paint, the result is paintings that sing w...

Original Painting. Colliers Cover Published American Scene Christmas Modern Antonio Petruccelli (1907 - 1994) Man with Ribbon Colliers published,...

Christine van der Cingel (1966) paints mainly cityscapes, people and animals. In her portraits the emphasis is on movement. It is more about t...

Day at the Beach - Realistic Figurative Illustration in Gouache Original figurative illustration of people at the beach by Charles Ross Kinghan (American, 1895-1984). Several women are looking at someone's foot, as if there is a splinter being removed. Three of the women are closer, with their heads in the frame. Two of them have are standing with their backs to the viewer. Between the women, the viewer can catch glimpses of other activities on the beach. Possibly a sketch for Good Housekeeping Magazine. Signed "Charles Ross" in the lower right corner. (Charles Ross Kinghan) Acquired with other signed estate works by the artist. Presented in a new cream mat. Mat size: 16"H x 13"W Board size: 14"H x 11.75"W Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign Works. He studied at the Chicago Academy of Fine Art in 1916, the American Academy of Art in Chicago, the Audubon School of Art and the Art Institute of Chicago. He was a pupil of Carl Scheffler, J. Wellington Reynolds, and H.A. Oberteuffer. He taught at the Art Institute of Chicago and at the American Academy of Art in Chicago. He was an illustrator for McCalls, Good Housekeeping, Saturday Evening Post, Colliers, and many others, including American Artist magazine. He was author and illustrator of Rendering Techniques for Commercial Art and Advertising (1956) and of Ted Kautzky...

Christine van der Cingel (1966) paints mainly cityscapes, people and animals. In her portraits the emphasis is on movement. It is more about t...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vi...

Gabryela Wasowicz is a Polish painter born in 1947. She studied at the Academy of Fine Arts of Warsaw and then at the Gerrit Rietveld Akademie in Amste...

Hermann Schütte (1893 Osnabrück - 1973 Hamburg), White Mask on Violet Ground. Enameled copper plate on wooden base, 37 x 29.5 cm, monogrammed and dated "S[chütte] [19]62" in the lowe...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by LeRoy Neiman (1921 – 2012). LeRoy Neiman was born in 1921 in St. Paul, Minnesota. He displayed a great talent for art at a young age, working as an illustrator for local grocery stores as a teenager. Even after being drafted into the Army in 1942, he spent his spare time painting murals on the walls of kitchens and mess halls, where he served as a cook. Once the Army’s Special Services Division took notice of his talents, he was sent to work on painting stage sets for Red Cross shows in Germany after the war. Upon returning to the United States, Neiman enrolled briefly at the St. Paul School of Art before attending the School of the Art Institute of Chicago and later, teaching figure drawing and fashion illustration there. While working at the Art Institute of Chicago, Neiman discovered his primary medium, enamel house paint, when a janitor threw out some half-empty cans of it next door to his apartment. From this medium, he embraced a technique of rapid paint application. While freelancing as an illustrator for the Chicago department store, Carson Pirie Scott, in the 1950s, Neiman met Hugh Hefner, who would become a great friend and help establish his artistic reputation. In 1954, Hefner showed Neiman’s paintings to Playboy’s Art...

Gabryela Wasowicz is a Polish painter born in 1947. She studied at the Academy of Fine Arts of Warsaw and then at the Gerrit Rietveld Akademie in Amste...

In this painting, Nussbaum portrays a Rabbi walking towards the synagogue in a sketch-like manner without focusing on any specific details. The vibrant colors used in this painting s...

Many of you clicking on this watercolor are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparke...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them into images of intimacy. Rick Sindt Did I Steal You Away? oil on panel 18h x 24w x 1.50d in 45.72h x 60.96w x 3.81d cm RIS036 “This body of work has been crystalizing in my mind for about five years,” says Sindt, “It is the product of reflecting on how the places I learned the most about myself, and my desires, are considered something that sullies a person, something taboo.” Focused on the experiences of gay men, this body of oil paintings depicts moments that range from tender touches to more sexually explicit...

„The Way 2”, mixed media (soil, pearl glue, oil, powder pigment, rosin) on jute, 140 x 150, 2012 Series “The Way” by Marta Pokojowczyk contains mixed media paintings on jute created...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collections throughout the Unite...

Skirr VII is an original figurative painting by artist Henry Walsh. The scene captures a sweet depiction of a man pulling a sleigh with his child on. Henry Walsh artist's works are a...

This vigorous drawing is clearly inspired by the numerous compositions on the Ecce Homo theme which were produced by Titian and his workshop at the painter's maturity. However, the number of characters and their expressionist treatment, the many variations to Titian's paintings reveal a drawing made by an original artist, perhaps of foreign origin, belonging to the peripheral circle of the "Titian solar system”, as described by the art historian Enrico Maria del Pozzolo. 1. Titian, the leading artist of 16th century Venetian painting and his botteghe Tiziano Vecelli (or Vecellio), known as Titian, was born between 1489 and 1490 in Pieve di Cadore in the Veneto region of Italy into a wealthy family of soldiers and lawyers. At the age of 15, he joined the studio of Giovanni Bellini, where he became friend with Giorgione, ten years his senior. Giorgione introduced him to a new pictorial style in which forms are defined by colour and pictorial substance, freeing himself from the meticulous underlying drawings characteristic of Bellini's painting. Titian became the official painter of the Republic of Venice upon Bellini's death in 1516. In 1518, the completion of his Assumption for the church of Santa Maria Gloriosa dei Frari in Venice established his reputation as the leading painter of the Venetian school: throughout his career, Titian had a considerable impact on other artists of his time, whether they were direct collaborators, occasional contributors, or other artists under his influence. Considered one of the greatest portraitists of his time, his fame spread throughout Europe and he became the official painter of the greatest European families: the Gonzagas, the Farneses (Alessandro Farnese, of whom he executed several portraits, was elected pope in 1534 under the name of Paul III), the Habsburgs (he went to Augsburg in 1548 to paint the portrait of Charles V and King Philip II of Spain, his successor, later became the artist's main patron). As Titian almost reached the age of 90 years, he saw during his lifetime the death of many of his loved ones (his wife Cecilia, his brother Francesco and his son Orazio). A pathetic feeling appears in his late artworks, such as his famous Pieta, his last work intended to decorate his tomb which remained unfinished. Titian's success was also based on the establishment of a large and versatile workshop, which, alongside the traditional assistance in the production of certain paintings, ensured the publication of numerous woodcuts, allowing the master's works to be widely distributed. Long ignored by art historians, the individual stories of these various collaborators, the organisation of this workshop and the interactions of the collaborators with the master are at the heart of contemporary studies on the artist. 2. A complex composition with expressionist overtones Executed with great virtuosity in black chalk, the composition of our drawing is complex, even slightly confused and probably reflects several phases of execution, if not several hands. The scene is organised around the characters of Christ and an executioner wearing a Phrygian cap. Christ is presented at mid-body, slightly at an angle, his torso bare, his shoulders draped in a cloak, his hands clasped together and probably bound. His head, as if weighed down by the crown of thorns, is slightly bent forward. The eyes and mouth are hollowed out by the black chalk to better express his sorrow. The man wearing a Phrygian cap holds a whip in his right hand, while his left hand, barely outlined, seems to be pulling aside Christ's tunic as if he were about to scourge him. Two other men, who may have been added at a later stage, occupy the space between the executioner and Christ. One is depicted in profile, while the one behind Christ appears to be wearing a military helmet. In an indistinct gesture, his left arm is raised as if to strike Christ. Slightly behind Jesus on his left side, appears a bearded old man wearing a turban. With his left arm raised, he holds out the palm of his hand in a gesture of amazement. His face is finely executed and contrasts with the hand depicted in a rather crude manner. This character may also have been added at a later stage, as he does not fit in perfectly behind the group formed by Jesus and his executioner. This frieze is completed in the left foreground by two additional figures depicted in three-quarter view. Soberly sketched but with great fluidity, only their heads emerge, as if Christ and his executioners were situated on a pedestal above a large crowd. Finally, on the right-hand side of the composition, a second helmeted soldier is depicted. His musculature can be seen under his armour while he stares intently at Christ. He is smaller than the other figures, even though he appears in the front row, revealing a certain clumsiness on the part of the artist. 3. Ecce Homo, one of Titian’s favourite subjects in his twilight years In 1543, Titian tackled the theme of the Ecce Homo in a masterly composition now in the Kunsthistorisches Museum in Vienna. Christ is presented by Pilate, dressed in an antique costume, at the top of a staircase, in a large, highly architectural setting animated by a crowd of characters. The title of the painting refers to a passage from the Gospel of St John (19, 1-5): “Then Pilate took Jesus and had him flogged. The soldiers twisted together a crown of thorns and put it on his head. They clothed him in a purple robe and went up to him again and again, saying, “Hail, king of the Jews!” And they slapped him in the face. Once more Pilate came out and said to the Jews gathered there, “Look, I am bringing him out to you to let you know that I find no basis for a charge against him.” When Jesus came out wearing the crown of thorns and the purple robe, Pilate said to them, “Here is the man!” From the 1540s onwards, Titian and his workshop repeatedly depicted the Christ of Sorrows for their principal patrons. In these paintings, Titian returned to the half-body format that he had practically abandoned since 1520 and refocused the composition (compared to the large 1543 Ecce Homo) on the figure of Christ, who is depicted alone or accompanied by a few figures. With his eyes lowered and his head slightly bowed, Titian's Christ seems calmly resigned to his fate. Powerless and submissive, he arouses deep pathos from the viewer. The tondo in the Louvre Museum shows Christ in a position very similar to that of our drawing, a position that will be found in most of Titian's Ecce Homo. To his right stands a helmeted soldier who seems to be baring his shoulder and to his left a servant of Pilate wearing a Phrygian cap. These two figures are reminiscent of the soldier in the lower right corner and the executioner in the left most part of our drawing. Various versions were executed by Titian and his workshop until the late 1560s, and the version that seems closest to the right-hand side of our drawing is the one in the Prado Museum. Although of uneven quality, it is interesting to note the gesture of Pilate's hand, holding out the palm of his left hand towards the viewer, as if to distance himself from the decision that the crowd will make. Recent X-rays of the painting have shown that the executioner on the right, depicted from behind, was originally depicted in profile (as in our drawing), and that the other two figures (Pilate on the left of Christ and a servant wearing a Phrygian cap on his right) were added later. The painting was then organised around the diagonal that crosses the canvas from left to right, emphasised by the light coming from the window, and centred on the exchange of glances between Christ and the executioner on his left. The profile of the old man in the foreground on the left could be inspired by that of the elderly Titian as it appears repeatedly in the painter's late artworks, such as the Madonna of Mercy in the Palatine Gallery. 4. A deeply original drawing, at the risk of confusion We saw in the last paragraph the various borrowings from Titian's depictions of the Ecce Homo that can be found in this drawing: the position of Christ, the presence of executioners wearing Phrygian caps and of helmeted soldiers, one of whom is looking at Christ in a position that evokes the repentance visible with X-ray in the Madrid painting...

Star 130x105 cm

Psychedelic Abstract Interior with Mirror in Oil on Paper Moody abstract interior by Jennie T. Rafton (American, b. 1925). An interior of a house in shown with a large round mirror....

"Untitled" Acrylic painting 48" x 60" inch Artist: Unknown Originally bought in NYC from pop up gallery event. The painting shows minor signs of w...

Françoise Juvin - Sea landscape around Cannes Reference number FJ125 Framed with a natural oak floated frame. 22,5 x 32 cm frame included (17 x 26 cm w...

"Sovereign Shield" (2022) by Doug Nox (aka Harleqvin and the Harlequinade), psychedelic, enchanted, cosmic, giclée 43.25 × 20 × 1.75 in Surrealistic / Pastel Colors / Patterns / Graffiti and Street Art / Figurativve art / Digital Painting and Drawing / Cosmic art / Psychedelic art Giclée print on Hahnemule rag paper mounted on wood panel; Hand embellished digital drawing giclée print painted with gold medium and glitter; hand painted multiple. Pastels, earth tones, metallics. Gold, purple, blue, pink, orange, yellow, green, red. Rich in symbolism and layered imagery and ornate wisps of cosmic iconography -- spirit animals and protectors (hares, rabbits, bunnies, lion), symbolic objects (shield, heart, eyes, eye, feet, shackles, shackled ankles, faces, hand, feather, princess, crown, tiara, figure, heart, mushroom creatures). Harleqvin and Harlequinade are both street art aliases of Philly-based street artist Doug Nox (aka #noxxy). He cites Austin Osman Spare...

Figures at work or Play Abstraction Watercolor and Acrylic on Paper My favorite of the Collection. A bold figurative painting by California-based artist, Ricardo de Silva (Brazilian...

Mixed media on paper Shipped well protected, rolled in a tube, unframed I can do commissioned work of any technique, style and size, contact us without obligation

Original painting on canvas. Hand signed on front by Ferjo. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers wil...

Vancouver artist Pat Service has always found inspiration in nature for her beautiful paintings. This series of florals documents a variety of single blossoms. A Grouping of four fl...

Promenade Shadows is an Original Painting by Eleanor Woolley. This painting was started Plein air and finished in the studio. The Artist's inspiration comes from the play of dark and...

Coffee Peloton XXXVIII is an original coffee on paper drawing by artist Eliza Southwood. This piece is a part of Eliza's coffee peloton series which combines the love of cycling with...

WILLIAM SHACKLETON, NEAC (1872-1933) Study for “The Song of the Evening” Signed l.r.: Wm Shackleton; signed and inscribed with title and the artist’s address on the reverse Oil on ...

Lilac Nude is an original artwork realized by Maurice Rouzée in the 1940s. Tempera on paper. Hand-signed by the artist on the lower left margin. Good conditions, except for some smal...

"Half Way 8", an Oil on Canvas painting of Sienna and very pale aqua-blue. Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our...

Flowers is an original modern artwork realized by Andrea Capasso in the late 20th century. Mixed colored oil painting on board. Includes frame. Hand signed on the lower margin.

Represented by George Billis Gallery. Glenn Ness is recognized for his photorealistic oil paintings of vacant backyards, landscapes, urban streets, and interiors. Ness’s composition...

Signed (lower right): ELEANOR PARKE CUSTIS

The Boys are back in Town [March 2022] original Oil Paint on Canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:2cm Sold Unframed Please note...

Rahim Mirza - Untitled Acrylic on Canvas, 18 x 18 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaki...

acrylic and collage (painted canvas) on canvas ANNA MASIUL-GOZDECKA Graduated from Warsaw Academy of Fine Arts in 2000. She studied painting at prof. Krzysztof Wachowiak`s atelier, ...

“Untitled Female" is a colorful piece by Richard Wilson that has meaning for native Detroiters through use of the blues and oranges - their "Tiger" baseball team's colors and the "D"...

This is a black and white monochrome painting using ink on Arches Watercolor paper. The work is 22 x 30 inches and depicts (perhaps a family?) four snakes. I started the snakes paintings...

Adolf Schreyer's "Arabian Rider at Dusk" is a stunning oil painting on canvas that depicts an Arabian rider in a golden sunset. By Adolf Schreyer 8.5" x 15.5" Oil on Canvas Framed...

John August Groth (American, 1908-1988) "Wrestling Match," Watercolor painting, hand signed upper right and inscribed upper left, "Las Palmas Canary Islands Lucha Canary Wrestling". Framed Size: 21'' x 29'', 53 x 74 cm (sight); 28.5'' x 36.25'', 72 x 92 cm (frame). Depiction of a wrestling match in a city square. John August Groth (1908 - 1988) was an illustrator and art teacher. He gained recognition as a war correspondent-illustrator. He studies at the Art Institute of Chicago and at Art Students League with Todros Geller, Robert Brackman, Arnold Blanch and George Grosz. He was a member: Society of American Etchers; American Newspaper Guild; Society of Illustrators; Associate Member of the National Academy of Design; American Water Color Society. Positions : Art Director at Esquire 1933 - 1937, Parade Publications 1941 - 1944; War Correspondent for Chicago Sun 1944; American Legion Magazine 1945; Artist-Correspondent in Vietnam 1967.Teacher at Art Students LeagueHe was the first art director of Esquire Magazine and taught at the Art Students League, the Pratt Institute, and the Parsons School of Design. In 1940, he was included in an exhibition at MOMA, titled, "PM Competition: The Artist as Reporter." The exhibition included Philip Guston, Reginald Marsh, John Tworkov, John Heliker, Adolf Dehn, and Chet La More. Groth began sketching intently during the Great Depression after studying at the Art Institute of Chicago. Following the advice of an editor, he penned 100 sketches a day for years. He learned to increase his speed by listening to sports on the radio and sketching the action as fast as he could. "I would listen to the games on the radio at night, and sketch the plays. It made me very quick." His break came when Arnold Gingrich, an editor for Esquire magazine, approached him at an art show in Chicago and offered him a position. "The way (Arnold Gingrich) told it," John Groth says, "he found this barefoot, bearded kid in the park, and the next day made him art director of the world's leading men's fashion magazine. But I swear I was wearing shoes." Groth went on to work as a correspondent and illustrator for the Chicago Sun, Collier's, Sports Illustrated, and The Saturday Evening Post. He developed a passion for war zones. He covered six different wars and was one of the first correspondents in Paris after its liberation. "It is only at war that I feel complete... There, you meet all sort of men -- farmers, mechanics, college professors. It rains on them and it rains on you. The shells burst in the air, and you are there, too." He would make a splash when he beat out friend and rival, Ernest Hemingway, into Paris in 1944. Hemingway was writing for the Chicago Tribune and Groth for the Chicago Sun. Groth was in the first jeep into Paris and got the scoop. His headline read, "Yanks are in Paris!" Hemingway would later write about Groth's technique. “None of us understood the sort of shorthand he sketched in. The men would look at the sketches and see just a lot of lines. It was a great pleasure to find what fine drawings they were when we got to see them. Groth went on to illustrate such classic books as: A Christmas Carol, All Quiet on the Western Front, The Grapes of Wrath, The War Prayer, and Gone with the Wind. Deborah Churchman described Groth's work in a 1980 Washington Post article: "Groth's pictures center on the day-to-day life of people caught in terrifying circumstances -- armies occupying cities, soldiers sweeping roads for land mines, bullfighters facing death." Bernie Schonfeld, a photographer for Life Magazine said of Groth, "John is one of the gentlest people in the world, and he always gets himself into the wildest hell hole." He joined the First Congress of American Artists Against War and Fascism in 1936, along with Stuart Davis, Peter Blume...

"With thoughts about…" Oil Painting 39" x 31" inch by c Year: 2009 Size framed: 44" x 36" inch

Oeuvre papier de l'artiste peintre Camille Cottier. Ses “bonhommes”, aux visages honnêtes, sont le reflet de sentiments universels: la solitude, l’amour, l’attente, le rêve

This piece was inspired by outings to the artist's local beach in August, when the sand is filled with people enjoying the Cornish sunshine! The turquoise ocean reflects the calm of rippling waves against the joyful colours of the windbreaks. Lenny Cornforth original art paintings for sale with Wychwood Art online and through their gallery in Oxfordshire. Endlessly enthralled by the Atlantic ocean, Lenny Cornforth takes inspiration from the northern coast of Cornwall, using layers of translucent colour and texture to construct vibrant and emotional paintings...

This work is typical of the topographical paintings by Trevor Waugh. Trevor and his wife travel the world painting locations and scenes that inspire them. Trevor has been painting all of his life after having studied at the Slade School of art. Since 1993 Trevor has made frequent visits to Venice for inspiration, resulting in several exhibitions here in the UK, as well as Florence and Rome. France has also featured in Trevor’s travelling schedule where he ran painting holidays in Provence and the Dordogne and spent some time in the Ardeche, Giverny and Brittany. A painting trip to Oman and a painting trip to Istanbul have also featured. Trevor Waugh was born in 1952 and grew up in London. Trevor studied at The Slade School of Fine Art from 1970 -1974 (BA) under the guidance of Sir William Coldstream, Professor of The Slade at the time, Patrick George, Philip Sutton...

Oil on panel. Flemish 17 century. Louis de Caullery

Malaga Shadows is an Original Painting by Eleanor Woolley. Started Plein Air and finished in the Artist's studio this painting is of Malaga's Old City. It is Very early spring, the s...

Exhibited: Salon, Société des Artistes Français, Paris, 1879 (no. 647)

Soft Light Over Dartmoor by Sophie Berger [2022] An original oil painting in calm muted colours. Built up in layers, this painting started as a sketch on Dartmoor. When looking clos...

Oil on panel. Flemish 17 century. Louis de Caullery, auction house provenance, sold like Louis de Caullery.

Françoise Juvin - Landscape in Italy Reference number FJ178 Framed with a natural oak floated frame. 25,5 x 31 cm frame included (21 x 26 cm without fr...

Oil on canvas

Sizzle [2020] original and hand signed by the artist Acrylic on canvas Image size: H:80 cm x W:80 cm Complete Size of Unframed Work: H:80 cm x W:80 cm x D:2.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A bird's eye view of sunbathers on the beach with matching multi-coloured parasols Ali Mourabet...