Figurative Paintings

LV, 2022 by Hunter & Gatti From the series Lous and The Yakuza Acrylic and oil wax on fine art paper 255 grs. Image size: 20.6 in H x 15.7 in W Unframed This is a project together w...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

Lovely figurative composition of two neighbors talking over a fence by Marilyn Spencer (American, 1939-2017). A figure dressed in blue is leaning over a fence, towards a neighbor dressed in yellow. Presumably the two people are engaged in conversation, based on their body language. This piece has a loose, sketchy style that adds an innocent quality to the composition. Signed in the lower right corner. Tag on verso from Mullaly-Matisse Galleries Presented in a gold-colored aluminum frame with an off-white mat. Paper size: 7.5"H x 7.5"W (approx - paper is not square) Marilyn Spencer (American, 1939-2017) was a lifelong resident of New Orleans and a popular regional artist. She worked mainly in acrylic (on canvas and paper) and lithograph, with most of her work depicting landscapes and scenes of women engaged in daily life. Spencer produced a lithograph for the New Orleans Saints...

Feroz Khan - Fruit Seller Acrylic on Canvas, 24 x 36 inches About Artist : Mohammad Feroz Khan was born in 1978 and brought up in Delhi. He have not under...

Eclectic artist, born in Atri in Abruzzo in 1980, he works in the field of contemporary art with conceptual creations from the age of 18 years. He currently lives in Puglia. In his s...

Eclectic artist, born in Atri in Abruzzo in 1980, he works in the field of contemporary art with conceptual creations from the age of 18 years. He currently lives in Puglia. In his s...

Clarence Holbrook Carter (American, 1904-2000) Pinnacle, c. 1960s Acrylic and collage on scintilla 22 x 8 inches 23.25 x 9 inches, framed A surrealist mid-century figural abstract p...

Feroz Khan - Untitled Acrylic on Canvas, 36 x 48 inches About Artist : Mohammad Feroz Khan was born in 1978 and brought up in Delhi. He have not undergone...

Industrial illustration of a smokestack by Charles Ross Kinghan (American, 1895-1984). A large tower and holding tanks are rendered in exquisite detail, especially considering the size of the illustration. The smokestack towers above the landscape, with stairs running up the outside. Two large green holding tanks sit next to the tower. At ground level, there are a few small figures, indicating the enormous scale of the refinery. possibly a sketch for Colliers or The Saturday Evening Post Magazine. Unsigned, but was acquired with other signed estate works by the artist. Presented...

This original artwork Ornament & Misfit was realized by the Italian artist EMPHI in 2019. Acrylic paint and ink on cardboard from the series Tuttifrutti. Hand-signed on the lower c...

original painting; acrylic on high quality canvas stretcher, finished off with a glossy varnish. Comes in a white wooden frame and ready to hang. Measurements with frame: 73 x 90 x 3...

Jerzy Mazur was born in Kołobrzeg in 1964. He graduated from the State College of Fine Arts in Gdańsk at the sculpture department under the supervision of prof. Franciszek Duszeńko. Jerzy Mazur is an artist in whose work man has made a permanent home. His sculptures, bas-reliefs, paintings and drawings are linked by a recurring motif of a female figure presented on a neutral background, standing or sitting, full of concentration, experiencing internal dilemmas. The artist always shows this figure as a naked figure...

Katarzyna Swinarska is a contemporary visual artist working with painting and video which often follows the convention of video performance. She creates also multimedia projects wher...

Orsolic Dalessio composes a picturesque scene of a fisherman patiently waiting for his catch among the vast greenery of the French countryside. A plein air painting in France by Orso...

Raya, like every productive artist, is a collection of actions, utopias and talents. He is an acrylic painter and a muralist; an installation artist and a practitioner of the theory of the fragment as a synthesis of the whole; he is Chicano but his work has no passport; he is an obsessive self-portraitist (I, as the multiplicity locked within the I) and his an advocate of his community (in the fullest sense of the world); his is from Chicago and - being a nation onto himself - is a native of his art education; his yearns for the Tijuana of tomorrow while being a full-fledged inhabitant of the Tijuana of half a century back; he admires high-tech while being a fan of Frida Kahlo. --Carlos Monsivais Marcos Raya Dog Years acrylic on canvas 17h x 17w in 43.18h x 43.18w cm MSR055 Marcos Raya brings together old and new works in a variety of media that mostly explores the sociological impact of technological change. His paintings, collages and installations present an idiosyncratic hybrid of Mexican folklore...

Reference number F371 This work is painted with oil on a paper that is mounted on a canvas and placed in a made to measure wood strectcher. It is signed in the bottom left. The paint...

#5-2858 A mother and child,figurative impressionistic style palette oil on canvas applied on board.Displayed in a wood frame.Artist unknown.Image size 10.5 H x 13.5 W

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Canvas is not stretched. Certificate of authenticity included. All...

Original 1940s watercolor on paper painting by Charles Ragland Bunnell portraying a semi abstracted view of Golden Cycle Mill in Colorado Springs, Colorado. Painted in shades of black and gray. Presented in a custom black frame, outer dimensions measure 18 x 19 ½ x 1 ⅜ inches. Image sight size is 8 ⅛ x 9 ⅝ inches. Golden Cycle Mining and Reduction Company was a mining company in Colorado City (now Old Colorado City) in El Paso County, Colorado. Piece is clean and in excellent condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the artist: Artist and teacher, Charles (“Charlie”) Bunnell worked in a variety of styles throughout his career because as an artist he believed, “I’ve got to paint a thousand different ways. I don’t paint any one way.” At different times he did representational landscapes while concurrently involved with semi- or completely abstract imagery. He was one of a relatively small number of artists in Colorado successfully incorporating into their work the new trends emanating from New York and Europe after World War II. During his lifetime he generally did not attract a great deal of critical attention from museums, critics and academia. However, he personally experienced a highpoint in his career when Katherine Kuh, curator at the Art Institute of Chicago, personally chose one of his paintings – Why? - for its large exhibition of several hundred examples of abstract and surrealist art held in 1947-48, subsequently including it among the fifty pieces selected for a traveling show to ten other American museums. An only child, Bunnell developed his love of art at a young age through frequent drawing and political cartooning. In high school he was interested in baseball and golf and also was the tennis champion for Westport High School in Kansas City. Following graduation, his father moved the family to Denver, Colorado, in 1916 for a better-paying bookkeeping job, before relocating the following year to Colorado Springs to work for local businessman, Edmond C. van Diest, President of the Western Public Service Company and the Colorado Concrete Company. Bunnell would spend almost all of his adult life in Colorado Springs. In 1918 he enlisted in the United States Army, serving in the 62nd Infantry Regiment through the end of World War I. Returning home with a 10% disability, he joined the Zebulon Pike Post No. 1 of the Disabled American Veterans Association and in 1921 used the benefits from his disability to attend a class in commercial art design conducted under a government program in Colorado Springs. The following year he transferred to the Broadmoor Art Academy (founded in 1919) where he studied with William Potter and in 1923 with Birger Sandzén. Sandzén’s influence is reflected in Bunnell’s untitled Colorado landscape (1925) with a bright blue-rose palette. For several years thereafter Bunnell worked independently until returning to the Broadmoor Art Academy to study in 1927-28 with Ernest Lawson, who previously taught at the Kansas City Art Institute where Bunnell himself later taught in the summers of 1929-1930 and in 1940-41. Lawson, a landscapist and colorist, was known for his early twentieth-century connection with “The Eight” in New York, a group of forward-looking painters including Robert Henri and John Sloan whose subject matter combined a modernist style with urban-based realism. Bunnell, who won first-place awards in Lawson’s landscapes classes at the Academy, was promoted to his assistant instructor for the figure classes in the 1928-29 winter term. Lawson, who painted in what New York critic James Huneker termed a “crushed jewel” technique, enjoyed additional recognition as a member of the Committee on Foreign Exhibits that helped organize the landmark New York Armory Exhibition in 1913 in which Lawson showed and which introduced European avant-garde art to the American public. As noted in his 1964 interview for the Archives of American Art in Washington, DC, Bunnell learned the most about his teacher’s use of color by talking with him about it over Scotch as his assistant instructor. “Believe me,” Bunnell later said, “[Ernie] knew color, one of the few Americans that did.” His association with Lawson resulted in local scenes of Pikes Peak, Eleven Mile Canyon, the Gold Cycle Mine near Colorado City and other similar sites, employing built up pigments that allowed the surfaces of his canvases to shimmer with color and light. (Eleven Mile Canyon was shown in the annual juried show at the Carnegie Institute in Pittsburgh in 1928, an early recognition of his talent outside of Colorado.) At the same time, he animated his scenes of Colorado Springs locales by defining the image shapes with color and line as demonstrated in Contrasts (1929). Included in the Midwestern Artists’ Exhibition in Kansas City in 1929, it earned him the gold medal of the Kansas City Art Institute, auguring his career as a professional artist. In the 1930s Bunnell used the oil, watercolor and lithography media to create a mini-genre of Colorado’s old mining towns and mills, subject matter spurned by many local artists at the time in favor of grand mountain scenery. In contrast to his earlier images, these newer ones – both daytime and nocturnal -- such as Blue Bird Mine essentially are form studies. The conical, square and rectangular shapes of the buildings and other structures are placed in the stark, undulating terrain of the mountains and valleys devoid of any vegetation or human presence. In the mid-1930s he also used the same approach in his monochromatic lithographs titled Evolution, Late Evening, K.C. (Kansas City) and The Mill, continuing it into the next decade with his oil painting, Pikes Peak (1942). During the early 1930s he studied for a time with Boardman Robinson, director of the Broadmoor Art Academy and its successor institution, the Colorado Springs Fine Arts Center from 1930 to 1947. In 1934 Robinson gave him the mural commission under the Public Works of Art Project (PWAP) for West Junior High School in Colorado Springs, his first involvement in one of several New Deal art...

This strobe-like dynamic composition with bright and bold colors reflects the energetic taste of the 7 Up brand. It lies somewhere between abstraction and figuration. Peaks' use of b...

This painting is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living b...

The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...

Symbolically representing the ordeals of the young man and the necessity for a sharp vision to see through the hurdles. Painting Ships in a well-protected tube from Nigeria This wor...

Subuddha Ghosh - Untitled - 48 x 48 inches Acrylic on Canvas Subuddha lives and works in Kolkata, India. His canvas is always large and realistic. Using his photographic memory, Su...

Mother Nature is an original acrylic painting realized by the Italian artist Salvatore Petrucino in 2016. Hand-signed on the lower right. Technique, dimensions, and date are writt...

Original watercolor on paper, signed in pencil.

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...

Developed in London in 2019 and 2020, this project focuses on the idea of dreaming and although the emerging compositions are closed and defined they are also very dynamic and vibran...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exper...

Magdalena Nałęcz (b. 1970) She graduated from the Academy of Fine Arts in Cracow in 1995. She received numerous scholarships and prizes: in 1997 the scholarship of the city of Cracow...

Sandra Cohen’s “Pantomime Horse” is an unframed 18 x 18 x 1 inch acrylic painting on canvas, loosely painted in tones of yellow, orange, pink, brown, and ...

Oil on Canvas 28 × 22 in 71.1 × 55.9 cm This is a unique work. This work includes a Certificate of Authenticity. Provenance: Owned by artist Free Shipping in US and Europe [Standard...

Jean-Daniel RIBEYROL (Périgueux 1918 - Razac sur l'Isle 2005) Boats in Propriano (Corsica) Oil on plywood H. 46 cm; L. 55 cm Signed lower left. Signed and located on the back Proven...

Modernist oil painting on board depicting an unexpected gathering of personalities all with a common expression. Signed by the noted artist Ken Nielsen and...

MALCAH ZELDIS ''Basketball'', 1988, gouache on paper Hand signed and dated bottom right, titled in pencil on paper verso Malcah Zeldis (born Mildred ...

Pink Dreams "Drink Me" is an original drawing from the "Pink Dreams" Collection (2019). It is one of 15 artworks with a similar theme and dimensions. All unique pieces and currently ...

"Little Lions" (after Bartholomaus Spranger) is an original drawing part of the Beast Collection (2022). It was first exhibited at The Other Art Fair London in 2022 and is currently ...

Oil on linen Galina Navodnitchaia-Malfoy alias Galka is a French artist born in 1971 who lives and works in Callians near Cannes in France. At the School of Fine Arts in Brest, Bela...

This is a piece from my "Body Abstraction" Series. It is a series I created during my MFA where I was interested in zooming in on the female body, my own body specifically, to focus ...

Oil on linen Galina Navodnitchaia-Malfoy alias Galka is a French artist born in 1971 who lives and works in Callians near Cannes in France. At the School of Fine Arts in Brest, Bela...

In this mixed media 24"x24" painting, 'Meme Money 007: Green Goochi,' by XVALA, the artist colorfully plays with the 'Gucci' brand in tandem with the childhood cartoon series, SpongeBob. SpongeBob, as a green 'Goochi Sponge,' takes center stage with a green letter pattern on the canvas background. The work is a screen print with additional painting and iridescent oil stick by the artist with predominant colors of green and gold. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His 'Fear Google' campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

Colorful oil on canvas abstract expressionistic figurative painting.

'Untitled' (The Last Picture Show) - 2005, Edition 2/10, 20x20cm, Based on a Polaroid, Certificate and signature label, Not mounted, Artist inve...

Oil on linen Galina Navodnitchaia-Malfoy alias Galka is a French artist born in 1971 who lives and works in Callians near Cannes in France. At the School of Fine Arts in Brest, Bela...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...

Oil on linen Galina Navodnitchaia-Malfoy alias Galka is a French artist born in 1971 who lives and works in Callians near Cannes in France. At the School of Fine Arts in Brest, Bela...

The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Mid century modern masterwork, 'The Green Boat', by celebrated American woman artist, Elaine Badgley Arnoux. Painted in 1958 in the artists's unique style, ...

Oswald Oberhuber's art was rich in diversity of expression, as well as in the media he used. This work, coloured pencil and pencil on paper, shows a portrait of a man, reduced to few...

Signed at the bottom left Jean Duquoc is a French artist born in 1937 who lives & works in Belz, Brittany in France. In his work, we can see the skill with which he uses color, movi...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunity in the United States. Dan...

A vivid contemporary street art style painting of an abstracted tree with two embracing figures creating the trunk by Santa Cruz, California artist Elliott Bliss (American, b.20th Century). Bright colors and bold patterns add interest and depth to this visionary piece, which pops with yellow and green against a bright sky blue background. Signed and dated "Elliott Bliss / Dec 2013" lower right. Unframed. Canvas size: 16"H x 20"W. Elliott Bliss is a contemporary Santa Cruz, California based artist. He is known for using bright colors to capture the spirit of living in Santa Cruz in his visionary paintings...

"The Return of Saturn" is an original pop art painting by LA-based artist Casey Courey-Pickering aka Hero. Hero’s collection of works focuses on “movement through the spectrum of lig...

Wendy Artin is an American contemporary artist who works primarily in watercolor and charcoal. Her work is figurative and classical and explores the timele...

David Rathman is known for his sensitively rendered paintings of stereotypically male motifs from American history and contemporary culture. He was the recipient of a Bush Foundatio...

Memories of Love III (The Girl behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and signatur...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...