Figurative Paintings

Adriaen van Stalbemt (Antwerp, 1580-1662) Allegory of Peace and War, circa 1620-1630 Oil on oak panel: h. 49.5 cm, l. 73.2cm (19.29 x 28.74 in) Giltwood frame with laurel leaves, Lo...

LARGE FINE 20th Century Piece Maritime Battle Scene British oil painting in a Gold Gilt Frame FINE RARE MARTINE PAINTING ORIGINAL 20th Century OLD MASTER STYLE OIL PAINTING GOLD GILT FRAME By Similar $10,000 Premier Collection NEW COLLECTION Of RARE PIECES OF OLD HISTORY Good condition for age , (see pictures) Description Born in 1940 Anthony Brandrett...

French school of the 19th century (In the 1820s/1830s) Oil on canvas 46 x 38 cm (61 x 53 cm with frame) Unsigned Stamp from the collection of the merchant Jules Nicolas Moyon Beauti...

"Ballerinas" impressionist painting by Andre Gisson (1921-2003). Soft colors and bright light are hallmarks of Gissons work. This is rare subject manor for the artist. Although Ame...

Suite of four large family portraits, kept together to this day. Created around 1840 by the painter Théophile Morel, who presented portraits at the Salon des Artistes Français from t...

A dandy in the garden of black roses, 2016 by Ramonn Vieitez Watercolor and Gouache on canvas Size: 19.7 H x 15.7 W in. Signed on the back by the artist Unframed ___ Ramonn Vieitez...

Adam, 2016 by Ramonn Vieitez Watercolor and Gouache on canvas Size: 15.7 H x 11.8 W in. Signed on the back by the artist Unframed ___ Ramonn Vieitez is a self-taught Brazilian arti...

The Triumph of the Infant Bacchus, Workshop of Hendrick Van Balen (1575-1632) Antwerp, c.1630 Oil on copper, h. 28 cm (11.02 in), w. 35 cm (13.78 in) A large Roman 17th century golden painted frame Framed: h. 52 cm (20.47 in.), w. 58 cm (22.83 in) Our finely painted work depicts The Triumph of the Bacchus as a young boy and is one of the most popular mythological subjects in Antwerp at the beginning of the 17th century. Feasting, wine and fun are the themes that constantly appeal to the public. Thus unfolds before our eyes on our painting the procession composed of nymphs, baccantes, fauns, satyrs and children, their bodies naked, partially covered with brightly coloured draperies that help to brighten up the parade. Playing various instruments, dancing and drinking, while carrying vases and poles adorned with grapevines, participants to the rhythm of a noisy brass band make their way to an ancient temple standing on the right. The exaggerated gestures convey to us the frenzy of the excited crowd. The Child Bacchus follows the joyous procession, carried by satyrs and nymphs, crowned with ivy and joyfully raising a cup of wine. In the foreground, the drunken participants leave the procession, the children on the left and the group of bacchantes and satyrs on the right are resting among various objects scattered at their feet: cups, vases, ewers bear witness to the festivities in progress. In the background, a hilly landscape stretches out on the horizon, a semblance of calm that contrasts with the bustle of the foreground. The artist strives to multiply the many details, whether it be figures, costumes, flowers or vegetation, in order to demonstrate his know-how and the perfection of his execution. The acidulous palette with fresh and varied colours is characteristic of Hendrick Van Balen's works. There are several versions identical to ours with similar dimensions painted by Hendrick Van Balen and his workshop. Related works: • Koller Auction, Zurich, 21/09/2007, oil on copper, 28,5 x 37,4 cm. • Staatliche Kunsthalle, Karlsruhe, Inv. N° 809 (oil on copper, 40 x 53,5 cm) • Auktionshaus für Altertümer Glückselig, Vienne, 10/05/1932, ( oil on copper, 34 x 42 cm) • Gemäldegalerie of Pommersfelden, Schloss Weissenstein, oil on panel, 47 x 64 cm Hendrick Van Balen, Flemish painter, born and died in Antwerp (1575-1632). A pupil of Adam Van Noort, he entered the Guild of St. Luke in 1593, later trained in Italy and was Van Dyck's first teacher. He often painted small figures taken from scenes from the Bible or classical mythology, on paintings whose backgrounds and landscapes were painted by Josse de Momper...

Joseph Lorusso was born in Chicago, Illinois, in 1966, and received his formal training at the American Academy of Art. He went on to receive his B.F.A. degree from the Kansas City A...

Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...

Henri Ernest Clément DUPONT-CRESPIN (Notre Dame de Bondeville 1882 – Paris 1953) View of the rooftops of Paris Oil on canvas H. 65 cm; L. 92 cm Signed and dated lower right “3-1948” Exhibition: 60th exhibition of the Salon des Indépendants from April 22 to May 15, 1949 at the Musée des Beaux-Arts de la ville de Paris under number 893 Henri Dupont was born in Normandy near Rouen, and to stand out from his very, even too classic, name, he adopted that of his mother as a complement, which would become his unique artist name. He was a drawing teacher at the Épinal high school and also worked at the town museum, lending his eye to the identification of several old paintings. From 1928 and until the day before his death, Dupont-Crespin exhibited at the Salon des Indépendants. The vast majority of his works are landscapes, but there are also portraits of his colleagues, friends and relatives. In 1940 he published a collection of engravings...

Jean-Victor BERTIN and workshop (1767, Paris – 1842, Paris) Landscape of Ile de France Oil on canvas H. 38 cm; L. 46 cm Related work: painting of the same composition preserved at t...

Frank Moss Bennett British, (1874-1952) In the Garden Oil on panel, signed & dated 1917 Image size: 11 inches x 13.5 inches Size including frame: 20 inches x 22.5 inches A charming genre scene of two gentlemen in 18th century costume in a garden by Frank Moss Bennett. The men drink wine and eat fruit at a linen covered table...

OLD MASTER OIL PAINTING High Quality 19th CENTURY Stormy Seas GGF Description Good Condition panel. Cleaned Ready to hang. " frame is in wonderful condition Fine Original Antique ...

Most mornings we wake up to a physical reality of sharp contrast and clear-cut edges. Defined outlines help us navigate everyday life and the world around us. But the blurry fringes ...

Idyllic landscape with myhological story of Cephalus and Procris Early 17th century Italian school Workshop Of Paul Bril (Antwerp, 1554 - Roma, 1626) Oil on poplar panel: H. 28 cm (1...

Johann Boeckhorst (Münster 1604 - Antwerp 1668) Saint Ursula Oil on canvas, 112 x 86 cm Provenance: New York, Christe's, 20.3.1981, lot 88 (as Van Diepenbeeck's circle) The presen...

Medium: Oil on Board Dimensions: 10.75" x 12.75" Warner Books

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...

Antique painting depicting a leisure moment of French aristocracy(Pilgrimage to Kythera) anonymous master of the French school of the early 19th century, oil on canvas. The composit...

"Ballerinas" impressionist painting by Andre Gisson (1921-2003). Soft colors and bright light are hallmarks of Gisson's work. This is rare subject manor for the artist. Although Am...

Oil on canvas, 62 x 51 cm (without the frame) Even if on the background there is an attribution to “Francesco Gessi pupil of Guido Reni” by the bolognese art historian Guido Zucchini (dated 1945), recent studies are tending to add it to the corpus of Girolamo Negri called Il Boccia (Bologna 1648-1718) due to lots of similarities with his style (the pale and warm palette chosen, the profile) The painting represents a lady on profile wearing a brown turban, a yellow clock...

Belisario CORENZIO and his workshop (Cyparisse, 1558 – Naples, 1646) Saint Jacques bully at the battle of Clavijo H. 120 cm; L. 98 cm Around 1600 This f...

Born to Party, oil on canvas by Philadelphia Artist Emily Royer

Allegory of summer, personified by Ceres Workshop of Hendrick Van Balen Antwerp School, early 17th century. Oil on copper, Dimensions: h. 52 cm, l. 40cm Antic giltwood frame Framed dimensions: h. 74 cm, l. 60cm Very good condition Our delicately painted work is part of the pictorial tradition that is both allegorical and mythological in vogue in Antwerp, whose leaders are Jan Brueghel the Younger and Hendrick Van Balen. Numerous works emerging from their workshops illustrate mythological subjects, the seasons, the elements, the senses or intertwining the lush landscapes, animals and gods of Olympus. At the heart of a green landscape dominated in its center by a generous apple tree, the beautiful Ceres, partially dressed in a large blue drape, is wearing a crown of ears of wheat, her symbol of the goddess of the earth and harvests. She holds the sickle in her right hand and carries sheaves of wheat. To her right a nymph holds the cornucopia while puttis pick and offer flowers. In the foreground are the summer fruits: figs, cherries, apples and lemons. A squirrel munching on cherries symbolizes toil and foresight, themes that are echoed in the work of the harvesters on the wheat fields in the background. The background is composed of vegetation, on the right a wild rose bush with its branches erect against a tree trunk, in the center of the trees with silvery green foliage. Our painter, a student of Hendrick Van Balen, finds his inspiration in the works of the master such as this nymph in yellow drapery seen from behind, one of the figures which accompanies many of the master's paintings. The elegant gestures, the flesh...The indisputable influence of Jan Brueghel the Younger is revealed in the treatment of trees and flowers, wild roses, tulips as well as in the still life with the squirrel in the foreground. The craze for this type of virtuoso painting where the mythological figures are only a pretext to better illustrate the landscape and plant species surrounding them, then generated orders from all over Europe. Hendrick Van Balen, Flemish painter, born and died in Antwerp (1575-1632). A student of Adam Van Noort, he entered the guild of Saint-Luc in 1593, later trained in Italy and was Van Dyck's first master. He often painted small characters taken from scenes from the Bible or classical mythology, on paintings in which Josse de Momper...

Hanni Bay (Swiss, 1885 - 1978) Arvenwald im Graubünden - Pine Forests in the Swiss Grisons • Oil on artist board, ca. 26.5 x 35 cm • Frame, ca. 41 x 49 cm • Verso illegibly titled • Signed lower right Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Johanna / Hanni Bay was a Swiss feminist artiste; a strong woman, single mother to three children, who compromised rarely when it came to her art. She studied in Paris, as well as under the famous Cuno...

Most mornings we wake up to a physical reality of sharp contrast and clear-cut edges. Defined outlines help us navigate everyday life and the world around us. But the blurry fringes ...

Pre-Raphaelite painting representing the scene of a warrior. The oil on board of great quality represents a warrior who has defeated his opponent. The painting at the stylistic leve...

Framed with Acrylic cover Signed and dated on reverse Mint condition Born in 1977, Gully is a French artist who practices street art. He was introduced to graffiti when he was 15. ...

Another in a series of visually arresting still life's from Australian artist Louise Feneley. Exquisitely painted dried flora and fauna set on a background of the ubiquitous plate.

On the Artist's 73rd year, he would like to share a Very Special limited edition series, small and compact and for a fraction of the cost, these One of a Kind beauties are intricatel...

Original Post-War Oil Painting of Mournes from Dundrum Ireland by 20th Century Modern Artist, Denis Thornton (1937-1999) Art measures 30 x 20 inches Frame measures 36 x 26 inches (...

A Surprising Visit" by Eduardo León Garrido (Spanish, 1856-1949) invites viewers into a sumptuous journey through 19th-century European luxury. Eduardo León Garrido, a distinguished Spanish artist born in 1856 and leaving an artistic legacy until 1949, displayed a remarkable ability to capture the essence of his time through his brushstrokes. This antique masterpiece, rendered in oil on panel and measuring 22 1/2 x 29 3/4 inches, unveils a world of opulence within a Royal European...

Jonathan Pratt British, (1835-1911) Spinning Wool Oil on canvas, signed Image size: 12 inches x 17.75 inches Size including frame: 17.25 inches x 23 inches A pleasing genre paintin...

Virgin and Child Workshop of Pieter Coecke Van Aelst (Aelst, 1502- Brussels, 1550) 16th century Oil on oak panel Dimensions: panel: h. 71.5cm, W. 48.5 cm (28.15 in x 19.09 in) Later ...

Provenance: Sold: Jackson's Auctioneers & Appraisers, Cedar Falls, Iowa, December 8, 2009, Lot 4 A Pompeiian Love Song" by Antonio Rivas (Spanish, 1845-1911) transports viewers back ...

On the Artist's 73rd year, he would like to share a Very Special limited edition series, small and compact and for a fraction of the cost, these One of a Kind beauties are intricatel...

In this piece the artist choice of colors is muted, and there is a deft blending of them. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladizhinsky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

Rest during the Flight into Egypt - The Virgin and Child with St. John the Baptist and the angels in a Landscape. Attributed to Pieter Van Avont (1600-1652) 17th century Antwerp School, circa 1630 Oil on oak panel, Dimensions: h. 38 cm, w. 50 cm (14.96 in x 19.68 in) Flemish style frame in ebonized and moulded wood Framed: h. 56 cm, w. 68.5 cm (22.04 in. x 26.97 in.) In the heart of a lush wooded landscape, the Virgin with Jesus rests in a green clearing accompanied by Saint John the Baptist and the cherubs. Seated to the left of the composition, the Virgin Mary holds the Child on her lap; the little Saint John the Baptist wearing the camel-skin tunic (his attribute) stands before Jesus to exchange a few caresses. On the right, the couple of cherubs are playing with the lamb of Saint John the Baptist, bringing a jovial character to the scene. A pair of gardening putti on the left pick flowers to bring bouquets to the Virgin and Jesus. Spring flowers such as tulips, daffodils and anemones that grow abundantly around them and enrich the composition with their shimmering colors. A lush rose bush blooms to the left of the figures offering delicate roses. (The rose is the flower associated with the Virgin Mary, who is the "mystical rose," the one that does not bear the "thorn of sin") At the feet of the Virgin are bunches of grapes (symbol of the future passion of Christ) as well as apples (symbol of the original fall of Man but also of the Redemption in Christ) In the foreground we find a wicker basket filled in profusion with beautiful flowers and guinea pigs nibbling on the blades of grass. In a cleverly arranged disorder, these elements of the still life with their strong symbolic power accentuate the religious theme, but are also an opportunity for the artist to demonstrate his know-how in the still life genre that is gaining momentum in Antwerp. The landscape behind the figures consists of a large tree with a twisted trunk and a luminous opening to the horizon placed on the right. We see Saint Joseph arriving with a donkey, a small reminder from the artist that the composition is associated with the episode of Rest during the flight into Egypt. The calm expanse of this bucolic forest opening onto the luminous distance, with its profusion of symbolic flowers and fruits, is particularly suited to this sacred scene. The theme of Jesus' sacrifice and his tragic fate is mitigated by cherubs who play with innocence and carelessness in the face of the fragility of life symbolized by cut flowers. The great mastery of the painter is manifested by the finesse of the drawing enhanced by the delicacy in the application of the brushstrokes bringing a multitude of details. The richness of the whole is exacerbated thanks to the choice of colours, this varied palette is an undeniable asset of our work. The virtuosity of our artist lies in his versatility, as much concerned with the success of the landscape and flowers as with the modelling of his figures. The cherubs with their naked bodies are gracefully illuminated by warm colours with subtle shadows, while the still life is rendered with astonishing realism, both in the precision of the drawing and in the countless shades of the flowers. There are several compositions similar to ours, of which below are the closest versions: • Sale, Jean-Claude Anaf et Associés, Lyon, 08/02/1998, attributed to Pieter Van Avont, oil on panel, h. 48 cm, l. 71 cm (recorded on RKD n° 31451). Comment: identical composition, only St Joseph with the donkey is different) • Christie's New York sale, 29/01/1998, Pieter Van Avont, oil on copper, h. 23.8 cm, w. 24.8 cm • Dorotheum sale, Vienna, 25/04/2017, Pieter Van Avont and Jan Breughel II, oil on copper, h .26 cm, w. 39 cm • Hermitage Museum, Saint Petersburg, Russia, Pieter Van Avont, oil on panel, h. 50.5 cm, w. 71.7 cm Peter van Avont, Flemish painter (Mechelen, 1600 - Antwerp. 1652) Born in Mechelen, he is mentioned in 1620 as a member of the painters' guild of his hometown. He left in 1 622 for Antwerp, where he was also a member of the guild. He collaborated with many painters, including Jan Brueguel the Younger, David Vinckboons, Lucas van Uden...

On the Artist's 73rd year, he would like to share a Very Special limited edition series, small and compact and for a fraction of the cost, these One of a Kind beauties are intricatel...

"Wish To See You Here" is a captivating large contemporary painting by Danish visual artist Steffen Bue. The painting measures 39,3in (H) x 39,3in (W) / 100cm x 100cm, making it a ce...

Signed lower right “Henningsen” and dated 1881 at reverse. Attributed by Erik Ludvig Henningsen (1855 - 1930) was a Danish painter and illustrator. Masterly painted genre scene “testing grandfather’s pipe” depicting lively domestic moment. The little prankster wants to be like his grandfather, but how can he not try his grandfather’s pipe, which he loves so much and does not let go of even in his sleep. The curious and brave sly man, despite the consequences, took off his shoes to approach quietly... One can imagine his disappointment and emotions after he accomplished what he had planned... The boy's faithful friend, a small dog, looks at all this with interest and curiosity. Loved and admired for his talent to realistically portray life and tell a story at the same time, Henningsen took great pride to never include any personal feelings or philosophy, but to stay neutral to the subject matter for whichever painting he was doing. Antique oil painting on canvas, signed, framed. Size: 43 cm x 35 cm (roughly 16.9 x 13.8 in), frame 52 x 43.5 cm (roughly 20.5 x 17.1 in). Very Good pristine condition with minimal wear. Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 1 kg is going to measure some 2 kg packed for shipment. Erik Henningsen was educated at the Copenhagen Royal Academy of Art. He Traveled and studied in Germany, Italy, France and Holland, and received numerous awards and medals throughout Europe. He later became a member of the Royal Academy of Art. Exhibited in Charlottenborg, Copenhagen, Vienna, Paris, Berlin, Munich, Lubeck, and many more. Erik Henningsen is always mentioned in the same breath as his older brother, painter Frants Henningsen. Both with their traditionally classic approach to realism, anecdotal undertones and bold use of dark colors, they were the most loved and celebrated illustrators of life and times; often depicting the hardships and trials of that day and age. One of Erik Henningsen’s large...

This stunning work by Louise Feneley is somehow both abstract and figurative. Is it a pearl or a glowing ball of light? It's hard to tell. The light, color and technique in this work...

Saerom Jeong Saerom Jeong has been reinterpreting still-life and portraits with abbreviated forms and images, inspired by Impressionism, Pop Art, and Abstract Expressionism, while Ji Hee Lee...

Introducing an intriguing and vibrant extra-large contemporary painting. In-versio: "Cardaillac", 1984, "Acryl sur papier de chine", "Yellow Orange and Blue"

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Polczer was an Hungarian artist, his foundations of painting were taught by a painter Bertalan Karlovszky. His works were exhibited in the National Salon and the Art Hall from 1928. His works are held by the Hungarian National Gallery. In his later years he worked in the United States, he was working in New Orleans, Louisiana in the late 1960s. Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style nude paintings. In the tradition of Moritz Oppenheim...

Karl Kasimir Otto Ritter von Thoren (born July 21, 1828 in Vienna, died July 15, 1889 in Paris). Dimensions without frame. Austrian officer and painter. Thoren was the son of Colonel Franz Kasimir Ritter von Thoren and his wife Konstanze Maria (née Lachmann). He became an officer in 1846 and was involved in the Hungarian campaign in 1848. He then spent a long time in Venice, where he was employed as an adjutant to the military and civil governor Ludwig Gorzkowski. After turning to painting in 1857, he studied in Brussels and Paris for several years. In the mid-1860s he was commissioned to create a portrait of the Emperor Franz Josef in Vienna. After painting the death...

On the Artist's 73rd year, he would like to share a Very Special limited edition series, small and compact and for a fraction of the cost, these One of a Kind beauties are intricatel...

"Taking Tea" by Jan-Baptist Huysmans, an accomplished Orientalist painter of the 19th century, unveils a captivating world in his oil painting on panel. Born in 1826, Huysmans was re...

Dramatic western figurative landscape oil painting of three Treeing Walker Coonhounds (aka: Tennessee Lead) "treeing" a bear in a tree by western artist Kim L Powers (American, 20/21st Century). Signed "Powers 1993" lower right corner. Image, 29.5"H x 23.5"W. Long years on the Navajo reservation as a working cowboy/bull rider...

Edna Hibel: 1917-2015. Well listed important American artist. Mostly associated with Florida and Massachusetts. There is a Hibel Museum in Florida. Some called her the latter 20th ce...

A fine early 20th century figurative oil painting of a girl and cat in a doorway by Austrian artist Edmund Adler Rode (aka Edmund Adler) (1876-1965). Edmund was born in Vienna, Austr...

About the Artwork Hayoung Kim's paintings incorporate her own experiences in real life. Now she has given birth and encountered a whole new phase of life. While experiencing motherho...

A mysterious blue curtain opens up onto a cityscape, like a set from a play. Two fake palms flank both sides of the scene. A barren, dirt-like path winds its way into the background of the city. A briefcase lays open with a collared shirt and tie sitting promptly upright. Other small artifacts litter the path. A silver bird bath stands...

Karel Frans Philippeau Dutch, (1825-1897) Home from the Vineyard Oil on panel, signed & dated 1867 with old label verso Image size: 11.25 inches x 15.25 inches Size including frame...

Frank Dekkers Morning in the Valley 100 x 120 cm oil on canvas framed in a wooden grey frame as seen on picture, it measures 104 x 124 cm Frame is included in price On the pictures we also show you the artist receiving the flowers on our opening of this exhibition september 3th 2023 in our gallery. On an other picture you see the artist talking with collectors who purchase one of his works and gallery owner René Renders talking with other visitors in front of the painting. We show these pictures to give you an idea of the size and sphere of the paintings. About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know him. His studio is located "everywhere", or at least outside where this artist is inspired by the landscape. A special way of summarizing leads in his paintings to a very strong and simplified image. These works invite you to walk into the landscape and to keep looking. A book has been published about Frank Dekkers, which is included when purchasing a...

Justus Juncker (1703-1763, Germany) Attributed to Scholar Sharpening His Quill Penn Expertise: We would like to thank Dr. Fred G Meijer for his valuab...

A very dramatically painted view of a woodland scene in the autumn with such vibrant colour and brushwork, typical of this very collectible artist. Garstin Cox (1892-1933) Woodland ...